»The Canterville Ghost« is a short story by Oscar Wilde, originally published in 1891. OSCAR WILDE, born in 1854 in Dublin, died in 1900 in Paris, was an Irish prose writer, playwright, essayist, and poet. Wilde's significance as a symbol for persecuted homosexuals around the world is immeasurable. Wilde himself was sentenced to prison and hard labour, his works were boycotted, theatrical productions were shut down, and he was publicly vilified. The Picture of Dorian Gray [1890] is his most famous work.

This series provides a wide variety of reading material for all learners of English. The books are retold versions of popular classics and contemporary titles as well as specially written stories.

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The illegitimate son of a fortune teller, Ezio Comparoni (1920-52) never knew his father, rarely left his home town, and admitted no one to his home. His deliberate obscurity was compounded by his use of many pseudonyms, including Silvio d'Arzo, under which he wrote the remarkable novella and three stories collected in The House of Others. The novella The House of Others is among the rare perfect works of twentieth century fiction. In a desolate mountain village an old woman visits the parish priest, ostensibly to ask about dissolving a marriage. Gradually, as she probes for information on "special cases"--cases in which what is obviously wrong can also be irrefutably right--it becomes clear her true question is whether or not she might take her own life. The question is metaphysical, involving not only the woman's life but the priest's; and to it he has no answer.

While Tom is at work in London, his wife Marina is left bored and alone in the small village where they live. She wishes for someone to do the housework for her and a strange thing happens. Her wish comes true; the Ironing Man enters her life, and everything begins to change for both Marina and Tom.

The monograph deals with the topic of ghosts in universal literature from a polyhedral perspective, making use of different perspectives, all of which highlight the resilience of these figures from the very beginning of literature up to the present day. Therefore, the aim of this volume is to focus on how ghosts have been translated and transformed over the years within literature written in the following languages: Classical Greek and Latin, Spanish, Italian, and English.