A fight over a rich man’s will turns deadly in this murder mystery by the “kingpin among the mystery writers” from the series that inspired the HBO show (The New York Times). Marilyn Marlow has inherited a good deal of money from her mother. But the money originated with another will—that of her mother’s wealthy employer. Now his relatives are contesting the will, and it’s Rose Keeling, the key witness to its signing, whose mind they'll need to sway. When Rose is murdered, sleuthing lawyer Perry Mason must navigate a twisted case involving a personal ad that casts a cloud of suspicion over his client, Miss Marlow, in this mystery in Edgar Award–winning author Erle Stanley Gardner’s classic, long-running series, which has sold three hundred million copies and serves as the inspiration for the HBO show starring Matthew Rhys and Tatiana Maslany. DON’T MISS THE NEW HBO ORIGINAL SERIES PERRY MASON, BASED ON CHARACTERS FROM ERLE STANLEY GARDNER’S NOVELS, STARRING EMMY AWARD WINNER MATTHEW RHYS

Three crime classics in one volume starring the defense lawyer who inspired the HBO series. From the Edgar Award–winning author, these novels from the long-running, multimillion-selling mystery series that inspired the HBO hit starring Matthew Rhys include: The Case of the Lazy Lover Perry Mason is surprised to receive two checks from a stranger named Lola Allred. When he speaks with Lola’s husband, he discovers the woman has run off with her daughter’s boyfriend—who happens to be an important witness in a lawsuit. Soon Mason is caught up in a case involving forgery and murder . . . “The only dull pages in this book are the blank ones.” —The New York Times The Case of the Lonely Heiress Marilyn Marlow has inherited a good deal of money from her mother. But the money originated with another will—that of her mother’s wealthy employer. Now his relatives are contesting the will and the key witness to its signing has just been murdered. It’s up to the sleuthing lawyer to clear the cloud of suspicion over Miss Marlow’s head . . . “No one has ever matched Gardner for swift, sure exposition.” —Kirkus Reviews The Case of the Dubious Bridegroom Edward Garvin is a very successful businessman with a very unhappy ex-wife—who wants his money. Garvin calls on Perry Mason to protect his company from her schemes, and ensure the divorce they’d gotten in Mexico is actually finalized. But when Garvin’s former spouse is struck down by a killer, Mason’s client becomes the chief suspect . . . “A stellar ending.” —Kirkus Reviews

Perry Mason was one of the most successful television programs from the 1950s and remains one of the most influential crime melodramas from any period. The show's influence goes far beyond its nine-year tenure (1957-66), the millions of dollars it generated for its creators and for CBS, and the definitive identification it provided its star, Raymond Burr. Perry Mason has become a true piece of Americana, evolving through a formulaic approach that law professors continue to use today as a teaching tool. In his examination of Perry Mason, author Thomas Leitch looks at why this series has appealed to so many for so long and what the continued appeal tells us about Americans' attitudes toward lawyers and the law, then and now. Beginning with its roots in earlier detective fiction, stories of fictional attorneys, and the work of Erle Stanley Gardner (the show's creator), Leitch lays out the circumstances under which Perry Mason was conceived and marketed as a distinct franchise. The evolution of Perry Mason is charted here in an inclusive manner, discussing the show's broadcast history (ending with the series of two-hour telemovies that aired nearly twenty years after the original series ended) alongside its generic nature and place within popular culture, the show's ideological dynamic, and issues of authorship in the context of television. This concise study is an excellent tool for television and media scholars as well as fans of the Perry Mason series.

This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.

In 1933 the crime writer Erle Stanley Gardner, himself a practicing lawyer, unleashed the character Perry Mason in the novel The Case of the Velvet Claws. Perry Mason entered into public consciousness as a new conception of the role of the defense lawyer, so that millions of Americans came to expect every criminal trial to have its “Perry Mason moment.” In the 1950s the Perry Mason TV show had a phenomenal success, and Mason came to be identified with Raymond Burr. Now Perry Mason has again been restored to life in the HBO series starring Matthew Rhys and John Lithgow. Meanwhile, the eighty-two original Erle Stanley Gardner novels continue to sell thousands of copies each week. Perry Mason gave America a new conception of the trial lawyer, as someone who was always loyal to his client and always prepared to use dirty tricks such as misdirection and withholding of evidence to protect the innocent and secure the ends of Justice. The Mason of the novels is less scrupulous than the Raymond Burr Mason, and would sometimes be in danger of going to jail if the trial didn’t turn out right—which it always did, largely because of Mason’s cleverness. The Perry Mason icon raises many philosophical issues explored by seventeen different philosophers in this book, including: ● Can we defend Paul Drake’s claim (The Case of the Blonde Bonanza) that Mason is “a paragon of righteous virtue” despite his predilection for skating on thin legal ice? ● Can complex murder cases be solved by facts alone—or do we also need empathy? ● The most convincing way to give a TV episode a surprise ending is by the guilty person suddenly confessing. But in reality, is a confession necessarily so convincing? ● Does Perry Mason represent the Messiah? ● How does the Raymond Burr Perry Mason compare with the more recent TV character Saul Goodman (Breaking Bad and Better Call Saul)? ● Is it morally okay to mislead the police if this helps your client and your client is innocent? ● How does Perry Mason help us understand the distinction between natural law and positive law? ● Do the Perry Mason stories comply with Aristotle’s recipe for a good work of fiction? ● Does life imitate art, when Perry Mason is cited in real-life courtroom arguments? ● How much trickery can be justified by loyalty to one’s client? ● Can evidence in murder trials be evaluated by probability theory? ● Perry Mason is officially a lawyer and unofficially a detective. But isn’t he really a historian and a psychgoanalayst? ● Della Street is a competent legal secretary, but is she something more? ● Mason often says that “Eye-witness testimony is the worst kind of evidence” and occasionally that “Circumstantial evidence is the best evidence we have.” Can these claims be defended?