Poetry. Latinx Studies. Native American Studies. Women's Studies. LGBTQIA Studies. Chicana Studies. Winner of a 2020 American Book Award in Oral Literature. THE CANCIÓN CANNIBAL CABARET & OTHER SONGS is a hybrid manuscript experimenting with poetry at the intersection of performance. As a text, it is a collection of post-apocalyptic prose poems and poem songs cannibalizing knowledge from before the fall of civilization. In performance, THE CANCIÓN CANNIBAL CABARET is a Xicana punk rock musical--part concept album, part radio play. Set in a not-so-distant dystopian future, La Madre Valiente, a refugee raised under the oppressive State, studies secretly to become the leader of a feminist revolution. Her emissaries, Las Hijas de la Madre, roam the land spreading her story, educating others, and galvanizing allies. Inspired by current issues of social injustice, this multidisciplinary musical performance piece is a refugee, people of color, feminist, and LGBTQ+ call to action.

"A hybrid poetry and performance text, The Canción Cannibal Cabaret is the much anticipated second book by award-winning author and performance poet Amalia Ortiz. Focused on the theme of revolution and inspired by current issues of social injustice, The Canción Cannibal Cabaret is set in a not-so-distant dystopian future. As a text, it is a collection of post-apocalyptic prose poems and poem songs "cannibalizing" knowledges from before the fall of civilization. It also contains the sheet music to three songs, as well as production photographs. The Cancíon Cannibal Cabaret, is a punk rock musical--part concept album, part live theatre"--

Rant. Chant. Chisme. is the debut collection of poetry by south Texas native Amalia Ortiz, featuring writing from the first decade of her career. Readers will get a taste of life on the border from the perspective of a young woman of color struggling to write herself into existence. These poems introduce a unique new transcultural feminist viewpoint as the poems call for social and political change along the borderlands. Ortiz, an award-winning performance poet known for her dynamic delivery style, relinquishes control of her writing to the reader, but not without first imparting the theatrical stage directions stated in the book's title, which commands readers to recite these poems aloud in a spoken word celebration exploring culture, music, and place while encouraging the reader to embrace diversity and find their own storytelling voice.

Pandemia & Other Poems is a new scripture for the plague years. Unabashedly bi-lingual and pan-cultural, a creation myth in the face of destruction, a seed of renacimiento in our charred garden. It echoes the great Raza voices while reaching deep into far older roots as it leaps into the future. This is the real deal. -Luis Alberto Urrea

Literary Nonfiction. Latino/Latina Studies. Blurring the borders between literature, journalism, essay, history, memoir and short story, LAS NALGAS DE JLO is a non-fiction collection of columns, articles, reviews, and poems, most written by Renaud Gonz�lez between 1995-2005 when she was an independent columnist for the San Antonio Express. Divided into eight chapters with such provocative headings as "They Say I'm No Lady," "No Te Dejes/My Line in the Sand," "Pray For Us Women," "Forget the War, So We Can Remember It," and "Las Nalgas de JLo/JLo's Booty," each chapter begins with a previously unpublished poem. While most of the 61 columns and articles included in this book were published in the San Antonio Express, many were published in other national newspapers and magazines, and some were unpublished due to their content.

A timely and moving collection from the renowned inaugural poet on issues facing our country and people—immigration, gun violence, racism, LGBTQ issues, and more. Through an oracular yet intimate and accessible voice, Richard Blanco addresses the complexities and contradictions of our nationhood and the unresolved sociopolitical matters that affect us all. Blanco digs deep into the very marrow of our nation through poems that interrogate our past and present, grieve our injustices, and note our flaws, but also remember to celebrate our ideals and cling to our hopes. Charged with the utopian idea that no single narrative is more important than another, this book asserts that America could and ought someday to be a country where all narratives converge into one, a country we can all be proud to love and where we can all truly thrive. The poems form a mosaic of seemingly varied topics: the Pulse nightclub massacre; an unexpected encounter on a visit to Cuba; the forced exile of 8,500 Navajos in 1868; a lynching in Alabama; the arrival of a young Chinese woman at Angel Island in 1938; the incarceration of a gifted writer; and the poet’s abiding love for his partner, who he is finally allowed to wed as a gay man. But despite each poem’s unique concern or occasion, all are fundamentally struggling with the overwhelming question of how to love this country.