The Smithsons have also added contemporary commentary to provide a context for the work."--BOOK JACKET.

Writing to his brother, G’Ra Asim reflects on building his own identity while navigating Blackness, masculinity, and young adulthood—all through wry social commentary and music/pop culture critique How does one approach Blackness, masculinity, otherness, and the perils of young adulthood? For G’Ra Asim, punk music offers an outlet to express himself freely. As his younger brother, Gyasi, grapples with finding his footing in the world, G’Ra gifts him with a survival guide for tackling the sometimes treacherous cultural terrain particular to being young, Black, brainy, and weird in the form of a mixtape. Boyz n the Void: a mixtape to my brother blends music and cultural criticism and personal essay to explore race, gender, class, and sexuality as they pertain to punk rock and straight edge culture. Using totemic punk rock songs on a mixtape to anchor each chapter, the book documents an intergenerational conversation between a Millennial in his 30s and his zoomer teenage brother. Author, punk musician, and straight edge kid, G’Ra Asim weaves together memoir and cultural commentary, diving into the depths of everything from theory to comic strips, to poetry to pizza commercials to mapping the predicament of the Black creative intellectual. With each chapter dedicated to a particular song and placed within the context of a fraternal bond, Asim presents his brother with a roadmap to self-actualization in the form of a Doc Martened foot to the behind and a sweaty, circle-pit-side-armed hug. Listen to the author’s playlist while you read! Access the playlist here: https://sptfy.com/a18b

Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward

Fans of Holly Black and Kendare Blake will obsess over the conclusion to this deliciously dark YA fantasy duology! Emanuela has finally gotten what she's always wanted. Since escaping her catacomb prison, she's become the supreme ruler of everything under the veils. Finally, she has the power to throw aside senseless, old traditions and run things exactly the way they should be. But when cracks in her magic start to show, Emanuela begrudgingly allies herself with her enemies, including her frustratingly alluring archnemesis, Verene. Together, they discover deeper truths about the mysterious blood magic Emanuela and Verene both wield. There is a higher, otherworldly authority outside the veils, and in order to save Occhia and the other realms, Emanuela may just have to rip another crown off someone's head.

A girl must face the consequences after her actions indirectly lead to her sister’s disappearance in this haunting novel about sisterhood, tragedy, and the hole that’s left behind when we lose a loved one. Rhylee didn’t mean to kiss her sister’s boyfriend. At least, not the first time. But it doesn’t matter, because her sister, Abby, caught them together, ran into the dark woods behind their house…and never came home. As evidence mounts that something terrible has happened to Abby, no one wants to face the truth. Rhylee can’t bring herself to admit what she’s done: that she is the reason her sister ran away. Now Tommy, Abby’s boyfriend, is the prime suspect in her disappearance, and Rhylee’s world has been turned upside down. Slowly, Rhylee’s family is breaking—their lives hinging on the hope that Abby will return. Rhylee knows they need to face the truth and begin healing—but how can they, when moving on feels like a betrayal? And how do you face the guilt of wishing a person gone…when they actually disappear?

The Arthur C. Clarke award-winning author of Children of Time brings us the second novel in an extraordinary space opera trilogy about humanity on the brink of extinction, and how one man's discovery will save or destroy us all. After eighty years of fragile peace, the Architects are back, wreaking havoc as they consume entire planets. In the past, Originator artefacts – vestiges of a long-vanished civilization – could save a world from annihilation. This time, the Architects have discovered a way to circumvent these protective relics. Suddenly, no planet is safe. Facing impending extinction, the Human Colonies are in turmoil. While some believe a unified front is the only way to stop the Architects, others insist humanity should fight alone. And there are those who would seek to benefit from the fractured politics of war – even as the Architects loom ever closer. Idris, who has spent decades running from the horrors of his past, finds himself thrust back onto the battlefront. As an Intermediary, he could be one of the few to turn the tide of war. With a handful of allies, he searches for a weapon that could push back the Architects and save the galaxy. But to do so, he must return to the nightmarish unspace, where his mind was broken and remade. What Idris discovers there will change everything.