From John Carter Cash, a rootin’, toe tappin’ tale that’s sure to be a hoot—with a great lesson to boot! In this humorous story, the cat in the rhinestone suit is out to settle a score with his arch nemesis, a snake named Del Moore. A comedy of errors ensues, leaving the cat and his traveling companions—a bandicoot, a mouse, and a camel—hanging from a root. Just when it seems they’re stuck…who should come by to rescue them but ol’ Del Moore himself! This rollicking read-aloud is a fun-loving story of friendship and forgiveness, with characters as colorful and sparkly as a rhinestone suit!

Midnight Louie, feline detective, and his human partner, Temple Barr, take on a mysterious case involving death threats, ghosts, and the King himself--Elvis Presley.

Gail Anderson-Dargatz, the acclaimed and bestselling author of The Cure for Death by Lightning and A Recipe for Bees, brings readers once again into the heart of rural Canada with A Rhinestone Button. As funny as it is tender, it is a novel full of true-to-life characters, natural wonder, and sweet surprises. Despite growing up in the small farming town of Godsfinger, Alberta, Job Sunstrum was always a bit of an outsider. A thin young man with blond, curly hair, he loved baking and cooking, and certainly did not fit in with the rough-and-tumble farm boys around town. Even when Job takes over the farm after his father’s death and his brother’s departure to train as a pastor, his community remains his animals, and perhaps the church women with whom he shares his baking on Sundays. Lonely beyond belief, overwhelmed by religious guilt, and taut with fear at the thought of what life might have in store for him, Job can only turn to God and hope that someday, things will turn around. Only his synesthesia — his ability to see sounds as colours, and feel vibrations as solid forms — provides him with passing moments of solace, but it also reaffirms for him that he experiences the world in a way the other people of Godsfinger could not possibly understand. Then one year, Job’s “tightly coiled” life begins to fall apart, and even the small sureties that got him through the days are torn away from him. The colours even disappear from sounds. Faced with change on every level and not knowing how to live outside the world he was brought up in, Job allows himself to be caught up in the Pentecostal drive of a preacher named Jack Divine, in hopes that clinging to his beliefs, proving his faith, and doing what others expect of him will make everything all right. But when his new-found religious fervour only accelerates his despair and his world continues to crumble, Job is surprised to find that true faith can be found in earthly experiences, and come from the most unlikely of sources. That a world without the familiar colours and shapes of sound is not half-heard, as he feared, but freed to break out in song. Like Anderson-Dargatz’s previous novels, A Rhinestone Button is a loving and magical portrait of small-town life that makes us question what we believe is real, and true.

First published in 1987, New York Times bestseller, I’m With The Band has been reprinted throughout the years, all over the world. This is the stylish, exuberant and sweetly innocent tale of one of the most famous groupies of the 1960s and 70s. Beginning with Pamela Des Barres’ early obsession with Elvis, her own Beatlemania madness, and her fierce determination to meet the musicians who rocked her world, I’m With The Band illuminates the glory days of scintillating encounters with musical gods including Jim Morrison, Jimi Hendrix, Mick Jagger and Keith Moon. A girl just wanting to have fun, Des Barres immersed herself in the drugs, danger and ecstasy of the freewheeling 1960s. As a member of The GTOs (Girls Together Outrageously), an all-female group masterminded by Frank Zappa, Des Barres was in the thick of the most revolutionary renaissance in the history of modern popular music. She travelled with Led Zeppelin; lived in sin with Don Johnson; turned down a date with Elvis Presley; and was close friends with Robert Plant, Gram Parsons and Ray Davies. She had affairs with Mick Jagger, Jimmy Page, Keith Moon, Waylon Jennings, Chris Hillman, Noel Redding, and Jim Morrison, among others. A woman in possession of her own destiny, Des Barres blazed a trail for women’s life-writing, standing up for female voices and experience everywhere. From original diaries, told with great warmth, chutzpah and joie de vivre, this is a frank memoir that wears its heart on its sleeve, and recalls one of rock ’n’ roll’s most thrilling eras. This edition contains new material from the author, including her response to the vitriolic shaming of groupies, and a foreword by Roisin O’Connor, rock journalist and music correspondent for the Independent.

Grammy Award-winner John Carter Cash flies readers to magical castles by the sea as one little girl shares an adventure with her daddy by her side. The special bond between father and daughter protects them from pirates and alligators and guides them on the backs of eagles on which they return to their own home…where Daddy tucks his little girl safely in her bed. Daddy reminds his little girl that however far they might roam and however high they fly, his love for his little girl will always keep them safe and strong. .

The crow king is dead, and in the field below all the creatures tremble as the Murder gathers to choose a new king from the rival sons Sintus, Milus and Nascus. When the crows drive everyone from the field to keep the reckoning secret, the quail Isyl, Cormo and Harlequin believe they must simply follow their elders to safety. But when the crows turn against each other, the forest becomes full of danger. In the confusion the last wolf, Asmod, shucks off his isolation and begins to raise an army to claim the kingdom for his own. As hidden truths are brought to light and enormous sacrifi ces are made Isyl and his friends must make an epic journey and an unthinkable alliance if the lesser animals are to survive.

From his provincial origins in the small northern Mexico town of Múzquiz, Coahuila, to his meteoric rise in Manhattan's East Village art scene, to having achieved international standing at the time of his early death at forty-seven, Julio Galán was radically transgressive. The artist extended contemporary Mexican painting beyond the cultural criticism of Neo-Mexicanism (neomexicanismo), redefining Mexican identity as gender-expansive in his art. Galán combined gender-fluid imagery, his performative persona, queer self-representation, and cross-cultural visual and textual references to create large-scale, layered, dialogical visual puzzles. An artist ahead of his time, Galán's content and imagery is relevant to contemporary LGBTQ+ social movements. Replete with full-color reproductions of Galán's artwork and photographic material, Teresa Eckmann's book serves as the first English-language monograph on the artist's life and work. Anyone interested in art in Mexico and Latin America will find this book an indispensable addition to their library, and it will be a core book on the study of this artist for decades to come.