An intriguing historical examination of China's widespread opium epidemic

In the nineteenth century, opium smoking was common throughout China and regarded as a vice no different from any other: pleasurable, potentially dangerous, but not a threat to destroy the nation and the race, and often profitable to the state and individuals. Once Western concepts of addiction came to China in the twentieth century, however, opium came to be seen as a problem "worse than floods and wild beasts." In this book, Alan Baumler examines how Chinese reformers convinced the people and the state that eliminating opium was one of the crucial tasks facing the new Chinese nation. He analyzes the process by which the government borrowed international models of drug control and modern ideas of citizenship and combined them into a program that successfully transformed opium from a major part of China's political economy to an ordinary social problem.

This book examines the Chinese opium crisis from the perspective of Qing prohibition efforts. The author argues that opium prohibition, and not the opium wars, was genuinely imperial in scale and is hence much more representative of the actual drug problem faced by Qing administrators.

These two books offer readers a fresh perspective to re-examine and revaluate the so-called “China Threat” and the non-Western way of conducting foreign relations exercised by Asian countries due to the lasting impact of their traditional cultures on their diplomacy. 此書著為讀者提供全新視角來重新檢驗和評估所謂的”中國威脅論”和亞洲國家之非西方式外交及其傳統文化外交之影響.

To this day, the perception persists that China was a civilization defeated by imperialist Britain's most desirable trade commodity, opium—a drug that turned the Chinese into cadaverous addicts in the iron grip of dependence. Britain, in an effort to reverse the damage caused by opium addiction, launched its own version of the "war on drugs," which lasted roughly sixty years, from 1880 to World War II and the beginning of Chinese communism. But, as Narcotic Culture brilliantly shows, the real scandal in Chinese history was not the expansion of the drug trade by Britain in the early nineteenth century, but rather the failure of the British to grasp the consequences of prohibition. In a stunning historical reversal, Frank Dikötter, Lars Laamann, and Zhou Xun tell this different story of the relationship between opium and the Chinese. They reveal that opium actually had few harmful effects on either health or longevity; in fact, it was prepared and appreciated in highly complex rituals with inbuilt constraints preventing excessive use. Opium was even used as a medicinal panacea in China before the availability of aspirin and penicillin. But as a result of the British effort to eradicate opium, the Chinese turned from the relatively benign use of that drug to heroin, morphine, cocaine, and countless other psychoactive substances. Narcotic Culture provides abundant evidence that the transition from a tolerated opium culture to a system of prohibition produced a "cure" that was far worse than the disease. Delving into a history of drugs and their abuses, Narcotic Culture is part revisionist history of imperial and twentieth-century Britain and part sobering portrait of the dangers of prohibition.

This “crisp and readable account” of the nineteenth century British campaign sheds light on modern Chinese identity through “a heartbreaking story of war” (The Wall Street Journal). In October 1839, a Windsor cabinet meeting voted to begin the first Opium War against China. Bureaucratic fumbling, military missteps, and a healthy dose of political opportunism and collaboration followed. Rich in tragicomedy, The Opium War explores the disastrous British foreign-relations move that became a founding myth of modern Chinese nationalism, and depicts China’s heroic struggle against Western conspiracy. Julia Lovell examines the causes and consequences of the Opium War, interweaving tales of the opium pushers and dissidents. More importantly, she analyses how the Opium Wars shaped China’s self-image and created an enduring model for its interactions with the West, plagued by delusion and prejudice.

In this first truly cross-cultural study of opium, Keith McMahon considers the perspectives of both smokers and non-smokers from China and the Euro-West and from both sides of the issue of opium prohibition. The author stages a dramatic confrontation between the Chinese opium user and the Euro-Westerner who saw in opium the image of an uncanny Asiatic menace. The rise of the opium demon meant the fall of the god of money, that is, Chinese money, and the irreversible trend in which Confucianism gave way to Christianity. The book explores early Western observations of opium smoking, the formation of arguments for and against the legalization of opium, the portrayals of opium smoking in Chinese poetry and prose, and scenes of opium-smoking interactions among male and female smokers and smokers of all social levels in 19th-century China. Visit our website for sample chapters!