Prepare to be delighted by the Cat and his colourful pyjamas. Meet Cat . . . and his colourful collection of pyjamas. One pair for each night of the week. When he wears his space pyjamas, he dreams of Saturn, Mars and shooting stars; when he wears his road pyjamas, he dreams of big red rigs and diggers that dig . . . but what will happen when he wears his MONSTER pyjamas?

Meet Louis Fellini. Louis lived in a time long ago when cats wore clothes, worked in cities, and went on picnics. But the cats dressed all the same, down to the shoes they wore. Louis Fellini was a different sort of cat. He wanted to be himself. But it isn’t as easy as you might think to be yourself, especially when everyone else looks the same, when everybody else is a . . . copy cat. But Louis Fellini found a way. He was just that kind of cat. He was the cat’s pajamas.

Madeleine Altimari is a sassy, smart-mouthed nine-year-old and an aspiring jazz singer, inwardly mourning the recent death of her mother. Little does she know that on Christmas Eve Eve she is about to have the most extraordinary day - and night - of her life. After bravely facing down some mean-spirited classmates and a galling rejection at school, Madeleine doggedly searches for Philadelphia's legendary jazz club The Cat's Pajamas, where she's determined to make her on-stage debut. Meanwhile, her fifth grade teacher Sarina Greene is nervously looking forward to a dinner party that will reunite her with an old high school crush. And across town at The Cat's Pajamas, club owner Jack Lorca discovers that his beloved haunt may have to close forever . . . As these three lost souls search for love, music and hope on the snow-covered streets of Philadelphia, together they will discover life's endless possibilities over the course of one magical night. A vivacious, charming and moving debut, 2am At The Cat's Pajamas will swell your heart and have you laughing out loud.

Spilling the Beans on the Cat's Pyjamas provides us with the meanings of our well-worn and much-loved phrases by putting these linguistic quirks in context, and explaining how and why they were first used.

Two young kittens discover that the only thing better than stylish new playclothes is their mother's love.

Ray Bradbury is, indisputably, one of America's greatest storytellers. The recipient of the 2000 National Book Foundation Medal for Distinguished Contribution to American Letters, he ranks among the most beloved -- and widely read -- of American authors. In The Cat's Pajamas, this "latter-day O. Henry" (Booklist) takes us on an amazing walk through his six-decade career, presenting twenty-two tales -- some old, some new, all but two never before published. Here you will find stories strange and scary, nostalgic and bittersweet, humorous and heart-touching, ranging from the not-so-long-gone past to an unknowable future: a group of senators drinks a bit too much -- and gambles away the United States; a newlywed couple buys an old house and finds their fledgling relationship tested; two mysterious strangers arrive at a rooming house and baffle their fellow occupants with strange crying in the night; a lonely woman takes a last chance on love. The final piece in the collection is a story-poem, a fond salute from Bradbury to his literary heroes Shaw, Chesterton, Dickens, Twain, Poe, Wilde, Melville, and Kipling. The Cat's Pajamas is just that -- the bee's knees -- a touching, timeless, and tender collection from the incomparable Ray Bradbury, and a anoramic view of an amazingly long, rich, and fertile creative career.

Twin tales of middle-class hilarity and despair from the writer who was dubbed “America’s preeminent comic novelist” by the New York Times When college professor Hank Tattersall sees his former flame, Lucy Stiles, at a campus concert, it sets off a chain reaction that results in one of the funniest and most unforgettable exit scenes in American literature—involving a locked door, an alcoholic dog, and a punning doppelgänger. The Cat’s Pajamas is the story of how Tattersall, a scrupulous self-reflector, falls from point A to point Z, rushing through a host of identities and indignities along the way. The unexamined life may not be worth living, he discovers, but the examined one is hardly a bed of roses. In Witch’s Milk, Tillie Seltzer has her own trials to attend to. Chief among them is her marriage to Pete, the kind of guy who tucks a cigarette behind his ear and calls everybody Frisbee. When they first met, Tillie had more sophisticated tastes—dark strangers, homburg hats—but she was also a thirtysomething virgin whose prospects weren’t getting any better. When she cracked a joke about the honeymoon being over, Pete believed her. Now stuck in suburbia with a sick child and a philandering husband, Tillie takes a hard look in the rearview mirror. Her search for an escape route will lead her to the most unexpected place of all. These short novels are linked by Tillie’s cameo appearance in Hank’s narrative and by the thrilling blend of satire, tragedy, and philosophy that defines the one-of-a-kind fiction of Peter De Vries.