Front cover images: Bob Hawke, ACTU Congress, 15 September 1979 (Fairfax, © Michael Rayner); Gough Whitlam on the steps of Parliament House, 11 November 1975 (Australian Labor Party); Paul Keating, National Press Club, March 1996 Election Campaign (Newspix); John Curtin, wartime rally, 1942 (Fairfax).Graham Freudenberg, Australia's greatest speechwriter, says "the Australian Labor Party was built on speeches." This book brings together great Labor speeches which give voice to the party's enduring values and achievements, and place it and its principal figures at the centre of historic events.There are speeches that stir the imagination and inspire, speeches that appeal to humanity, speeches of sorrow and redemption, speeches that urge moderation and caution, speeches that call for courage in the face of adversity, speeches that seek to mute the trumpet sound of war, speeches that attack the forces of conservatism, and speeches which celebrate and mourn the party's fallen.Chris Watson articulates Labor's purpose as "a light upon a mountain" - four decades beforeBen Chifley's famed "light on the hill" speech John Curtin tells a hushed parliament that "a great naval battle is proceeding"Gough Whitlam declares "It's time" for a new Labor governmentBob Hawke's urges South Africa's apartheid leaders to listen to "the spirit of men and women yearning to be free"Paul Keating's belief in Labor as "the people who can dream the big dreams and do the big things"Kevin Rudd says "We are Sorry" to the stolen generations of Aboriginal AustraliansClip from the author, reproduced with permission from The Australian:http://video.theaustralian.com.au/2305217661/Labors-greatest-speeches

This book investigates the architectural, product design, and urban typology of the capsule which, beginning in the 1960s, broadened the concept of the basic building blocks of architecture to include a minimal living unit, called the "capsule." Here it is presented with regard to the continuity of the development of the Modern Movement, its revisionist criticism, pioneering examples, as well as contemporary examples and uses. The typology of the capsule allows us to consider this theme in terms of the architecture of resistance, with the potential to search for an "other" architecture that is embedded in our contemporaneity (manifested in small dwellings, composite structures, and container units; shelters and mobile homes in nature and the urban environment; technology transfer in high-tech designs; devices, additions, and extensions etc.). The concept of the capsule as a building element of architecture, as well as a spatial element, can therefore be regarded as having a generative potential for an architecture of personal space for the individual, forcing us to reflect on our existing living and dwelling conditions.

An edited volume containing contributions from eminent theorists across visual culture, architecture, sociology, art, philosophy and US studies - including Andrew Benjamin, Barry Curtis, Neil Leach, Steven Pile and David Frisby.

A cultural history of the shipping container as a crucible of globalization and a cultural paradigm. We live in a world organized around the container. Standardized twenty- and forty-foot shipping containers carry material goods across oceans and over land; provide shelter, office space, and storage capacity; inspire films, novels, metaphors, and paradigms. Today, TEU (Twenty Foot Equivalent Unit, the official measurement for shipping containers) has become something like a global currency. A container ship, sailing under the flag of one country but owned by a corporation headquartered in another, carrying auto parts from Japan, frozen fish from Vietnam, and rubber ducks from China, offers a vivid representation of the increasing, world-is-flat globalization of the international economy. In The Container Principle, Alexander Klose investigates the principle of the container and its effect on the way we live and think. Klose explores a series of “container situations” in their historical, political, and cultural contexts. He examines the container as a time capsule, sometimes breaking loose and washing up onshore to display an inventory of artifacts of our culture. He explains the “Matryoshka principle,” explores the history of land-water transport, and charts the three phases of container history. He examines the rise of logistics, the containerization of computing in the form of modularization and standardization, the architecture of container-like housing (citing both Le Corbusier and Malvina Reynolds's “Little Boxes”), and a range of artistic projects inspired by containers. Containerization, spreading from physical storage to organizational metaphors, Klose argues, signals a change in the fundamental order of thinking and things. It has become a principle.

Despite the end of white minority rule and the transition to parliamentary democracy, Johannesburg remains haunted by its tortured history of racial segregation and burdened by enduring inequalities in income, opportunities for stable work, and access to decent housing. Under these circumstances, Johannesburg has become one of the most dangerous cities in the world, where the yawning gap between the 'haves' and 'have-nots' has fueled a turn toward redistribution through crime. While wealthy residents have retreated into heavily fortified gated communities and upscale security estates, the less affluent have sought refuge in retrofitting their private homes into safe houses, closing off public streets, and hiring the services of private security companies to protect their suburban neighborhoods. Panic City is an exploration of urban fear and its impact on the city's evolving siege architecture, the transformation of policing, and obsession with security that has fueled unprecedented private consumption of 'protection services.' Martin Murray analyzes the symbiotic relationship between public law enforcement agencies, private security companies, and neighborhood associations, wherein buyers and sellers of security have reinvented ways of maintaining outdated segregation practices that define the urban poor as suspects.

The contributors explores the intellectual, cultural, and political logics of the US-led war on terror and its consequences on lived lives in a range of contexts. The book interrogates the ways in which biopolitical practices hinge on political imaginaries and materialities of violence and death.

Traditionally, security has been the realm of the state and its uniformed police. However, in the last two decades, many actors and agencies, including schools, clubs, housing corporations, hospitals, shopkeepers, insurers, energy suppliers and even private citizens, have enforced some form of security, effectively changing its delivery, and overall role. In The Securitization of Society, Marc Schuilenburg establishes a new critical perspective for examining the dynamic nature of security and its governance. Rooted in the works of the French philosophers Michel Foucault, Gilles Deleuze and Gabriel Tarde, this book explores the ongoing structural and cultural changes that have impacted security in Western society from the 19th century to the present. By analyzing the new hybrid of public-private security, this volume provides deep insight into the processes of securitization and modern risk management for the police and judicial authorities as well as other emerging parties. Schuilenburg draws upon four case studies of increased securitization in Europe – monitoring marijuana cultivation, urban intervention teams, road transport crime, and the collective shop ban – in order to raise important questions about citizenship, social order, and the law within this expanding new paradigm. An innovative, interdisciplinary approach to criminological theory that incorporates philosophy, sociology, and political science, The Securitization of Society reveals how security is understood and enacted in urban environments today.