In July 1861, just months after the Battle of Fort Sumter plunges the young nation into civil war, President Lincoln’s top priority is to unite the country, while Adam Quinn finds himself on the trail of a murderer . . . On Independence Day, the citizens of Washington, DC, are celebrating as if there isn’t a war. But the city is teeming with green Union recruits while President Lincoln and his War Department are focused on military strategy to take Richmond in Secessionist Virginia in order to bring the conflict to a swift end. Manassas, Virginia, near Bull Run Creek, is in their sights. The very next morning, as Congress convenes once more, a dead body is found hanging from the crane beneath the unfinished dome of the Capitol. Lincoln’s close confidant, Adam Speed Quinn, is called upon to determine whether the man had taken his own life, or if someone had helped him. With the assistance of Dr. George Hilton and journalist Sophie Gates, Quinn investigates what turns out to be murder. But the former scout is about to be blindsided, for a Southern sympathizer in the city is running a female spy network reporting to the Confederacy, and she has an insidious plot to foil the Union Army’s march to Manassas by employing the charms of one Constance Lemagne to get as close to Adam as possible . . .

New York Times bestselling author Brian Haig returns with a riveting thriller about a man caught between the politics of big government and the corruption of big business. The Capitol Game It was the deal of the decade, if not the century. A small, insignificant company on the edge of bankruptcy had discovered an alchemist's dream; a miraculous polymer, that when coated on any vehicle, was the equivalent of 30 inches of steel. With bloody conflicts surging in Iraq and Afghanistan, the polymer promises to save thousands of lives and change the course of both wars. Jack Wiley, a successful Wall Street banker, believes he has a found a dream come true when he mysteriously learns of this miraculous polymer. His plan: enlist the help of the Capitol Group, one of the country's largest and most powerful corporations in a quick, bloodless takeover of the small company that developed the polymer. It seems like a partnership made in heaven...until the Pentagon's investigative service begins nosing around, and the deal turns into a nightmare. Now, Jack's back is up against the wall and he and the Capitol Group find themselves embroiled in the greatest scandal the government and corporate America have ever seen...

A history of the construction of the Tennessee State Capitol building.

From its 1790 founding until 1974, Washington, D.C.--capital of "the land of the free--lacked democratically elected city leadership. Fed up with governance dictated by white stakeholders, federal officials, and unelected representatives, local D.C. activists catalyzed a new phase of the fight for home rule. Amid the upheavals of the 1960s, they gave expression to the frustrations of black residents and wrestled for control of their city. Bringing together histories of the carceral and welfare states, as well as the civil rights and Black Power movements, Lauren Pearlman narrates this struggle for self-determination in the nation's capital. She captures the transition from black protest to black political power under the Lyndon Johnson and Richard Nixon administrations and against the backdrop of local battles over the War on Poverty and the War on Crime. Through intense clashes over funds and programming, Washington residents pushed for greater participatory democracy and community control. However, the anticrime apparatus built by the Johnson and Nixon administrations curbed efforts to achieve true home rule. As Pearlman reveals, this conflict laid the foundation for the next fifty years of D.C. governance, connecting issues of civil rights, law and order, and urban renewal.

Americans were shocked and outraged to see chaos unfold at the Capitol on January 6, 2021. The melee shut down plans by some Republican lawmakers to object to Congress’s official certification of the 2020 presidential election results. Democrats, the news media, and many leading Republicans immediately blamed the roughly four-hour disturbance on President Trump. The president “incited an insurrection,” the American pubic was told. It prompted a second impeachment trial of Donald Trump after he left office. But one year later, the original narrative of what happened that day has crumbled while hundreds of Americans have been swept up in an unprecedented investigation led by Joe Biden’s Justice Department to punish them for their involvement in the January 6th protest. The public has been misled—and flat-out lied to—about a number of aspects related to that day. This book exposes them all.

The Capitol Riots maps out the events of the January 6, 2021 insurrectionary riots at the United States Capitol building, providing context for understanding the contributing factors and ongoing implications of the uprising. This definitive text explores the rise of populism, disinformation, conspiracy theories, the alt-right, and white supremacy during the lead-up to and planning of the Stop the Steal campaign, as well as the complex interplay during the riots of political performances, costumes, objectives, communications, digital media, datafication, race, gender, and—ultimately—power. Assembling raw data from social media, selfie photos and videos, and mainstream journalism, the authors develop a timeline and data visualizations representing the events. They delve into the complex, openly shared narratives, motivations, and actions of people on the ground that day who violated the symbolic center of U.S. democracy. An analysis of visual data reveals an affective outpouring of mutually amplifying expressions of frustration, fear, hate, anger, and anomie that correspond to similar logics and counter-logics in the polarized and chaotic contemporary media environment that have only been intensified by COVID-19 lockdowns, conspiracy theories, and a call to action at the Capitol from the outgoing POTUS and his inner circle. The book will appeal to both a general audience of those curious about how and why the Capitol riots unfolded and to students and scholars of communications, political science, media studies, sociology, education, surveillance studies, digital humanities, gender studies, critical whiteness studies, and datafication studies. It will also find an audience within computer science and technology studies through its approach to big data, data visualization, AI, algorithms, data tracking, and other data sciences.

After fire destroyed Missouri's capitol in 1911, voters approved a bond issue to construct a new statehouse. The tax to pay the bonds produced a one-million-dollar surplus, leaving a vast amount of money to decorate the new building. A special commission of art-minded Missourians employed some of the nation's leading painters and sculptors to create powerful and often huge pieces of art to adorn Missouri's most important new structure. The art of the Missouri capitol was considered among the finest to adorn any state capitol. But the passage of time has lessened recognition of the pieces and their creators. Most people--even those daily wandering the marble halls--have little knowledge of the significance of the art and the history it portrays. Bob Priddy and Jeffrey Ball return the capitol's decorations to prominence in The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone. The book tells the many stories behind the art: the rigors of its creation, the political roadblocks that endangered the decoration program, and the triumph of the commissioners who devoted more than ten years to the project. The Art of the Missouri Capitol presents the art in 270 images, many by Lloyd Grotjan, mostly of the building's many compelling paintings, murals, and sculptures. Priddy, a journalist who has covered the Missouri legislature for more than three decades, and Ball, an art historian, use a wealth of historical materials to connect the grand design of the capitol decorations with accounts of sometimes temperamental artists and meddling politicians. The authors provide historical and artistic context to explain the many surprising, controversial choices the artists made, and they use Missouri history to explain the tales depicted in the artwork, revealing the events--and inaccuracies--that the paintings bring to life. The authors honor the Missouri capitol's artistic excellence in a way that will appeal to art enthusiasts and history buffs as well as to general readers. The Art of the Missouri Capitol: History in Canvas, Bronze, and Stone is the definitive account of the art's creation, of the men who produced it, and of the Missourians who lived the history that inspired it.