Feeling lost in the world and without direction, an African American kid from New York is looking for a way out of Rochester. At only seventeen-years-old, he finds it as a 19D-Cavalry Scout in the United States Army.In this compelling and transparent memoir written by a Purple Heart awarded veteran, David Kendrick, Jr. shares the story of life outside of everything familiar to him, the way he meets his first love, and the bonds that were formed with the special group of men who would become his unit brothers - the 3-61st Cavalry Regiment.When David and his brothers deploy to Iraq in 2006, they fight on the front lines for freedom and for each other. Together, along with joy, they experience agony, misery, and heartbreak. Over time, David learns the true meaning of sacrifice and selfless service. He learns what it means to be a man. He learns what it means to be a soldier. He learns what it means to be . . . Cavalry.

The author explores in detail the history of mounted warfare which in reality is a history of war itself. For over 3,000 years the mounted warrior was a dominant figure, mobility and speed of the horse were invaluable, and the charge itself often the defining moment of any battle. The author has gone to great lengths to make this a highly readable, well researched, beautifully illustrated history. This book will delight everyone interested in military history and those who are thrilled by the special 'romance' of the horse in warfare.

The development of cavalry firearms and the widespread disappearance of armour from the European battlefield saw a decline in the use of the cavalry lance in early modern warfare. However, by 1800 the lance, much changed from its medieval predecessors in both form and function, was back. During the next century the use of the lance spread to the armed forces of almost every Western country, seeing action in every major conflict from the Napoleonic Wars to World War I including the Crimean and Franco-Prussian wars and across the Atlantic in the American Civil War. The lance even reached the colonial conflicts of the Anglo-Sikh and Boer wars. It was not until the disappearance of the mounted warrior from the battlefield that the lance was consigned to history. Featuring specially commissioned artwork and drawing upon a variety of sources, this is the engaging story of the cavalry lance at war during the 19th and 20th centuries, from Waterloo to the Somme.

This battle, pitting two of America's most gifted military heroes against each other, decided the fate of the Civil War.

Despite the enduring popular image of the blitzkrieg of World War II, the German Army always depended on horses. It could not have waged war without them. While the Army’s reliance on draft horses to pull artillery, supply wagons, and field kitchens is now generally acknowledged, D. R. Dorondo’s Riders of the Apocalypse examines the history of the German cavalry, a combat arm that not only survived World War I but also rode to war again in 1939. Though concentrating on the period between 1939 and 1945, the book places that history firmly within the larger context of the mounted arm’s development from the Franco-Prussian War of 1870 to the Third Reich’s surrender. Driven by both internal and external constraints to retain mounted forces after 1918, the German Army effectively did nothing to reduce, much less eliminate, the preponderance of non-mechanized formations during its breakneck expansion under the Nazis after 1933. Instead, politicized command decisions, technical insufficiency, industrial bottlenecks, and, finally, wartime attrition meant that Army leaders were compelled to rely on a steadily growing number of combat horsemen throughout World War II. These horsemen were best represented by the 1st Cavalry Brigade (later Division) which saw combat in Poland, the Netherlands, France, Russia, and Hungary. Their service, however, came to be cruelly dishonored by the horsemen of the 8th Waffen-SS Cavalry Division, a unit whose troopers spent more time killing civilians than fighting enemy soldiers. Throughout the story of these formations, and drawing extensively on both primary and secondary sources, Dorondo shows how the cavalry’s tradition carried on in a German and European world undergoing rapid military industrialization after the mid-nineteenth century. And though Riders of the Apocalypse focuses on the German element of this tradition, it also notes other countries’ continuing (and, in the case of Russia, much more extensive) use of combat horsemen after 1900. However, precisely because the Nazi regime devoted so much effort to portray Germany’s armed forces as fully modern and mechanized, the combat effectiveness of so many German horsemen on the battlefields of Europe until 1945 remains a story that deserves to be more widely known. Dorondo’s work does much to tell that story.

“An outstanding read for anyone interested in the Civil War and Gettysburg in particular . . . innovative and thoughtful ideas on seemingly well-covered events.” —The NYMAS Review The largest land battle on the North American continent has maintained an unshakable grip on the American imagination. Building on momentum from a string of victories that stretched back into the summer of 1862, Robert E. Lee launched his Confederate Army of Northern Virginia on an invasion of the North meant to shake Union resolve and fundamentally shift the dynamic of the war. His counterpart with the Federal Army of the Potomac, George Meade, elevated to command just days before the fighting, found himself defending his home state in a high-stakes battle that could have put Confederates at the very gates of the nation’s capital. The public historians writing for the popular Emerging Civil War blog, speaking on its podcast, or delivering talks at the annual Emerging Civil War Symposium at Stevenson Ridge in Virginia always present their work in ways that engage and animate audiences. Their efforts entertain, challenge, and sometimes provoke readers with fresh perspectives and insights born from years of working on battlefields, guiding tours, presenting talks, and writing for the wider Civil War community. The Summer of ’63: Gettysburg is a compilation of some of their favorites, anthologized, revised, and updated, together with several original pieces. Each entry includes original and helpful illustrations. Along with its companion volume The Summer of ’63: Vicksburg and Tullahoma, this important study contextualizes the major 1863 campaigns in what was arguably the Civil War’s turning-point summer.