A Guardian Best Book of the Year Finalist for the Minnesota Book Award A Dayton Literary Peace Prize in Fiction Finalist A Barnes & Noble Discover Great New Writers Selection An ABA/Indies Introduce Debut Dozen Selection The lauded masterpiece about a family divided by World War I, hailed as “brilliant . . . altogether a remarkable debut” (Simon Mawer, author of The Glass Room). From a village in Nova Scotia to the trenches of France, P. S. Duffy’s astonishing debut showcases a rare talent emerging in midlife. When his beloved brother-in-law goes missing at the front in 1916, Angus defies his pacifist upbringing to join the war and find him. Assured a position as a cartographer in London, he is instead sent directly into battle. Meanwhile, at home, his son Simon Peter must navigate escalating hostility in a town torn by grief. Selected as both a Barnes & Noble Discover pick and one of the American Bookseller Association’s Debut Dozen, The Cartographer of No Man’s Land offers a soulful portrayal of World War I and the lives that were forever changed by it, both on the battlefield and at home.

This book explores how Canada is imagined primarily by US writers, and what readers and scholars on both sides of the Canada-US border can learn from these recent depictions by examining a selection of US-authored fiction from 9/11 to the present. The novels — and occasionally paintings, films, and musicals — that are the subject of the book provide a deliberately varied set of case studies to probe how US texts, along with works of art produced on both sides of the Canada-US border, uncover moments in Canadian historical and literary studies that have been buried or occluded to protect Canada's self-representation as an exceptional nation.

From a hardscrabble village in Nova Scotia to the collapsing trenches of France, a debut novel about a family divided by World War I. In the tradition of Robert Goolrick’s A Reliable Wife and Karl Marlantes’s Matterhorn, P. S. Duffy’s astonishing debut showcases a rare and instinctive talent emerging in midlife. Her novel leaps across the Atlantic, between a father at war and a son coming of age at home without him. When his beloved brother-in-law goes missing at the front in 1916, Angus defies his pacifist upbringing to join the war and find him. Assured a position as a cartographer in London, he is instead sent directly into the visceral shock of battle. Meanwhile, at home, his son Simon Peter must navigate escalating hostility in a fishing village torn by grief. With the intimacy of The Song of Achilles and the epic scope of The Invisible Bridge, The Cartographer of No Man’s Land offers a soulful portrayal of World War I and the lives that were forever changed by it, both on the battlefield and at home.

On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.

This volume brings together a collection of essays focusing on selected aspects of inter- and multidisciplinarity in contemporary Austrian culture. These include the connections between literature and the media, literature and the visual arts, literature and travel, and the visual arts and public space. The individual contributions deal with central figures in the Austrian arts, including Thomas Bernhard, Franzobel, Elfriede Jelinek, Peter Handke, Peter Turrini and Doron Rabinovici, as well as collective ventures such as Walter Grond's Odysseus project and the museum in progress. They analyse the impact of connections between disciplines on the cultural landscape in contemporary Austria, as well as examining the limits of such interaction between disciplines.

This fifth volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the topics of travelling, migration, and dislocation. All migrants are travellers, but not all travellers are migrants. Migration and the figure of the migrant have become key concepts in recent post-colonial studies. However, migration is not such a new or exceptional phenomenon. From the eighteenth century onward there have been migrations from Europe to what are now called 'post-colonial' countries, and this prepared the ground for movement back to the old but also to the new centres of Europe and elsewhere. Travel and travel experience, on the other hand, have been part of the cultural codes not only of the West and not only of imperialism. The essays in this volume look at both kinds of movement, at their intersections, and at their (dis)locating effects. They cover a wide range of topics, from early seventeenth-century travel reports, through nineteenth-century women's travel writing, to such contemporary writers as Michael Ondaatje and Janette Turner Hospital.

From NPR correspondent O' Brien comes this thrilling Young Readers' edition that celebrates a little-known slice of history wherein tenacious, trailblazing women braved all obstacles to achieve greatness in the skies. Photos.