" A] mixture of dungeons, prisons, storms, shipwrecks, and murders . . . displays considerable ingenuity . . . uncommonly strong." - Monthly Literary Recreations (1807) " K]eeps up the attention and interests the feelings in a manner that is not very common." - Literary Journal (Oct. 1806) The Castle of Berry Pomeroy, reduced to ruins in the early 1700s, has long been recognized as one of the most haunted places in Britain. It is said that the ghost of Margaret Pomeroy, starved to death in a dungeon by her sister Eleanor, still inhabits the castle today. In The Castle of Berry Pomeroy (1806), Edward Montague adapts the legends surrounding the castle into a Gothic tale of horror, jealousy, and revenge. Lady Elinor de Pomeroy, envious that her sister Matilda has won possession of the castle and the love of the handsome De Clifford, decides to have her murdered. She enlists the aid of Father Bertrand, one of the blackest villains ever to appear in a Gothic novel. But Matilda's death is just the beginning. Her spectre returns to haunt the castle, bringing terror to Elinor and Bertrand, whose ambition and fear lead them to commit more and more murders. The body count rises and the horror increases, but will Matilda's ghost lead to the discovery and punishment of the villains? A cleverly told story and one of the few Gothic novels to achieve an authentically medieval atmosphere, The Castle of Berry Pomeroy was the first novel by Edward Montague (The Demon of Sicily, Legends of a Nunnery). Originally published by the infamous Minerva Press, Montague's novel is reprinted here for the first time since 1892.

From Strawberry Hill to The Dungeons, Alnwick Castle to Barnageddon, Gothic tourism is a fascinating, and sometimes controversial, area. This lively study considers Gothic tourism's aesthetics and origins, as well as its relationship with literature, film, folklore, heritage management, arts programming and the 'edutainment' business.

'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.

London Art Deco" presents a stunning visual catalogue of Londons Art Deco legacy from the florid 1920s to the streamlined 1930s. In more than 200 color images, and featuring cinemas, theatres, hotels, department stores, Underground stations, factories, corporate and residential buildings, this title shows the way the style influenced architects and designers.Hudson Hills Press