A thorough study of the six principal writers of the Catholic revival in English Literature - Newman, Hopkins, Belloc, Chesterton, Greene and Waugh. Beginning with Newman's conversion in 1845 and ending with Waugh's completion of the trilogy 'The Sword of Honour' in 1961, this book explores how Catholicism shaped the work of these six prominent writers. Ian Ker is a member of the theology faculty at Oxford University. He is well known as one of the leading authorities on the life and work of Cardinal John Henry Newman.

The Catholic Revival in English Literature, 1845-1961 presents a thorough discussion of the six principal writers of the Catholic revival in English literature--Newman, Hopkins, Belloc, Chesterton, Greene, and Waugh. Beginning with Newman's conversion in 1845 and ending with Waugh's completion of the triology The Sword of Honor in 1961, this book explores how Catholicism shaped the work of these six prominent writers. John Henry Newman claimed in The Idea of a University that post-Reformation English literature was overwhelmingly Protestant and that there was no prospect of a Catholic body of literature. Describing this claim as "happily lacking in prescience," Ian Ker persuasively argues that Newman, Hopkins, Belloc, Chesterton, Greene, and Waugh succeeded in producing a substantial body of literature written by Catholics who wrote as Catholics. These revivalists were not so much influenced by traditional themes of guilt, sin, and ceremony, as they were attracted to unexpected facets of Catholicism. The idea of a Catholic priest as a craftsman is a recurring motif, as is the celebration of the ordinariness and objectivity of Catholicism. Ker's compelling and intelligent reading of these six major writers will appeal to anyone with an interest in nineteenth- and twentieth-century English literature, or the relation between literature and theology.

An Anthology of Writings from 1483 to 1999 Firmly I Believe and Truly celebrates the depth and breadth of the spiritual, literary, and intellectual heritage of the Post-Reformation English Roman Catholic tradition in an anthology of writings that span a five hundred year period between William Caxton and Cardinal Hume. Intended as a rich resource for all with an interest in Roman Catholicism, the writings have been carefully selected and edited by a team of scholars with historical, theological, and literary expertise. Each author is introduced to provide context for the included extracts and the chronological arrangement of the anthology makes the volume easy to use whilst creating a fascinating overview of the modern era in English Catholic thought. The extracts comprise a wide variety writing genres; sermons, prayers, poetry, diaries, novels, theology, apologetics, works of controversy, devotional literature, biographies, drama, and essays. Includes writings by: John Colet, John Fisher, Thomas More, Robert Southwell, Philip Howard, Edmund Campion, John Gother, John Dryden, Mary Barker, Alexander Pope, Richard Challoner, Alban Butler, John Milner, Elizabeth Inchbald, Nicholas Wiseman, Margaret Mary Hallahan, A. W. N. Pugin, John Henry Newman, Henry Edward Manning, Frederick William Faber, Bertrand Wilberforce, Gerard Manley Hopkins, Vincent McNabb, Hilaire Belloc, Maurice Baring, G. K. Chesterton, R. A. Knox, J. R. R. Tolkien, Caryll Houselander, Evelyn Waugh, Graham Greene, John Bradburne, Cardinal Hume

This book is the first comparative study of its kind to explore at length the French and English Catholic literary revivals of the late nineteenth and early twentieth centuries. It compares individual and societal secularisation in France and England and examines how French and English Catholic writers understood and contested secular mores, ideologies and praxis, in the individual, societal and religious domains. It also addresses the extent to which some Catholic writers succumbed to the seduction of secular instincts, even paradoxically in themes which are considered to be emblematic of Catholic literature. The breadth of this book will make it a useful guide for students wishing to become familiar with a wide range of such writings in France and England during this period. It will also appeal to researchers interested in Catholic literary and intellectual history in France and England, theologians, philosophers and students of the sociology of religion.

The written word is one of the defining elements of Christian experience. As vigorous in the 1st century as it is in the 21st, Christian literature has had a significant function in history, and teachers and students need to be reminded of this powerful literary legacy. Covering 2,000 years, The Encyclopedia of Christian Literature is the first encyclopedia devoted to Christian writers and books. In addition to an overview of the Christian literature, this two-volume set also includes 40 essays on the principal genres of Christian literature and more than 400 bio-bibliographical essays describing the principal writers and their works. These essays examine the evolution of Christian thought as reflected in the literature of every age. The companion volume also features bibliographies, an index, a timeline of Christian Literature, and a list of the greatest Christian authors. The encyclopedia will appeal not only to scholars and Christian evangelicals, but students and teachers in seminaries and theological schools, as well as to the growing body of Christian readers and bibliophiles.

Mere Catholicism explains in easily accessible, non-technical language the fundamental doctrines of Catholicism. It also shows how these doctrines follow naturally from the fundamental doctrines common to orthodox Christians ("mere Christianity"). Catholicism can mystify or even repel other Christians, while its complexities can confuse Catholics themselves. Ian Ker's stimulating book makes Catholicism come alive as the fullness of Christianity.

Exotic, corrupt, and dangerous, Roman Catholicism functioned in the popular Victorian imagination as a highly sensationalized and implacably anti-English enemy. Maureen Moran’s lively study considers a wide range of key authors—including Charlotte Brontë, Robert Browning, Wilkie Collins, and George Eliot, as well as a number of non-canonical writers—to give a detailed account of the cultural tensions between Catholics and Protestants. Moran shows that rather than representing a traditional religious schism, the demonizing of Catholics resulted from secular fears over crime, sex, and violence.