Focusing on the translation and translators of Boris Savinkov, Mikhail Artsybashev and Leonid Andreev, this book explores the processes of the translation, transmission and interpretation of Russian literature in China during the first half of the 20th century.

This book traces the profound influence that Russian literature, which was tied inseparably to the political victory of the Russian revolution, had on China during a period that saw the collapse of imperial rule and the rise of the Communist Party.

Contains English translations of Chinese writings drawn from throughout a period of four hundred years, including poems, drama, fiction, songs, biographies, and early works of philosophy and history; arranged chronologically and by genre, with introductory quotes and comments.

Past attempts at writing a history of Chinese translation theory have been bedeviled by a chronological approach, which often forces the writer to provide no more than a list of important theories and theorists over the centuries. Or they have stretched out to almost every aspect related to translation in China, so that the historical/political backdrop that had an influence on translation theorizing turns out to be more important than the theories themselves. In the present book, the author hopes to devote exclusive attention to the ideas themselves. The approach adopted centers around eight key issues that engaged the attention of theorists through the course of the twentieth century, in the hope that a historical account will be presented that is not time-bound. On the basis of 38 articles translated into English by teachers and scholars of translation, the author has written four essays discussing the Chinese characteristics of this body of theory. Separately they focus on the impressionistic, the modern, the postcolonial, and the poststructuralist approaches deployed by leading Chinese theorists from 1901 to 1998. It is hoped that publication of this book will make possible cross-cultural dialogue with translation academics in the West, although the general reader will find much firsthand information on Chinese thinking about translation.

Modern Russian-Chinese translation dictionary contains about 13,500 Russian words. It includes not only the most used words of the Russian language, but also a number of words that appeared in the Russian language in the XXI century. With this dictionary you can read the newest works of Russian literature or explore the articles, news sites or the modern Russian journalistic world.

Translating Russian Literature in the Global Context examines the translation and reception of Russian literature as a world-wide process. This volume aims to provoke new debate about the continued currency of Russian literature as symbolic capital for international readers, in particular for nations seeking to create or consolidate cultural and political leverage in the so-called ‘World Republic of Letters’. It also seeks to examine and contrast the mechanisms of the translation and uses of Russian literature across the globe. This collection presents academic essays, grouped according to geographical location, by thirty-seven international scholars. Collectively, their expertise encompasses the global reception of Russian literature in Europe, the Former Soviet Republics, Africa, the Americas, and Asia. Their scholarship concentrates on two fundamental research areas: firstly, constructing a historical survey of the translation, publication, distribution and reception of Russian literature, or of one or more specific Russophone authors, in a given nation, language, or region; and secondly, outlining a socio-cultural microhistory of how a specific, highly influential local writer, genre, or literary group within the target culture has translated, transmitted, or adapted aspects of Russian literature in their own literary production. Each section is prefaced with a short essay by the co-editors, surveying the history of the reception of Russian literature in the given region. Considered as a whole, these chapters offer a wholly new overview of the extent and intercultural penetration of Russian and Soviet literary soft power during the twentieth and twenty-first centuries. This volume will open up Slavonic Translation Studies for the general reader, the student of Comparative Literature, and the academic scholar alike.

The Russian influence took root in the Chinese intellectual tradition that evolved after the Literary Revolution of 1917. When the Chinese communists turned to Russia for their inspiration they also accepted the Russian version of the novel’s form and function in society. However, they did not accept it uncritically. Chinese understanding of the arts goes back for thousands of years and thus Chinese intellectuals brought their own kinds of tradition and intelligence to these new arts and political solutions. In this lucid study, the author demonstrates how Chinese writers, guided by Russian authors such as Chekhov, Turgenev, and Andreyev, created works of art that are both original and Chinese. However, he also shows that the familiar heroes of such famous novelists as Lu Xun, Yu Dafu, Mao Dun, and Ba Jin have a strong Russian flavor linked to prototypes in the Russian literary tradition. The author depicts the fortune of Soviet literature and the fate of the intellectual hero in the People’s Republic of China. He believes that the humanistic May Fourth intellectual tradition, which inspired enthusiasm for classical Russian literature, has been revived with the publication of works like Dai Houying’s Man ah, Man! and Zhao Zhenkai’s Waves.