An important figure in mid-Twentieth Century medicine and cardiology, brilliant, dynamic George Burch was outstanding on every front — pioneering researcher in multiple aspects of the body’s workings, an inspiring educator, editor and prolific writer, and electrifying lecturer. His patients loved him for his gentleness, common sense approach and tireless advocacy on their behalf. Immersed in medicine from childhood as he assisted his father, a physician in rural Louisiana, he was influential worldwide by a surprisingly young age. Possessed of a healthy sense of humor, he was nevertheless deeply serious of purpose. He was an independent thinker, outspoken and unfazed by mainstream opinion. Increasingly controversial, he became a hero to some, but to others an outdated fossil. The life story of this remarkable man resonates vividly in today’s environment of confusion and inordinate expense in medical care.

Celestial Bodies is the International Booker-winning and internationally bestselling novel from Jokha Alharthi. Set in the village of al-Awafi in Oman, we encounter three sisters: Mayya, who marries Abdallah after a heartbreak; Asma, who marries from a sense of duty; and Khawla who rejects all offers while waiting for her beloved, who has emigrated to Canada. These three women and their families witness Oman evolve from a traditional, slave-owning society slowly redefining itself after the colonial era, to the crossroads of its complex present. Elegantly structured and taut, Celestial Bodies is a coiled spring of a novel, telling of Oman’s coming-of-age through the prism of one family’s losses and loves. PRAISE FOR CELESTIAL BODIES "An innovative reimagining of the family saga . . . Celestial Bodies is itself a treasure house: an intricately calibrated chaos of familial orbits and conjunctions, of the gravitational pull of secrets” NEW YORK TIMES BOOK REVIEW "The great pleasure of reading Celestial Bodies is witnessing a novel argue, through the achieved perfection of its form, for a kind of inquiry that only the novel can really conduct. The ability to move freely through time, the privileged access to the wounded privacies of many characters, the striking diversity of human beings across a relatively narrow canvas, the shock waves as one generation heaves, like tectonic plates, against another, the secrets and lapses and repressions, at once intimate and historical, the power, indeed, of an investigation that is always political and always intimate―here is the novel being supremely itself, proving itself up to the job by changing not its terms of employment but the shape of the task." THE NEW YORKER "Breathtaking. The tale is replete with history, poetry, and philosophy, but also slavery, broken marriages, passion, and not-so-secret lovers." THE ATLAN

Fans of fantasy and science fiction will delight in this collection of imaginative tales from influential British author E. M. Forster. Though best known for his nuanced look at class distinctions in English society in acclaimed novels such as Howards End, Forster's prodigious imagination is on full display in these fascinating fantasy and science fiction tales.

'When hunting began, it was not a man who chased an animal. It was a being that chased another being. No one could say with certainty who each of them were.' Connecting Greek and Egyptian myth, the stories of poets, shamans and gods, Roberto Calasso takes us on a spellbinding voyage that traces the beginnings of our detachment from the animal world; from the landmark evolutionary moment in which humans became the hunter rather than the prey. Roaming through time and across cultures - from the Palaeolithic era to Turing's Machine - The Celestial Hunter delves into the crucible of all our stories- the source of human grief, guilt, resilience and redemption with which we have wrestled throughout history.

One kingdom. One crown. One family. “Maybe it’s time the great House of Rey came to an end. After all, what are we now? Just a house of rage and sorrow.” Esmae once wanted nothing more than to help her golden brother win the crown of Kali but that dream died with her best friend. Alexi broke her heart, and she vowed to destroy him for it. And with her sentient warship Titania beside her, how can she possibly fail? As gods, beasts, and kingdoms choose sides, Alexi seeks out a weapon more devastating than even Titania. Past lives threaten the present. Old enemies claim their due. And Esmae cannot outrun the ghosts and the questions that haunt her. What really happened to her father? What was the third boon her mother asked of Amba? For in the shadows, lurking in wait, are secrets that will swallow her whole. The House of Rey is at war. And the entire galaxy will bleed before the end.

A first course in celestial mechanics emphasising the variety of geometric ideas that have shaped the subject.

The cathedral of Saint-Pierre in Beauvais, France, is most famous as a failure--its choir vaults came crashing down in 1284--and only secondarily for its soaring beauty. This lavishly illustrated and elegantly written book represents the first serious look at the stunning collection of Gothic stained glass windows that has always dominated the experience of those who enter Beauvais Cathedral. Chapter by chapter, Michael Cothren traces the glazing through four successive campaigns that bridged the century between the 1240s and the 1340s. The reader is transported back in history, gaining fascinating insight into what the glazing of Beauvais actually would have looked like as well as what it would have communicated to those who frequented the cathedral. Contrary to the widespread assumption that these windows are heavily restored, Cothren shows that they are in fact surprisingly well preserved, especially in light of the cathedral's infamous history of architectural disaster. More importantly, Cothren goes far to dismantle a long-held misconception about medieval painted windows, and indeed monumental medieval pictorial art in general: the notion that it was conceived and produced as a substitute text for ignorant, illiterate folks, providing for them a "Bible of the Poor." Indeed, Cothren shows us that stained glass windows, rich with shaded meanings, functioned more like sermon than scripture. As an ensemble, they created a radiant interpretive backdrop that explicated and situated the performance of the Mass in this giant liturgical theater.