With contributions from political, social and literary historians based in Britain, Australia and the United States, this volume presents 11 essays on the Chartist movement.'

Chartism was the first time ever that British workers fixed their eyes on the seizure of political power: in 1839, 1842 and again in 1848. In this struggle, they conducted a class war that at different times involved general strikes, battles with the state, mass demonstrations and even armed insurrection. They forged weapons, illegally drilled their forces, and armed themselves in preparation for seizing the reins of government. Such were the early revolutionary traditions of the British working class, deliberately buried beneath a mountain of falsehoods and distortions. This book sees Chartism as an essential part of our history from which we must draw the key lessons for today.

Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement?Britain's first mass working-class movement, dating from the 1830s to the 1840s?and argues that, based on literature by members of the movement, the answer to that question is a resounding ?yes.” Chartist writing awakened workers' awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls ?the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism's aims and tactics. The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.

This book recovers the stories of two remarkable Victorian working men. Thomas Cooper and Arthur O'Neill were both imprisoned for seditious offences in 1843. The friendship they formed in Stafford Gaol lasted for fifty years. These two men wanted to be remembered as Chartist prisoners - but, talented and energetic, they also made their marks in other areas. Cooper was the author of a famous poem, The Purgatory of Suicides, and of novels; he knew well Thomas Carlyle and Charles Kingsley, and came into contact with Benjamin Disraeli and Charles Dickens. Later in life he became a lecturer in defence of Christianity. O'Neill worked with Joseph Sturge and Henry Richard for peace and international arbitration, attending a number of international peace conferences. An important contribution to Chartist studies, this book also examines in detail artisan literary activity, pacifism and Christian apologetics in Victorian Britain.

The Chartists is a major contribution to our understanding not just of Chartism but of the whole experience of working-class people in mid-nineteenth century Britain. The book looks at who the Chartists were, what they hoped for from the political power they strove to gain, and why so many of them felt driven toward the use of physical force. It also studies the reactions of the middle and upper classes and the ways in which the two sides - radical and establishment - influenced each other's positions. This book is a uniquely authoritative discussion of the questions that Chartism raises for the historian; and for the historian, student and general reader alike it provides a vivid insight into the lives of working people as they passed through the traumas of the industrial revolution.