What do we know about Latvia and the Latvians? A Baltic (not Balkan) nation that emerged from fifty years under the Soviet Union - interrupted by a brief but brutal Nazi-German occupation and a devastating war - now a member of the European Union and NATO. Yes, but what else? Relentless accusations keep appearing, especially in Russian media, often repeated in the West: "Latvian soldiers single-handedly saved Lenin's revolution in 1917", "Latvians killed Tsar Nikolai II and the Royal family", "Latvia was a thoroughly anti-Semitic country and Latvians started killing Jews even before the Germans arrived in 1941", "Nazi revival is rampant in today's Latvia", "The Russian minority is persecuted in Latvia. . ." True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.

What do we know about Latvia and the Latvians? A Baltic (not Balkan) nation that emerged from fifty years under the Soviet Union – interrupted by a brief but brutal Nazi-German occupation and a devastating war – now a member of the European Union and NATO. Yes, but what else? Relentless accusations keep appearing, especially in Russian media, often repeated in the West: “Latvian soldiers single-handedly saved Lenin's revolution in 1917”, “Latvians killed Tsar Nikolai II and the Royal family”, “Latvia was a thoroughly anti-Semitic country and Latvians started killing Jews even before the Germans arrived in 1941”, “Nazi revival is rampant in today's Latvia”, “The Russian minority is persecuted in Latvia. . .”True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.

This open access volume examines experiences of contemporary Latvian migrants, thereby focusing on reasons for emigration, processes of integration in their host countries, and – in the case of return migration - re-integration in their home country. In the context of European migration, the book describes the case of Latvia, which is interesting due to the multiple waves of excessive emigration, continuously high migration potential among European Union member states, and diverse migrant characteristics. It provides a fascinating insight into the social and psychological aspects linked to migration in a comparative context. The data in this volume is rich in providing individual level perspectives of contemporary Latvian migrants by addressing issues such as emigrants’ economic, social and cultural inclusion in the host country, ties with the home country and culture, interaction with public authorities both in the host and home country, political views, and perspectives on the permanent settlement in migration or return. Through topics such as assimilation of children, relationships between emigrants representing different emigration waves, the complex identities and attachments of minority emigrants, and the role of culture and media in identity formation and presentation, this book addresses topics that any contemporary emigrant community is faced with.

“The best book written on Latvia by a foreigner: incisive, well-informed, and persuasive" Edward Lucas, The Economist What do we know about Latvia and the Latvians? A Baltic (not Balkan) nation that emerged from fifty years under the Soviet Union – interrupted by a brief but brutal Nazi-German occupation and a devastating war – now a member of the European Union and NATO. Yes, but what else? Relentless accusations keep appearing, especially in Russian media, often repeated in the West: “Latvian soldiers single-handedly saved Lenin’s revolution in 1917”, “Latvians killed Tsar Nikolai II and the Royal family”, “Latvia was a thoroughly anti-Semitic country and Latvians started killing Jews even before the Germans arrived in 1941”, “Nazi revival is rampant in today's Latvia”, “The Russian minority is persecuted in Latvia. . .” True, false or in-between? The Finnish journalist and author Jukka Rislakki examines charges like these and provides an outline of Latvia's recent history while attempting to separate documented historical fact from misinformation and deliberate disinformation. His analysis helps to explain why the Baltic States (population 7 million) consistently top the enemy lists in public opinion polls of Russia (143 million). His knowledge of the Baltic languages allows him to make use of local sources and up-to-date historical research. He is a former Baltic States correspondent for Finland's largest daily newspaper Helsingin Sanomat and the author of several books on Finnish and Latvian history. As a neutral, experienced and often critical observer, Rislakki is uniquely qualified for the task of separating truth from fiction.

Valdis Lumans provides an authoritative, balanced, and comprehensive account of one of the most complex, and conflicted, arenas of the Second World War. Struggling against both Germany and the Soviet Union, Latvia emerged as an independent nation state after the First World War. In 1940, the Soviets occupied neutral Latvia, deporting or executing more than 30,000 Latvians before the Nazis invaded in 1941 and installed a puppet regime. The Red Army expelled the Germans in 1944 and reincorporated Latvia as a Soviet Republic. By the end of the war, an estimated 180,000 Latvians fled to the West. The Soviets would deport at least another 100,000. Drawing on a wide range of sources--many brought together here for the first time--Lumans synthesizes political, military, social, economic, diplomatic, and cultural history. He moves carefully through traditional sources, many of them partisan, to scholarship emerging since the end of the Cold War, to confront such issues as political loyalties, military collaboration, resistance, capitulation, the Soviet occupation, anti-Semitism, and the Latvian role in the Holocaust.

This postperestroika historical narrative should contribute significantly to assessing the likelihood of Latvia's survival as an independent republic."--BOOK JACKET.

Focusing on the role of arts in the construction of national identity, Suzanne Pourchier-Plasseraud has chosen to study the case of a country lacking an ancient state history of its own, Latvia. This book analyses the part played by the visual arts in transmuting the cultural concept of a nation, advocated by a small intelligentsia, into a widespread claim for independence. By the end of the 19th century, fretting under Russian political domination and German economic and cultural supremacy, the Latvians turned back to their own language, culture and folklore, with a special interest for their dainas, their timeless common heritage rooted into a mythical golden age. Latvian artists thus found themselves entrusted with the mission of creating a national iconographic representation and a specifically Latvian art, freed from Russian and German influences. The author shows how the links between the cultural and political spheres evolved between 1905 and 1940, including during the period of authoritarian government preceding WWII. An enlightening contribution to understanding how art and history can be turned into social and political instruments, this book reaches far beyond the Latvian case to a European and even global scope.