A vivid account of the Chinatown race riots in 1871 Los Angeles, now counted among the worst hate crimes in American history.

In October 1871, a simmering, small-scale turf war involving three Chinese gangs exploded into a riot that engulfed the small but growing town of Los Angeles. A large mob of white Angelenos, spurred by racial resentment, rampaged through the city and lynched some 18 people before order was restored. In The Chinatown War, Scott Zesch offers a compelling account of this little-known event, which ranks among the worst hate crimes in American history. The story begins in the 1850s, when the first wave of Chinese immigrants arrived in Los Angeles in the wake of the 1849 California gold rush. Upon arrival, these immigrants usually took up low-wage jobs, settled in the slum neighborhood of the Calle de los Negros, and joined one of a number of Chinese community associations. Though such associations provided job placement and other services to their members, they were also involved in extortion and illicit businesses, including prostitution. In 1870 the largest of these, the See-Yup Company, imploded in an acrimonious division. The violent succession battle that ensued, as well as the highly publicized torture of Chinese prostitute Sing-Ye, eventually provided the spark for the racially motivated riot that ripped through L.A. Zesch vividly evokes the figures and events in the See-Yup dispute, deftly situates the riot within its historical and political context, and illuminates the workings of the early Chinese-American community in Los Angeles, while simultaneously exploring issues that continue to trouble Americans today. Engaging and deeply researched, The Chinatown War above all delivers a riveting story of a dominant American city and the darker side of its early days that offers powerful insights for our own time.

This sweeping and groundbreaking work presents the shocking and violent history of ethnic cleansing against Chinese Americans from the Gold Rush era to the turn of the century.

Awards: Irving Lowens Award, Society for American Music (SAM), 2019 Music in American Culture Award, American Musicological Society (AMS), 2018 Certificate of Merit for Best Historical Research in Recorded Country, Folk, Roots, or World Music, Association for Recorded Sound Collections (ARSC), 2018 Outstanding Achievement in Humanities and Cultural Studies: Media, Visual, and Performance Studies, Association for Asian American Studies (AAAS), 2019 The Chinatown opera house provided Chinese immigrants with an essential source of entertainment during the pre–World War II era. But its stories of loyalty, obligation, passion, and duty also attracted diverse patrons into Chinese American communities Drawing on a wealth of new Chinese- and English-language research, Nancy Yunhwa Rao tells the story of iconic theater companies and the networks and migrations that made Chinese opera a part of North American cultures. Rao unmasks a backstage world of performers, performance, and repertoire and sets readers in the spellbound audiences beyond the footlights. But she also braids a captivating and complex history from elements outside the opera house walls: the impact of government immigration policy; how a theater influenced a Chinatown's sense of cultural self; the dissemination of Chinese opera music via recording and print materials; and the role of Chinese American business in sustaining theatrical institutions. The result is a work that strips the veneer of exoticism from Chinese opera, placing it firmly within the bounds of American music and a profoundly American experience.

World War II was a watershed event for many of America's minorities, but its impact on Chinese Americans has been largely ignored. Utilizing extensive archival research as well as oral histories and letters from over one hundred informants, K. Scott Wong explores how Chinese Americans carved a newly respected and secure place for themselves in American society during the war years. Long the victims of racial prejudice and discriminatory immigration practices, Chinese Americans struggled to transform their image in the nation's eyes. As Americans racialized the Japanese enemy abroad and interned Japanese Americans at home, Chinese citizens sought to distinguish themselves by venturing beyond the confines of Chinatown to join the military and various defense industries in record numbers. Wong offers the first in-depth account of Chinese Americans in the American military, tracing the history of the 14th Air Service Group, a segregated unit comprising over 1,200 men, and examining how their war service contributed to their social mobility and the shaping of their ethnic identity. Americans First pays tribute to a generation of young men and women who, torn between loyalties to their parents' traditions and their growing identification with America and tormented by the pervasive racism of wartime America, served their country with patriotism and courage. Consciously developing their image as a "model minority," often at the expense of the Japanese and Japanese Americans, Chinese Americans created the pervasive image of Asian Americans that still resonates today.

In much of the United States, immigrants from China banded together in self-enclosed communities, “Chinatowns,” in which they retained their language, culture, and social organization. In the South, however, the Chinese began to merge into the surrounding communities within a single generation’s time, quickly disappearing from historical accounts and becoming, as they themselves phrased it, a “mixed nation.” Lucy M. Cohen’s Chinese in the Post-Civil War South traces the experience of the Chinese who came to the South during Reconstruction. Many of them were recruited by planters eager to fill the labor vacuum created by emancipation with “coolie” labor. The Planters’ aims were obstructed in part by the federal government’s determination not to allow the South the opportunity to create a new form of slavery. Some Chinese did, however, enter into labor contracts with planters—agreements that the planters often altered without consultation or negotiation with the workers. With the Chinese intent upon the inviolability of their contracts, the arrangements with the planters soon broke down. At the end of their employment on the plantations, some of the immigrants returned to China or departed for other areas of the United States. Still others, however, chose to remain near where they had been employed. Living in cultural isolation rather than in the China towns in major cities, the immigrants soon no longer used their original language to communicate within the home; they adopted new surnames, so that even among brothers and sisters variations of names existed; they formed no associations or guilds specific to their heritage; and they intermarried, so that a few generations later their physical features were no longer readily observable in their descendants. Based on extensive research in documents and family correspondence as well as interviews with descendants of the immigrants, this study by Lucy Cohen is the first history of the Chinese in the Reconstruction South—their rejection of the role that planter society had envisioned for them and their quick adaptation into a less rigid segment of rural southern society.

Bruce Edward Hall may have an English name and a Connecticut upbringing, but for him a trip to Chinatown, New York, is a visit to the ghosts of his Chinese ancestors - ancestors who helped create the neighborhood that is really as much a transplanted Cantonese village as it is a part of a great American city. Among these Ancestors are missionaries and reprobates, businessmen and scholars. In Tea That Burns, Bruce Edward Hall uses the stories of these and others to tell the history of Chinatown, starting with the tumultuous journey from an ancient empire ruled by the nine dragons of the universe to a bewildering land of elevated trains, solitary labor, and violent discrimination. The world they constructed was built of backbreaking labor and poetry contests; gambling dens and Cantonese opera; Tong Wars, festivals, firecrackers, incense, and food - always food, to celebrate every conceivable occasion and to confound the ever-meddlesome "White Devils" as they attempt to master the mysteries of chop sticks and stir-fry.