When Captain Pendleton needs an emergency fiancée, who better to turn to than his male best friend? After all, for Amadeo Orsini, life's one long, happy drag! Captain Ambrose “Pen” Pendleton might have distinguished himself on the battlefield at Waterloo but since he's come home to civvy street, he's struggled to make his mark. Pen dreams of becoming a playwright but his ambitious father has other ideas, including a trophy wife and a new job in America. If he's to stand a hope of staying in England and pursuing his dream, Pen needs to find a fiancée fast. Amadeo Orsini never made it as a leading man, but as a leading lady he's the toast of the continental stage. Now Cosima is about to face her most challenging role yet, that of Captain Pendleton's secret amour. With the help of a talking theatrical parrot who never forgets his lines, Orsini throws on his best frock, slaps on the rouge and sets out to save Pen from the clutches of Miss Harriet Tarbottom and her scheming parents. As friendship turns into love, will the captain be able to write a happy ending for himself and Orsini before the curtain falls?

"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.

When Louie goes looking for a father, he meets Barney. Barney accuses Louie of stealing a music box from his truck, but Louie says he didn't do it. It's up to Louie's mother to settle the conflict and reveal that meeting Barney may be the beginning of the end of Louie's search. This heartwarming tale features the same collage art and colorful urban setting that are featured in Keats' popular books A Letter to Amy and Peter's Chair.

Captain America the hero we know today. From skinny Steve Rogers at boot camp to the Super-Soldier leading a battalion of men against the Nazis, this is the Captain America you thought you knew but you've never seen. And when the choice is between his country or his best friend, this is the decision he had to make. Then, follow Cap as he experiences one of his darkest days when a WWII mission doesn't go the way anyone planned. Plus, witness how the legacy of the Super Soldier reverberates through the years in this all-new story set during the height of the Gulf War. Collects America the Beautiful, Brother in Arms, To Soldier On, and Ghosts of My Country.

After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Realism and Role-Play draws on literature, social history, and affect theory in order to understand the way that figuration performed social positions.

Though individual prologues and epilogues have been treated in depth, very little scholarship has been published on early modern framing texts as a whole. The Framing Text in Early Modern English Drama fills a gap in the literature by examining the origins of these texts, and investigating their growing importance and influence in the theatre of the period. This topic-led discussion of prologues and epilogues deals with the origins of these texts, the difficulty of definition, and the way in which many prologues and epilogues appear to interact on such subjects as the composition of the theatre audience and the perceived place of women in such an audience. Author Brian Schneider also examines the reasons for, and the evidence leading to, the apparently sudden burgeoning of these texts after the Restoration, when prologues and epilogues grace nearly all the dramas of the time and become a virtual cottage industry of their own. The second section-a comprehensive list of prologues and epilogues-details play titles, playwrights, theatres and theatre companies, first performance and the earliest edition in which the framing text(s) appears. It quotes the first line of the prologue and/or epilogue and uses the printer's signature to denote the page on which the texts can be found. Further information is provided in notes appended to the relevant entry. A final section deals with 'free-floating' and 'free-standing' framing texts that appear in verse collections, manuscripts, and other publications and to which no play can be positively ascribed. Combining original analysis with carefully compiled, comprehensive reference data, The Framing Text in Early Modern English Drama provides a genuinely new angle on the drama of early modern England.