NATIONAL BESTSELLER • MAN BOOKER PRIZE NOMINEE • From the Booker Prize-winning, bestselling author of Possession: a story that spans the Victorian era through World War I about a children’s author and the passions, betrayals, and secrets that tear apart the lives of her family and loved ones. “Majestic ... Dazzling ... Wonderful.” —The San Francisco Chronicle When children’s book author Olive Wellwood’s oldest son discovers a runaway named Philip sketching in the basement of a museum, she takes him into the storybook world of her family and friends. But the joyful bacchanals Olive hosts at her rambling country house—and the separate, private books she writes for each of her seven children—conceal more treachery and darkness than Philip has ever imagined. The Wellwoods’ personal struggles and hidden desires unravel against a breathtaking backdrop of the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, as the Edwardian period dissolves into World War I and Europe’s golden era comes to an end.

A brilliant, disturbing portrait of the dawn of the culture wars, when America started to tear itself apart with doubts, wild allegations, and an unfounded fear for the safety of children. During the 1980s in California, New Jersey, New York, Michigan, Massachusetts, Florida, Tennessee, Texas, Ohio, and elsewhere, day care workers were arrested, charged, tried, and convicted of committing horrible sexual crimes against the children they cared for. These crimes, social workers and prosecutors said, had gone undetected for years, and they consisted of a brutality and sadism that defied all imagining. The dangers of babysitting services and day care centers became a national news media fixation. Of the many hundreds of people who were investigated in connection with day care and ritual abuse cases around the country, some 190 were formally charged with crimes, leading to more than 80 convictions. It would take years for people to realize what the defendants had said all along -- that these prosecutions were the product of a decade-long outbreak of collective hysteria on par with the Salem witch trials. Social workers and detectives employed coercive interviewing techniques that led children to tell them what they wanted to hear. Local and national journalists fanned the flames by promoting the stories' salacious aspects, while aggressive prosecutors sought to make their careers by unearthing an unspeakable evil where parents feared it most. Using extensive archival research and drawing on dozens of interviews conducted with the hysteria's major figures, n+1 editor Richard Beck shows how a group of legislators, doctors, lawyers, and parents -- most working with the best of intentions -- set the stage for a cultural disaster. The climate of fear that surrounded these cases influenced a whole series of arguments about women, children, and sex. It also drove a right-wing cultural resurgence that, in many respects, continues to this day.

The long-awaited second hardcover collection of the bestselling,award winning flagship title, collecting the entire second story cycle! Erica Slaughter returns after the Archer’s Peak Saga in this deluxe hardcover collection of the multiple Eisner Award-winning and Harvey Award-nominated series from GLAAD Award-winning author James Tynion IV (The Department Of Truth, Batman), artist Werther Dell’Edera (Razorblades), colorist Miquel Muerto (Bleed Them Dry), and letterer AndWorld Design (Nightwing). With the unforgiving Order of St. George on her trail and the deadly Duplicitype–a new monster with horrifying implications on the hunt, Erica is in dire straits. If that wasn’t enough, the Order has sent Cutter to pursue the rogue Black Mask, making Erica truly outmatched and without a prayer. Collecting the entire second story cycle of Something is Killing the Children, this epic hardcover collection is the perfect place to continue reading the national bestseller, with over 2,000,000 units sold! Collects Something is Killing the Children #21-35.

From New York Times bestselling author Ann Leary comes the captivating story of a wealthy, but unconventional New England family, told from the perspective of a reclusive 29-year-old who has a secret (and famous) life on the Internet. Charlotte Maynard rarely leaves her mother’s home, the sprawling Connecticut lake house that belonged to her late stepfather, Whit Whitman, and the generations of Whitmans before him. While Charlotte and her sister, Sally, grew up at “Lakeside,” their stepbrothers, Spin and Perry, were welcomed as weekend guests. Now the grown boys own the estate, which Joan occupies by their grace—and a provision in the family trust. When Spin, the youngest and favorite of all the children, brings his fiancé home for the summer, the entire family is intrigued. The beautiful and accomplished Laurel Atwood breathes new life into this often comically rarefied world. But as the wedding draws near, and flaws surface in the family’s polite veneer, an array of simmering resentments and unfortunate truths is exposed. With remarkable wit and insight, Ann Leary pulls back the curtain on one blended family, as they are forced to grapple with the assets and liabilities – both material and psychological – left behind by their wonderfully flawed patriarch.

Saving the Children analyzes the intersection of liberal internationalism and imperialism through the history of the humanitarian organization Save the Children, from its formation during the First World War through the era of decolonization. Whereas Save the Children claimed that it was "saving children to save the world," the vision of the world it sought to save was strictly delimited, characterized by international capitalism and colonial rule. Emily Baughan's groundbreaking analysis, across fifty years and eighteen countries, shows that Britain's desire to create an international order favorable to its imperial rule shaped international humanitarianism. In revealing that modern humanitarianism and its conception of childhood are products of the early twentieth-century imperial economy, Saving the Children argues that the contemporary aid sector must reckon with its past if it is to forge a new future.

William Bennett and Michael Hague, the team that brought us the national bestseller The Children's Book of Virtues, have once again collaborated to create The Children's Book of Heroes, a beautifully illustrated celebration of heroic deeds, both real and fictional, that will delight and inspire millions of young children and their parents. "We all need a hero or two to help us stand fast and think right," says William J. Bennett, author of The Book of Virtues, the bestseller that millions of American families turn to for moral inspiration. With excerpts chosen for young children, this new treasury presents splendid tales of the valor and indomitable spirit that are a lasting testament to our cherished values. Jackie Robinson stands fast on the playing field and his strength of character inspires a nation. David slays Goliath and his faith and bravery give hope to underdogs everywhere. A little boy goes in search of an angel and finds one who guards him day and night: his own mother. From Abraham Lincoln and Mother Teresa to warriors on the battlefield, real moms and dads, and even young girls and boys, here are worthy and heroic figures all kids can look up to and emulate. The Children's Book of Heroes is a celebration of the endurance, sacrifice, courage, and compassion that characterize truly heroic deeds.

On a grand canvas reminiscent of Guillermo del Torro and Justin Cronin, acclaimed author Craig DiLouie presents "a terrifying novel filled with impossible decisions [and] a stark, brutal, and chilling vision of the end of days" (David Moody, author of Hater). SO MANY MOUTHS TO FEED It begins on an ordinary day: children around the world are dying. All children, everywhere—a global crisis beyond any parent’s worst nightmare. Then, a miracle beyond imagining: three days later, they return. Shattered mothers and fathers see their sons and daughters happy and whole once more, playing and laughing as before—but only when they feed. They hunger for blood…and they can’t get enough upon which to feast. Without it, they die again. How far would you go to keep someone you love alive?