At River Arts, Nancy’s perfecting her performance—under cover! Set high above the river, the grand old Pennington estate is the perfect place for an arts colony. College students can work with established artists, and the owner, elderly Marianna Pennington, gets to keep her home. But when Rhoda Benton, the colony’s director, gets a disturbing threat, Nancy and Bess start hunting for an elusive suspect. From the owner’s nephew who wants to build condos on the property to a handsome young artist determined to break all the rules, there’s no lack of candidates. But Nancy’s best lead comes from someone who wants to remain anonymous—someone she'll have to meet at midnight at the edge of a cliff…

Creative criminals commit highly effective, novel crimes. From consumer fraud to terrorism, how can these creative criminals be stopped?

Solving crimes with science is fascinating—until a pretend mystery becomes all too real! Nancy gets Bess, George, and Ned to help out with a special program for high school students, a “chemystery” camp. They’ll visit a forensics lab, a drug company, and a university to see how science is used to solve crimes. Then they’ll use what they’ve learned to work on a made-up case. But the mystery begins even before the program starts when the professor who runs it suddenly falls into a coma. Now Nancy’s in charge—of the made-up case and the real one. Strange encounters of the dangerous kind and a list of promising suspects test all her talents of deduction. From the tiniest clue on a carpet to real menace in a quarry, Nancy’s crime lab is bubbling with trouble!

From New York Times bestselling author Gilly Macmillan comes this original, chilling and twisty mystery about two shocking murder cases twenty years apart, and the threads that bind them. Twenty years ago, eleven-year-olds Charlie Paige and Scott Ashby were murdered in the city of Bristol, their bodies dumped near a dog racing track. A man was convicted of the brutal crime, but decades later, questions still linger. For his whole life, filmmaker Cody Swift has been haunted by the deaths of his childhood best friends. The loose ends of the police investigation consume him so much that he decides to return to Bristol in search of answers. Hoping to uncover new evidence, and to encourage those who may be keeping long-buried secrets to speak up, Cody starts a podcast to record his findings. But there are many people who don’t want the case—along with old wounds—reopened so many years after the tragedy, especially Charlie’s mother, Jess, who decides to take matters into her own hands. When a long-dead body is found in the same location the boys were left decades before, the disturbing discovery launches another murder investigation. Now Detective John Fletcher, the investigator on the original case, must reopen his dusty files and decide if the two murders are linked. With his career at risk, the clock is ticking and lives are in jeopardy…

Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.

One of Buzzfeed's 25 New And Upcoming Books You Won’t Be Able To Put Down and one of LitHub's Best New Nonfiction to Read This November "The Uninnocent is so elegantly crafted that the pleasure of reading it nearly overrides its devastating subject matter . . . a story of radical empathy, a triumph of care and forgiveness." --Stephanie Danler, author of Stray and Sweetbitter A harrowing intellectual reckoning with crime, mercy, justice and heartbreak through the lens of a murder On a Thursday morning in June 2010, Katharine Blake's sixteen-year-old cousin walked to a nearby bike path with a boxcutter, and killed a young boy he didn’t know. It was a psychological break that tore through his brain, and into the hearts of those who loved both boys—one brutally killed, the other sentenced to die at Angola, one of the country’s most notorious prisons. In The Uninnocent, Blake, a law student at Stanford at the time of the crime, wrestles with the implications of her cousin’s break, as well as the broken machinations of America’s justice system. As her cousin languished in a cell on death row, where he was assigned for his own protection, Blake struggled to keep her faith in the system she was training to join. Consumed with understanding her family’s new reality, Blake became obsessed with heartbreak, seeing it everywhere: in her cousin’s isolation, in the loss at the center of the crime, in the students she taught at various prisons, in the way our justice system breaks rather than mends, in the history of her parents and their violent childhoods. As she delves into a history of heartbreak—through science, medicine, and literature—and chronicles the uneasy yet ultimately tender bond she forms with her cousin, Blake asks probing questions about justice, faith, inheritance, family, and, most of all, mercy. Sensitive, singular, and powerful, effortlessly bridging memoir, essay, and legalese, The Uninnocent is a reckoning with the unimaginable, unforgettable, and seemly irredeemable. With curiosity and vulnerability, Blake unravels a distressed tapestry, finding solace in both its tearing and its mending.