Empress Elisabeth of Austria (1837-1898), wife of Habsburg Emperor Francis Joseph I, was celebrated as the most beautiful woman in Europe. Glamorous painted portraits by Franz Xaver Winterhalter and widely collected photographs spread news of her beauty, and the twentieth-century German-language film trilogy Sissi (1955-57) cemented this legacy. Despite the enduring fascination with the empress, art historians have never considered Elisabeth’s role in producing her public portraiture or the influence of her creation. The Celebrity Monarch reveals how portraits of Elisabeth transformed monarchs from divinely appointed sovereigns to public personalities whose daily lives were consumed by spectators. With resources ranging from the paintings of Gustav Klimt and Elisabeth’s private collection of celebrity photography to twenty-first century collages and films by T. J. Wilcox, this book positions Elisabeth herself as the primary engineer of her public image and argues for the widespread influence of her construction on both modern art and the emerging phenomenon of celebrity.

While now long-forgotten, King Farouk of Egypt loomed large in British culture in the 1940s and 1950s. Farouk was of interest and importance, not just to British imperial policy makers, but to a wider public that was exposed to his extravagant lifestyle and colourful private life through gossip columns, comedy sketches, cartoons, song lyrics and novels. This book explores how the narratives and representations of King Farouk found in British official and popular culture dramatized the retreat from empire, the rise of celebrity journalism, changing conceptions of masculinity and sexuality, ambivalent attitudes towards monarchy, postcolonial exile, the growth of mass tourism, and the post-war transition from austerity to abundance. By considering diplomatic history in tandem with histories of popular culture and celebrity, Francis presents a more holistic understanding of British culture during the era of decolonization. The varied cultural and social features of post-war Britain and the reconstitution of British identity in the aftermath of empire - sexual liberalization, 'Americanization', consumer affluence, increased interaction with Europe, new forms of mass leisure and the emergence of celebrity culture - did not take place independently of the dismantling of imperial rule. Studying Farouk therefore sheds new light on the multiple and complex ways in which Britain emerged as a postcolonial nation.

Rippermania has driven a 120-year-old investigation to identify the depraved perpetrator of the savage murder of five prostitutes in the East End of London. This book features personalities whose reputations have been tarnished by modern authors clamouring to name celebrities as suspects, accomplices or conspirators.

Click ′Additional Materials′ for downloadable samples The Encyclopedia of Social Theory is an indispensable reference source for anyone interested in the roots of contemporary social theory. It examines the global landscape of all the key theories and the theorists behind them, presenting them in the context needed to understand their strengths and weaknesses. Theories covered include • Critical Theory • Enlightenment • Ethnomethodology • Exchange Theory • Feminism • Marxist Theory • Multiculturalism • Phenomenology • Postmodernism • Rational Choice • Structural Fundamentalism Led by internationally renowned scholar George Ritzer, the Encyclopedia of Social Theory draws together a team of more than 200 international scholars covering the developments, achievements, and prospects of social theory from its inception in the 18th century to the present. Understanding that social theory can both explain and alter the social world, this two-volume set serves as not only a foundation for learning, but also an inspiration for creative and reflexive engagement with the rich range of ideas it contains. Key Themes • American Social Theory • British Social Theory • Comparative and Historical Theory • Cultural Theory • Economic Sociology • Feminist Theory • French Social Theory • German Social Theory • Macrosociological Theories • Marxist and Neo-Marxist Approaches • Method and Metatheory • Network and Exchange Theories • Other/Multiple National Traditions • Politics and Government • Postmodern Theory • Psychoanalytic Theory • Schools and Theoretical Approaches • Symbolic Interaction and Microsociology • Theorists • Topics and Concepts in Social Theory Key Features • More than 300 entries from fourteen countries • Master Bibliography • Reader′s Guide • Extensive biographical coverage of major theorists • Extensive cross-referencing

Challenging the study of both celebrity and the cinema, Mandy Merck argues that modern fame and film melodrama are part of the same worldview, one that cannot resolve the relation of personal worth to social esteem. Tracing the history of this conundrum back to the philosophy of the seventeenth century and the theatre of the eighteenth, she demonstrates its convergence in stage melodrama and its intensification in the Hollywood star system. Are today's celebrities worth our attention? In that demand for judgement and the hope for its visual guidance, the melodramatic imagination survives – permeating not only fiction film, but documentary, the artist's film, and our self-exhibition on social media. Examining a range of classical and contemporary films from Charlie Chaplin's City Lights (1931) to Laura Poitras's Citizenfour (2014) , the many remakes of A Star Is Born, the compulsory exhibitionism of political celebrity and the unmasking of whistle-blowers, Merck illustrates the ways in which the cinema constantly restages the moral evaluation of prominent individuals, whether they are actors, artists, politicians or activists.

This book argues that Shakespeare and various cultures of celebrity have enjoyed a ceaselessly adaptive, symbiotic relationship since the final decade of the sixteenth century, through which each entity has contributed to the vitality and adaptability of the other. In five chapters, Jennifer Holl explores the early modern culture of theatrical celebrity and its resonances in print and performance, especially in Shakespeare’s interrogations of this emerging phenomenon in sonnets and histories, before moving on to examine the ways that shifting cultures of stage, film, and digital celebrity have perpetually recreated the Shakespeare, or even the #shakespeare, with whom audiences continue to interact. Situated at an intersection of multiple critical conversations, this book will be of great interest to scholars and graduate students of Shakespeare and Shakespearean appropriations, early modern theater, and celebrity studies.

The fascination with celebrities may be a guilty pleasure, but it is also an increasingly important dimension of the way we organise social and political relationships. 'Celebrity Society' outlines the sociology of celebrity as a central characteristic of modernity, linking us together in unique and ever-changing ways.