Updated catalogue raisonné of one of the most important figures in American sculpture.

Chronicles the rise and fall of a Pennsylvanian coal town, the center of violent confrontations between labor and capital.

The Afrofuturist plot of Pauline E. Hopkins’s Of One Blood (1902–03) weaves together a lost African city, bigamy, incest, murder, ancient prophecies, a thwarted leopard attack, racial passing, baby switching, mesmerism, and hauntings—both literal ghost hauntings and metaphoric hauntings from the sins of slavery. This Broadview Edition offers for the first time annotations and appendices that contextualize the novel in relation to magazines, Black feminism, travels to Africa, racial discourses, scientific and medical debates, and musical culture. The introduction to this edition surveys current debates about Hopkins’s textual borrowings from other contemporary writings, and the appendices provide extensive materials on the novel’s cultural, musical, and political contexts.

In this revealing social history, one remarkable White House dinner becomes a lens through which to examine race, politics, and the lives and legacies of two of America’s most iconic figures. In 1901, President Theodore Roosevelt invited Booker T. Washington to have dinner at the executive mansion with the First Family. The next morning, news that the president had dined with a black man—and former slave—sent shock waves through the nation. Although African Americans had helped build the White House and had worked for most of the presidents, not a single one had ever been invited to dine there. Fueled by inflammatory newspaper articles, political cartoons, and even vulgar songs, the scandal escalated and threatened to topple two of America’s greatest men. In this smart, accessible narrative, one seemingly ordinary dinner becomes a window onto post–Civil War American history and politics, and onto the lives of two dynamic men whose experiences and philosophies connect in unexpected ways. Deborah Davis also introduces dozens of other fascinating figures who have previously occupied the margins and footnotes of history, creating a lively and vastly entertaining book that reconfirms her place as one of our most talented popular historians.