In this book, 23 scholars from Ukraine, France, Great Britain, Russia, and Denmark celebrate the 70th birthday of the archaeologist, A.N. Sceglov. Sceglov is one of the pioneers in the investigation and history of ancient Crimea, as well as a widely recognized authority in the studies of northern Black Sea antiquities. The Tarchankut expedition established by Sceglov in 1959 explored a number of sites of the remote chora of Tauric Chersonesos. Panskoe I ranks among the most prominent of them, and Sceglov has devoted more than 30 years of his life to this unique and exceptionally well-preserved Greek settlement. The contributions to this publication shed new light on a vast range of Black Sea issues: from the earliest settlements and their functions to the formation of a Russian science of classical antiquities. In focus are the important Greek cities Histira, Olbia, Chersonesos, and Herakleia Pontike, the cities' material culture and their relationship to their own rural territory and to their non-Greek neighbors. Until now most research in this area has been conducted solely by Russians and published in Russian, but now the rest of the world is able to get a glimpse of the Black Sea area during antiquity. Pia Guldager Bilde is the director of the Danish National Research Foundation's Centre for Black Sea Studies, in Aarhus. Jakob Munk Hte and Vladimir F. Stolba are both researchers at the same center.

This volume explores how the choruses of Greek tragedy creatively combined media and discourses to generate their own specific forms of meaning. The contributors analyse choruses as fictional, religious and civic performers; as combinations of text, song and dance; and as objects of reflection in themselves, in relation and contrast to the choruses of comedy and melic poetry. Drawing on earlier analyses of the social context of Greek drama, the non-textual dimensions of tragedy, and the relations between dramatic and melic choruses, the chapters explore the uses of various analytic tools in allowing us better to capture the specificity of the tragic chorus. Special attention is given to the physicality of choral dancing, musical interactions between choruses and actors, the trajectories of reception, and the treatment of time and space in the odes.

Slavery in ancient Greece was commonplace. In this book Sara Forsdyke uncovers the wide range of experiences of slaves and focuses on their own perspectives, rather than those of their owners, giving a voice to a group that is often rendered silent by the historical record. By reading ancient sources 'against the grain,' and through careful deployment of comparative evidence from more recent slave-owning societies, she demonstrates that slaves engaged in a variety of strategies to deal with their conditions of enslavement, ranging from calculated accommodation to full-scale rebellion. Along the way, she establishes that slaves made a vital contribution to almost all aspects of Greek society. Above all, despite their often brutal treatment, they sometimes displayed great ingenuity in exploiting the tensions and contradictions within the system of slavery.

The 'Priestess' at Bol'shaya Bliznitsa -- Social and Political Order -- Bibliography -- Index.

The complex matter of Orphism has so far been addressed by scholars through studies focusing on one of its components each time, primarily the Derveni Papyrus and the Gold Tablets while the text of the Orphic Rhapsodies has remained under-examined mostly due to its fragmentary nature and the lack of a reconstruction. This book brings all of the major components of Orphism together in one study, in this way highlighting both parallels and divergences between them, and a wide range of non-Orphic sources referring to Orphic practices, beliefs and texts. For the complete analysis of the Orphic Rhapsodies a reconstruction of the text was necessary, which is included in this book along with a commentary and translation. This work proposes a new definition of Orphism and it can constitute a whole-encompassing and concise guide for scholars and students interested in Orphism. The reconstruction of the Orphic Rhapsodies could also contribute on shifting the understanding of this work to new perspectives as it demonstrates that the Orphic Rhapsodies was a more complex text rather than a single continuous theogonic narrative as has been approached up to this date.

A Companion to Ancient Thrace presents a series of essays that reveal the newly recognized complexity of the social and cultural phenomena of the peoples inhabiting the Balkan periphery of the Classical world. • Features a rich and detailed overview of Thracian history from the Early Iron Age to Late Antiquity • Includes contributions from leading scholars in the archaeology, art history, and general history of Thrace • Balances consideration of material evidence relating to Ancient Thrace with more traditional literary sources • Integrates a study of Thrace within a broad context that includes the cultures of the eastern Mediterranean, southwest Asia, and southeast Europe/Eurasia • Reflects the impact of new theoretical approaches to economy, ethnicity, and cross-cultural interaction and hybridity in Ancient Thrace

Follows the extraordinary record of ancient Greek thought on Hyperborea as a case study of cosmography and anthropological philology.