Amal and her friends must solve the mystery of the missing flying machine plans before it costs her father his job at the Air and Space Museum.

When the plans for the prototype of a failed flying machine go missing from the Air and Space Museum's archives, Amal's father, the assistant archivist, is blamed. No one suspects a crime has been committed except Amal and her friends. With her father's job on the line, it's up to them to track down the missing plans. Can Amal and her friends get to the bottom of the museum mystery before it's too late? Discussion questions, writing prompts, a glossary, and nonfiction resources continue the reader's learning experience long after this e-book ends.

When the spacesuit of famous astronaut Sally Ride disappears from a traveling exhibit, Amal Farah, daughter of the Air and Space Museum's archivist, and her three friends, are determined to find the culprit before the exhibit is cancelled.

The remarkable true story of the document heist that shocked the world. Like many aspiring writers, David Breithaupt had money problems. But what he also had was unsupervised access to one of the finest special collections libraries in the country. In October 1990, Kenyon College hired Breithaupt as its library’s part-time evening supervisor. In April 2000, he was fired after a Georgia librarian discovered him selling a letter by Flannery O’Connor on eBay, but that was only the tip of the iceberg: for the past ten years, Breithaupt had been browsing the collection, taking from it whatever rare books, manuscripts, and documents caught his eye—W. H. Auden annotated typescripts, a Thomas Pynchon manuscript, and much, much more. It was a large-scale, long-term pillaging of Kenyon College’s most precious works. After he was caught, the American justice system looked like it was about to disappoint the college the way it had countless rare book crime victims before—but Kenyon, refused to let this happen . . .

“[A] gripping, and at times unsettling, history of . . . the Zeytun Gospels, a lavishly illuminated Armenian book that miraculously survived centuries of war.” —The Wall Street Journal In 2010, the world’s wealthiest art institution, the J. Paul Getty Museum, found itself confronted by a century-old genocide. The Armenian Church was suing for the return of eight pages from the Zeytun Gospels, a manuscript illuminated by the greatest medieval Armenian artist, Toros Roslin. Protected for centuries in a remote church, the holy manuscript had followed the waves of displaced people exterminated during the Armenian genocide. Passed from hand to hand, caught in the confusion and brutality of the First World War, it was cleaved in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty. This is the biography of a manuscript that is at once art, sacred object, and cultural heritage. Its tale mirrors the story of its scattered community as Armenians have struggled to redefine themselves after genocide and in the absence of a homeland. Heghnar Zeitlian Watenpaugh follows in the manuscript’s footsteps through seven centuries, from medieval Armenia to the killing fields of 1915 Anatolia, the refugee camps of Aleppo, Ellis Island, and Soviet Armenia, and ultimately to a Los Angeles courtroom. Reconstructing the path of the pages, Watenpaugh uncovers the rich tapestry of an extraordinary artwork and the people touched by it. At once a story of genocide and survival, of unimaginable loss and resilience, The Missing Pages captures the human costs of war and persuasively makes the case for a human right to art. “A well-told tale of the history of the Armenian people [and] a wondrous and terrifically engrossing journey of this sacred religious object and priceless work of art.”—Michael Bazyler, author of Holocaust Justice: The Battle for Restitution in America’s Courts

It's up to Wilson Kipper and his friends to get to the bottom of the mysterious haunting at the Natural History Museum before it's too late.

When a priceless sculpture is stolen from the Capitol City Art Museum, it's up to Clementine and her friends to figure out who's responsible.