Volume contains "6 plates: 1 Woodburytype of the moon, 2 Lichtpaus specimens on 1 plate, 1 Scamoni Relief Heliogravure, 1 Scamoni Intaglio Heliogravure, 2 Glazed Obernetter Collotypes on 1 plate, [and] 1 Photolithograph of a map by S.H. Parkins. The plates are printed by the Woodburytype Permanent Photographic Printing Co., London; Obernetter, Munich; Scamoni, St. Petersburg."--Hanson Collection catalog, p. 54.

This popular, well-illustrated publication of 1883 explains the history and science of photography in a comprehensive but accessible way.

Carried in wallets and displayed in homes, photographs are a common, but often an overlooked feature of modern life. And, with the advent of digital technology many believe that the so called 'wet chemistry' behind old fashioned photography is a thing of the past - but is it? The Chemistry of Photography endeavours to unravel the mysteries of picture taking and reflects on the diversity and complexity of the science. It gives readers an insight into the chemistry needed to generate pictures, spanning all mediums including still and motion picture as well as digital imaging. Beginning with the components of conventional photography such as films and papers, the book also looks at light capture and amplification, negative films, processing solutions, colour transparencies, the chemistry of colour and motion picture films. The book concludes with a discussion of digital technology and new innovations in photography. This fascinating book will appeal to scientists and those with a general interest in both the new and the old science behind photography.

How would you go about rebuilding a technological society from scratch? If our technological society collapsed tomorrow what would be the one book you would want to press into the hands of the postapocalyptic survivors? What crucial knowledge would they need to survive in the immediate aftermath and to rebuild civilization as quickly as possible? Human knowledge is collective, distributed across the population. It has built on itself for centuries, becoming vast and increasingly specialized. Most of us are ignorant about the fundamental principles of the civilization that supports us, happily utilizing the latest—or even the most basic—technology without having the slightest idea of why it works or how it came to be. If you had to go back to absolute basics, like some sort of postcataclysmic Robinson Crusoe, would you know how to re-create an internal combustion engine, put together a microscope, get metals out of rock, or even how to produce food for yourself? Lewis Dartnell proposes that the key to preserving civilization in an apocalyptic scenario is to provide a quickstart guide, adapted to cataclysmic circumstances. The Knowledge describes many of the modern technologies we employ, but first it explains the fundamentals upon which they are built. Every piece of technology rests on an enormous support network of other technologies, all interlinked and mutually dependent. You can’t hope to build a radio, for example, without understanding how to acquire the raw materials it requires, as well as generate the electricity needed to run it. But Dartnell doesn’t just provide specific information for starting over; he also reveals the greatest invention of them all—the phenomenal knowledge-generating machine that is the scientific method itself. The Knowledge is a brilliantly original guide to the fundamentals of science and how it built our modern world.

In conventional color photography, spectral sensitizers cooperate with silver halide as acceptors of light during the exposure process, color developers reduce silver halide grains during the developing process, and finally the resulting oxidized developers react with couplers to form imaging dyes. Instant color photography gives us an alternative way of realizing excellent color reproduction, in which dyes changing their diffusibility play an important role. The aim of this book is to provide researchers and graduate students with a perspective on how such organic compounds work in color photography and how seemingly miraculous techniques based on organic chemistry lead to color images of high quality. The readers will acquire the philosophy and learn from hints on how to develop functionalized organic compounds.