Presents new variations on the traditional rhyme "Hey Diddle Diddle."

With over forty traditional nursery rhymes, personally chosen by the illustrator and laid out in colour-drenched double spreads. this is a beautiful, painterly collection of rhymes that has the makings of a classic. Included are familiar favourites such as: Hickory Dickory Dock, Baa Baa Black Sheep, Lavender's Blue, Ride a Cock Horse, Pop Goes the Weasel, To market, To market. And then there are some unusual rhymes to discover, such as Jumping Joan, Gray Goose and Gander, and Hark, Hark, the Dogs Do Bark. The pictures contain lots of detail to pore over, with strong decorative elements and a fine sense of colour and design. The perfect book to share, not only with a baby, but with the whole family.

An old English rhyme names all the animals a farm boy feeds on his daily rounds.

The Fiddle Book is about Fiddles, Fiddlers and Fiddling. It is not about violins. Violins are played in string quartets and symphony orchestras. Violins play sonatas and concertos and tone poems. Violinists are people like Jascha Heifetz and Isaac Stern. Fiddles are played at square dances and hoedowns in the front parlor or the back yard. Fiddlers play jigs, reels, hornpipes and the like. Fiddlers are people like Uncle Charlie Higgins, Eck Robertson, Grandma Davis and Max Collins. This book is about fiddles. It is the most comprehensive document on the folk music fiddle and fiddling styles ever published, and includes the music to more than 150 fiddle tunes faithfully transcribed from the playing of traditional musicians.

Richly illustrated with often antic images from alphabet books and primers, The Story of A relates the history of the alphabet as a genre of text for children and of alphabetization as a social practice in America, from early modern reading primers to the literature of the American Renaissance. Offering a poetics of alphabetization and explicating the alphabet's tropes and rhetorical strategies, the author demonstrates the far-reaching cultural power of such apparently neutral statements as "A is for apple." The new market for children's books in the eighteenth century established for the "republic of ABC" a cultural potency equivalent to its high-culture counterpart, the "republic of letters," while shaping its child-readers into consumers. As a central rite of socialization, alphabetization schooled children to conflicting expectations, as well as to changing models of authority, understandings of the world, and uses of literature. In the nineteenth century, literacy became a crucial aspect of American middle-class personality and subjectivity. Furnishing the readers and writers needed for a national literature, the alphabetization of America between 1800 and 1850 informed the sentimental-reform novel as well as the self-consciously aesthetic novel of the 1850s. Through readings of conduct manuals, reading primers, and a sentimental bestseller, the author shows how the alphabet became embedded in a maternal narrative, which organized the world through domestic affections. Nathaniel Hawthorne, by contrast, insisted on the artificiality of the alphabet and its practices in his antimimetic, hermetic The Scarlet Letter, with its insistent focus on the letter A. By understanding this novel as part of the network of alphabetization, The Story of A accounts for its uniquely persistent cultural role. The author concludes, in an epilogue, with a reading of postmodern alphabets and their implications for the future of literacy.

Two families have a shared tragedy to deal with, leaving two best friends wondering if they will ever experience happiness again. As they struggle to come to terms with their loss the girls slowly rebuild their lives as best they can. A relocation to a Shropshire village marks a change to their lives which will lead to new challenges and yet more heartbreak. Where will it all lead? You never can tell.....