In this fascinating read, William Kuskin argues that the development of print production is part of a larger social network involving the political, economic, and literary systems that produce the intangible constellations of identity and authority.

In this magisterial collection, Frank Muir guides the reader on a journey of discovery and delight through five centuries of humorous prose in the English language.Starting in London with William Caxton and a Preface written and printed in 1477, and ending with P. G. Wodehouse whose last novel was published in 1977, the route is meandering: from England to Ireland and Scotland, back to England again, on to America, Canada, Australia, and New Zealand. There areexamples chosen from humorous fiction, letters, and journalism written by over 200 authors and ranging from medieval jests to the New Yorker and Beachcomber; from Thomas Nashe and Tom Brown's galloping bawdy to Jane Austen and on to Garrison Keillor and Arthur Marshall; from the jokes in SamuelJohnson's Dictionary to Kingsley Amis's Lucky Jim and his hangover. The great humorous writers such as Charles Dickens, Mark Twain, and P. G. Wodehouse are given a kind of mini-anthology of their own so that the range and versatility of their work can be appreciated.The extracts are embedded in a commentary that sets the writers in their historical context with items of contemporary gossip and anecdotal biography.As tour leader of this enjoyable enterprise, there could be no one better than Frank Muir to entertain, inform, and above all amuse the reader in his own distinctive fashion.

In this “utterly enchanting” Edgar and Anthony Award–winning novella, a book lover uncovers a secret world of literary wonders (Irish Times). A voracious reader, Mr. Berger leads a solitary but satisfying life. Preferring the company of books to that of people, he’s looking forward to an early retirement in the English countryside, where he can spend his remaining years nestled comfortably between the pages of classic literature. But his serene life is disrupted when he witnesses a woman with a distinctive red traveling bag fling herself before a train. If Mr. Berger isn’t mistaken, he’s just seen the climax of Anna Karenina reenacted on the Exeter-to-Plymouth railway. Though there is no body on the tracks, and the destiny of the tragic victim was written nearly a century before, Mr. Berger still longs to rescue her. The investigation leads him to the Caxton Private Lending Library & Book Depository, where the living breathing characters of literary invention are under the guardianship of a curious caretaker—and where, for Mr. Berger, the line between fiction and reality will blur beyond comprehension.

Reprint of the original, first published in 1877.