The Care of the Witness explores the historical shifts in the crises of witnessing to genocide, war, and disaster and their contribution to nongovernmental politics.

During the twentieth century, witnessing grew to be not just a widespread solution for coping with political atrocities but also an intricate problem. As the personal experience of victims, soldiers, and aid workers acquired unparalleled authority as a source of moral and political truth, the capacity to generate adequate testimonies based on this experience was repeatedly called into question. Michal Givoni's book follows the trail of the problems, torments, and crises that became commingled with witnessing to genocide, disaster, and war over the course of the twentieth century. By juxtaposing episodes of reflexive witnessing to the Great War, the Jewish Holocaust, and third world emergencies, The Care of the Witness explores the shifting roles and responsibilities of witnesses in history and the contribution that the troubles of witnessing made to the ethical consolidation of the witness as the leading figure of nongovernmental politics.

"At once intimate and literally operatic, it's everything I love about Katherine Addison's writing, in ways I didn't know to expect. I loved it." —John Scalzi Katherine Addison returns to the glittering world she created for her beloved novel, The Goblin Emperor, with book one of the Cemeteries of Amalo trilogy Locus Award Finalist and Mythopoeic Award Finalist! When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin. Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honesty will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered. Celehar’s skills now lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness. Katherine Addison has created a fantastic world for these books – wide and deep and true. Within THE CHRONICLES OF OSRETH The Goblin Emperor The Cemeteries of Amalo trilogy The Witness for the Dead The Grief of Stones The Tomb of Dragons At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Newbery Medalist Karen Hesse emerses readers in a small Vermont town in 1924 with this haunting and harrowing tale. Leanora Sutter. Esther Hirsh. Merlin Van Tornhout. Johnny Reeves . . .These characters are among the unforgettable cast inhabiting a small Vermont town in 1924. A town that turns against its own when the Ku Klux Klan moves in. No one is safe, especially the two youngest, twelve-year-old Leanora, an African-American girl, and six-year-old Esther, who is Jewish.In this story of a community on the brink of disaster, told through the haunting and impassioned voices of its inhabitants, Newbery Award winner Karen Hesse takes readers into the hearts and minds of those who bear witness.

This young adult thriller takes place in twenty-four hours and explores how people as well as the media can exploit a situation with devastating results, especially when innocent children are involved. Jack Fountain knows that what’s happened to his family sounds like the most horrible soap opera anyone could ever write. But it’s all true. It happened—to his parents; to his sisters, Smithy and Madison. And to his baby brother, Tris. What made it worse was that the media wanted to know every detail. Now it's almost Tris’s third birthday, and everything’s starting again. Aunt Cheryl, who’s living with the Fountain children, has decided that they will heal only if they work through their pain—on camera. It will be a field day for the media, and no one, except Cheryl, wants that. Jack and his sisters gear up to keep Tris’s adorable face off-screen, but they quickly realize that there is more at stake than their privacy. The very identities they’ve created for themselves are called into question. What really happened the day of their father’s accident? The Fountain siblings have less than twenty-four hours to change their fate. Together, they will ask questions no one asked at the time of the tragedy. And together, they vow that this time, they will not be exploited.

A professional behavioral witness to more than a hundred capital trials explores the making of a murderer. CSI shows us where a crime is committed. Forensic detectives show us how. But what really goes on in the mind of killer? What is it in each potential victim that sparks in them the urge to take a life? What are the reasons behind a quick thrill kill, or slow torture? Between choosing someone they know, or a stranger? As they stand before a jury, after reams of graphic evidence, the question is no longer whether or not they committed the unthinkable. The question posed to Wanda Draper, expert in behavioral science and child development, and key witness in more than a hundred high-profile trials, is why? The answer is all that stands between a sentence of life in prison or death row. In this unique true-crime investigation, Draper shares some of the darkest cases of her career. She sheds light on the personal circumstances and critical life events that perverted childhoods and brought convicted murderers to trial. She reveals how the past casts a grave shadow over one’s future. And in doing so, explores one irrefutable fact: killers aren’t born, they’re made.

A funny and poignant debut middle-grade novel about a foster-care girl who is placed with a family in the witness protection program, and finds that hiding in plain sight is complicated and dangerous.