In the sixth Perry Mason mystery, Perry must defend a young woman framed for a murder. The only clue: the murdered man has a crimson lipstick-print on his bald head.

In the past Drake Michaels has overcome many obstacles in his path. He survived a vicious vampire attack. He adapted to living the life of a vampire. He fought his thirst for human blood. He is the protector of the humans from wicked vampires. One of the hardest obstacles that Drake had to face was when Arianna, the mortal who he loves,married his best friend Brett. Now, Arianna and Brett share a secret that could shatter the trust between Drake and humans. Raven, the vampire temptress, has her sights set on Drake as her mate through eternity.She has become aware of the secret that Arianna and Brett share. What will Raven do? Will she tell Drake? Will she be able to turn him to the dark side? Will this be the one thing that could bring Drake down permanently?

The greatest detectives of the Golden Age investigate the most puzzling crimes of the era Sometimes, the police aren’t the best suited to solve a crime. Depending on the case, you may find that a retired magician, a schoolteacher, a Broadway producer, or a nun have the necessary skills to suss out a killer. Or, in other cases, a blind veteran, or a publisher, or a hard-drinking attorney, or a mostly-sober attorney… or, indeed, any sort of detective you could think of might be able to best the professionals when it comes to comprehending strange and puzzling murders. At least, that’s what the authors from the Golden Age of American mystery fiction would have you think. For decades in the middle of the twentieth century, the country’s best-selling authors produced delightful tales in which all types of eccentrics used rarified knowledge to interpret confounding clues. And for even longer, in the decades that have followed, these characters have continued to entertain new audiences with every new generation that discovers them. Edgar Award-winning anthologist Otto Penzler selects some of the greatest American short stories from era. With authors including Ellery Queen, Mary Roberts Rinehart, Cornell Woolrich, Erle Stanley Gardner, and Anthony Boucher, this collection is a treat for those who know and love this celebrated period in literary history, and a great introduction to its best writers for the uninitiated. Includes discussion guide questions for use in book clubs.

In 1933 the crime writer Erle Stanley Gardner, himself a practicing lawyer, unleashed the character Perry Mason in the novel The Case of the Velvet Claws. Perry Mason entered into public consciousness as a new conception of the role of the defense lawyer, so that millions of Americans came to expect every criminal trial to have its “Perry Mason moment.” In the 1950s the Perry Mason TV show had a phenomenal success, and Mason came to be identified with Raymond Burr. Now Perry Mason has again been restored to life in the HBO series starring Matthew Rhys and John Lithgow. Meanwhile, the eighty-two original Erle Stanley Gardner novels continue to sell thousands of copies each week. Perry Mason gave America a new conception of the trial lawyer, as someone who was always loyal to his client and always prepared to use dirty tricks such as misdirection and withholding of evidence to protect the innocent and secure the ends of Justice. The Mason of the novels is less scrupulous than the Raymond Burr Mason, and would sometimes be in danger of going to jail if the trial didn’t turn out right—which it always did, largely because of Mason’s cleverness. The Perry Mason icon raises many philosophical issues explored by seventeen different philosophers in this book, including: ● Can we defend Paul Drake’s claim (The Case of the Blonde Bonanza) that Mason is “a paragon of righteous virtue” despite his predilection for skating on thin legal ice? ● Can complex murder cases be solved by facts alone—or do we also need empathy? ● The most convincing way to give a TV episode a surprise ending is by the guilty person suddenly confessing. But in reality, is a confession necessarily so convincing? ● Does Perry Mason represent the Messiah? ● How does the Raymond Burr Perry Mason compare with the more recent TV character Saul Goodman (Breaking Bad and Better Call Saul)? ● Is it morally okay to mislead the police if this helps your client and your client is innocent? ● How does Perry Mason help us understand the distinction between natural law and positive law? ● Do the Perry Mason stories comply with Aristotle’s recipe for a good work of fiction? ● Does life imitate art, when Perry Mason is cited in real-life courtroom arguments? ● How much trickery can be justified by loyalty to one’s client? ● Can evidence in murder trials be evaluated by probability theory? ● Perry Mason is officially a lawyer and unofficially a detective. But isn’t he really a historian and a psychgoanalayst? ● Della Street is a competent legal secretary, but is she something more? ● Mason often says that “Eye-witness testimony is the worst kind of evidence” and occasionally that “Circumstantial evidence is the best evidence we have.” Can these claims be defended?

Mason is hired to identify a woman based on an appendix scar, as she fears being a look-alike to an heiress may be a setup for her arrest. Mason later defends the heiress on murder charges.

Perry Mason is hired to identify a woman based on an appendix scar, as she fears being a look-alike to an heiress may be a setup for her arrest. A classic mystery!

Mason defends Della Street, who is accused of helping a material witness or possible murder suspect vanish from a crime scene. A classic mystery! Includes an introduction by Karl Wurf.