As the dust clears from the uproar in Gevaudan, a few questions remain. Read the next chapter of The Case Study of Vanitas at the same time as Japan!

The Beast of Gévaudan is put to rest once and for all as Chloé makes peace with her truest desire—but Vanitas’s troubles continue as both he and Jeanne are struck with certain... ailments of the heart! There’s no time for him to dwell on this rather unwelcome development, though, as Domi is swept away in the machinations of a phantom from his past...

Deep within the bowels of Paris, Noé and Vanitas race through the catacombs with an elite team of Chasseurs, the Church's anti-vampire unit, in hot pursuit. Their search for the missing vampires takes the pair down a path all too familiar to Vanitas, bringing them face-to-face with not only an overwhelming curse-bearer but also Vanitas's past. Confronted by the horrific menace, what will Noé and Vanitas fight for, and whom will they save...?

Fans rejoice! Jun Mochizuki, acclaimed creator of PandoraHearts, returns with the first installment of her latest epic adventure tale, The Case Study of Vanitas! In a late 19th century Paris plagued by vampires...who is Vanitas, and what secrets does he hold? Read the first chapter while the ink is still wet!

This richly illustrated book provides an overview of all known Dutch and Flemish artists up to the nineteenth century, who painted or drew flower pieces, or else made prints of them.

This is an analysis of the diverse facets of Alexander the Great’s image from the Renaissance era through the Baroque into the nineteenth century. Perceived as the first sovereign ruler of the world, for centuries Alexander became an exemplar for the most ambitious kings and emperors. This cultural phenomenon flourished above all in the Renaissance while extending into the nineteenth century. Early modern monarchs’ identification with Alexander associated them with ideas of kingly wisdom. Yet this admiration waned on occasions. Napoleon was Alexander of Macedonia’s most ardent critic. During the nineteenth century, the Macedonian hero was viewed as an individual who won control of the Achaemenid empire, but also underwent a progressive moral decline that converted him into a tyrant. The book will be of interest to scholars working in art history and iconography.

This unusual and abundantly illustrated book discusses a wide collection of paintings and other arts, from 1400 to 1900, that include the image of an account book. Throughout, and particularly in the concluding chapter, the author considers other connections between accounting, art, and history: the