The ancient Celts used ritual at every stage of their passage through life including dying. Phillida, with her Celtic background and experience working in hospices, integrates the modern knowledge of the death process with the old Celtic wisdom.

In the tradition of The Book of Runes and the Egyptian and Tibetan Books of the Dead, this divination system contains 42 beautifully illustrated cards and a book that explains the meaning of the cards and how to use them for education and enlightenment. Matthews has made many original contributions to the fields of Celtic and Arthurian research. Boxed and shrink-wrapped.

A collection of unusual tales of death, dying and the Celtic cult of the dead, this text includes first hand reports of psychic phenomena as well as narratives passed from generation to generation and spread throughout Scotland, Ireland, Wales, Cornwall and the Isle of Man.

• Describes the Celtic rituals of honoring death and dying and offers prayers, meditations, and blessings for the time of transition • Offers reflective questions and exercises to explore your beliefs, attitudes, and fears around your own death • Includes the sacred meditation of traveling with the dead as offered by an anam-áire or Celtic soul carer Through her decades of hospice work, Phyllida Anam-Áire has revived the ancient Celtic tradition of “watching” with the dying and traveling with the soul after death. Drawing on her Celtic background, she integrates the wisdom of her ancestors with modern knowledge of the death process. She shows how a peaceful transition for the leaving person is possible and how this process can be consciously supported for relatives or friends. In A Celtic Book of Dying, Phyllida details the Celtic rituals of honoring death and dying, revealing how these rituals act as a catalyst that allows the change of form for our essence to pass on into the afterlife. She shows how becoming familiar with the dying process and acknowledging our own personal death forms an important aspect of preparing for this natural transformation. The author guides us with reflective questions, exercises, and meditations to help us become aware of and evaluate our own beliefs, attitudes, and fears around dying and learn to live our life more con­sciously and with joy. Once we have come to terms with our own passing, we will also find it easier to assist family and friends in their last hours. Phyllida presents the sacred meditation of traveling with the dead as held by an anam-áire or soul carer. She also offers suggestions for Celtic rituals, prayers, and ­blessings for support. She addresses many practical questions around care for the dying during and after the process, including the importance of silence. A practical yet soulful guidebook, A Celtic Book of Dying deepens our spiritual understanding of the internal journey of the dying and the adventurous after-death journey to come. Through the eyes of an anam-áire, we see death not as the end or something to be feared, but just as the moment of being called home again.

An extensive look at the cartography and folklore of the afterlife worlds as seen by our ancestors • Examines how ancient European cultures viewed the beyond, including the Blessed Isles of early Greek and Celtic faith, the Hebrew Sheol, Hades from Homer’s Odyssey, Hel and Valhalla of the Norse, and the Aralu of Babylon • Shows how medieval accounts of journeys into the Other World represent the first recorded near-death experiences • Connects medieval afterlife beliefs and NDE narratives with shamanism, looking in particular at psychopomps, power animals, the double, the fetch, and what people bring back from their journeys to the spirit realms Charting the evolution of afterlife beliefs in both pagan and medieval Christian times, Claude Lecouteux offers an extensive look at the cartography and folklore of the afterlife worlds as seen by our ancestors. Exploring the locations and topographies of the various forms taken by Hell, Purgatory, and Heaven, he examines how ancient European cultures viewed the beyond, including the Blessed Isles of early Greek and Celtic faith, the Hebrew Sheol, the pale world of Hades from Homer’s Odyssey, Hel and Valhalla of the Norse, and the Aralu of Babylon, the land where nothing can be seen. The author also explores beliefs in Other Worlds, lands different from our own that are not the afterlife but places where time flows differently and which are inhabited by fantastic or supernatural beings such as fairies or dwarfs. Sharing medieval tales of journeys into the beyond, Lecouteux shows how these accounts represent the first recorded near-death experiences (NDEs) and examines how they compare with modern NDE narratives as well as the work of NDE researchers like Raymond Moody. In addition, he also explores tales of out-of-body experiences, dream journeys, and travels made by a double or fetch and connects these narratives with shamanism, looking in particular at psychopomps, power animals, and what people bring back from their journeys to the spirit realms. Analyzing the afterlife beliefs of the Middle Ages as a whole, Lecouteux concludes with a collection of medieval afterlife-related traditions, such as placing polished stones in the coffin so the departed soul can find its way back to friends and family at those times of the year when the veil between the worlds grows thin.

In this study, which is first of all a folk-lore study, we pursue principally an anthropo-psychological method of interpreting the Celtic belief in fairies, though we do not hesitate now and then to call in the aid of philology; and we make good use of the evidence offered by mythologies, religions, metaphysics, and physical sciences.

Talking to the Dead is an essay on death and its tenacious hold on Irish culture. There are few traditions in which funerary motifs have been so ubiquitous in literature, popular rituals, folk representations, public rhetorics, even constructions of place. There are even fewer cultures in which funerary genres and preoccupations constitute the central thread of continuity. The Irish Theatrum Mortis is not simply an obsession of writers from the bards to Beckett and Heaney. Nor is it confined to contemporary Republican iconography. It is to be found in the pages of the local press, in acts of ritual resistance to unpopular decisions, in the way in which significant public events are narrated and framed. Though the funerary Ireland presented here may well yield to the new, positive self-image of the Celtic Tiger, it is the authors' contention that at the end of the twentieth century the funerary sign continues to define Irish identity. For good and ill, it is the centre that holds.