Recognizing that a work of art is the product of a particular time and place as much as it is the creation of an individual, Duby provides a sweeping survey of the changing mentalities of the Middle Ages as reflected in the art and architecture of the period. "If Age of the Cathedrals has a fault, it is that Professor Duby knows too much, has too many new ideas and takes such a delight in setting them out. . . insights whiz to and fro like meteorites."—John Russell, New York Times Book Review

For over 30 years, the Cathedrals have shared the Gospel in song from London to New York, from the Holy Land to Nashville. Today, after more than 6,000 performances, 80 albums, and countless television appearances, they're going as strong as ever. And now the group's founders, Glen Payne and George Younce, share with you the shining peaks, deep valleys, and enduring faith that are the story of America's most popular male gospel quartet.

A new edition of Batsford's classic 1930s guide to England's cathedrals, with foreword by Simon Jenkins. This classic guide from 1934 gives a brief account and pictorial review of every Church of England cathedral in England that existed at the time. Simply and concisely written to be read by anyone with an interest in the subject, the book features cathedrals from the mighty York Minster, Durham and Canterbury through St Albans to Ripon and Southwark. The full list of cathedrals covered are: Bristol, Canterbury, Carlisle, Chester, Chichester, Durham, Ely, Exeter, Gloucester, Hereford, Lichfield, Lincoln, London, Norwich, Oxford, Peterborough, Ripon, Rochester, St Albans, Salisbury, Southwark, Southwell, Wells, Winchester, Worcester, York. Also the Parish church cathedrals of Birmingham, Blackburn, Bradford, Chelmsford, Coventry (pre-war building), Derby, Leicester, Manchester, Newcastle, Portsmouth, St Edmundsbury, Sheffield and Wakefield.

"Prache surveys the history of church building from its humble beginnings in Late Antiquity through the construction of such masterworks of the Gothic style as Reims, Strasbourg, and Wells. Throughout, she reminds us that these magnificent expressions of faith also reflected their builders' hopes and fears, technical expertise, political views, and the ever-changing economic and social realities with which they had to contend."--BOOK JACKET.

Green Cathedrals is a celebration of the sport of baseball, through the lens of its ballparks-the "fields of dreams" of players and fans alike. In all, some 405 ballparks have, over time, hosted a Major League or Negro League game, and each one of them is given its due, from hard statistics about dimensions to nostalgic and current photographs, to anecdotes that will inspire the memories of fans all over the country. From Fenway Park and Gus Greenlee Field (home of the Homestead Grays and Pittsburgh Crawfords), to Ebbets Field, Camden Yards, and the brand-new parks that have opened in the past two years, Green Cathedrals presents a cavalcade of the most beautiful sporting venues in history. Fully revised and updated since its previous edition a decade ago, with more than 130 new ballparks and hundreds of new photographs, Green Cathedrals is an essential reference for baseball aficionados and a perfect gift for baseball fans everywhere.

Master sculptor Auguste Rodin’s illuminating writings on cathedrals in France are especially relevant and significant following the recent fire at Notre Dame. In this volume, the writer and Rodin scholar Rachel Corbett selects excerpts from the famous sculptor’s book Cathedrals of France, first published in 1914, just before the outbreak of World War I. Cathedrals were central to the way Rodin thought about his art: he saw them as visual metaphors for the human figure, among the finest examples of craftsmanship known to modern man, and as a model for how to live and work—slowly, brick by brick. Here, Corbett takes the fire at Notre Dame and the concerns over its restoration as an entry point in an exploration of Rodin's cathedrals. Rodin adamantly opposed restoration, as he felt it often did more damage than the original injury. (Many of the cathedrals that Rodin looks at in his texts were, in fact, bombed during the war.) But while he rails against various restoration efforts as evidence that “we are letting our cathedrals die,” the book, with its tenderly rendered sketches and written portraits, is itself an attempt to preserve these cathedrals. The selection of texts in this volume is a reminder—as is the tragedy of Notre Dame—of why we ought to appreciate these feats of architecture, whether or not they are still standing today.