This is a new English translation of a classic of medieval Islamic learning, which illuminates the intellectual debates of its age and speaks vividly to the concerns of our own. It is the most famous work of the Brethren of Purity, a tenth-century esoteric fraternity based in Basra and Baghdad. In this rich allegorical fable the exploited and oppressed animals pursue a case against humanity. They are granted the gift of speech and presented as subjects with views and interests of their own. Over the course of the hearing they rebuke and criticise human weakness, deny man's superiority, and make powerful demands for greater justice and respect for animals. This sophisticated moral allegory combines elements of satire with a thought-provoking thesis on animal welfare. Goodman and McGregor accompany their translation with an introduction and annotations that explore the rich historical and cultural context to the work.

This is a new English translation of a classic work of medieval Islamic learning. In this rich allegorical fable the animals pursue a case against humanity. They rebuke and criticise human weakness, deny man's superiority, and make powerful demands for greater justice and respect for animals.

According to the Qur’an, God created two parallel species, man and the jinn, the former from clay and the latter from fire. Beliefs regarding the jinn are deeply integrated into Muslim culture and religion, and have a constant presence in legends, myths, poetry, and literature. In Islam, Arabs, and the Intelligent World of the Jinn, Amira El-Zein explores the integral role these mythological figures play, revealing that the concept of jinn is fundamental to understanding Muslim culture and tradition.

This book, the first of its kind, surveys Islamic and Muslim attitudes toward animals, and human responsibilities towards them, through Islams's phiolosophy, literature, mysticism, and art. A must read for anyone interested in the debate on animal rights and responsible food production.

A new history of Islamic practice told through the aesthetic reception of medieval religious objects.

This book is an attempt to explain how, in the face of increasing religious authoritarianism in medieval Islamic civilization, some Muslim thinkers continued to pursue essentially humanistic, rational, and scientific discourses in the quest for knowledge, meaning, and values. Drawing on a wide range of Islamic writings, from love poetry to history to philosophical theology, Goodman shows that medieval Islam was open to individualism, occasional secularism, skepticism, even liberalism.