Brings together papers from international experts on evidence-informed policy in education from a wide range of OECD countries to look at the issues facing educational policy makers, researchers, and stakeholders – teachers, media, parents – in using evidence to best effect.

The definitive bibliography of Canada’s Governor General’s Literary Awards Alice Munro, Michael Ondaatje, Margaret Atwood, Antonine Maillet, Carol Shields, Marie-Claire Blais, Gilles Vigneault... For over three quarters of a century, the Governor General’s Literary Awards have been instrumental in recognizing many of Canada’s best authors, illustrators and translators. The result is impressive: between 1936 and 2017, 705 titles have been recognized with this prestigious award. With careful attention to detail, Andrew Irvine presents the history and evolution of the Awards and extols their importance for the careers of authors, illustrators and translators, as well as for the development of Canada’s national literature. The heart of the book contains the first comprehensive bibliography of the awards, including the first list of winning books organized according to their historically correct award categories; information about five books wrongly omitted from previous lists of winning titles; detailed information about award ceremonies, film adaptations and jury members; and other key information. This is a seminal work that belongs on the shelf of every scholar and every lover of Canadian literature. This book is published in English. - Une bibliographie incontournable des Prix littéraires du Gouverneur général du Canada Alice Munro, Margaret Atwood, Antonine Maillet, Carol Shields, Marie-Claire Blais, Michael Ondaatje, Gilles Vigneault... Les écrivains canadiens sont depuis longtemps encensés sur la scène nationale comme à l’échelle mondiale, et les Prix du Gouverneur général jouent un rôle clé dans la reconnaissance de certains de nos meilleurs auteurs, illustrateurs et traducteurs. La liste est impressionnante : ce prestigieux prix a récompensé 705 oeuvres entre 1936 et 2017. Avec un souci minutieux au détail, Andrew Irvine présente l’histoire et l’évolution des Prix et vante leurs vertus indispensables à la carrière des écrivains et des traducteurs ainsi que dans l’élaboration d’une littérature nationale au Canada. Cette bibliographie est la toute première recension complète des Prix littéraires du Gouverneur général et donne des renseignements détaillés au sujet des cérémonies, des adaptations cinématographiques, des membres des jurys ainsi que d’autres informations clés. Le livre présente aussi une copie exhaustive et exacte de données bibliographiques tirées d’archives, une première dans le monde de l’édition. En somme, une référence incontournable. Ce livre est publié en anglais.

This book offers a comprehensive overview of Canadian cultural policy and research, at a time of transition and redefinition, to establish a dialogue between conventional and emerging foundations. Taking a historical view, the book informs insights on current trends in policy and explores global debates underpinning cultural policy studies within a local context. The book first acknowledges what Canadian cultural policy research conventionally recognizes and refers to in terms of institutions, values, and debates, before moving on to take stock of the transformations that are continuing to reshape Canadian cultural policy in terms of values, orientations, actors, and institutions. With a focus on all levels of government-- federal, provincial, and local -- the book also centers on Indigenous arts policies and practices. This systematic and inclusive volume will appeal to academic researchers, graduate students, managers of arts and culture programs and institutions, and in the areas of cultural policy, public administration, political science, cultural studies, film and media studies, theatre and performance, and museum studies.

Each of these essays begins with the words “A Canadian is . . .”. Each one is very different, producing a fascinating book for all thinking Canadians. Irvin Studin is an idealistic young Canadian who wanted to do something extraordinary for his country. So he decided to approach leading Canadians — he calls them “sages” — to tell us what they believe defines us. The people who responded eagerly, to produce an essay of 1,500 to 2,000 words, are, in his words, “all distinguished Canadian thinkers and achievers from all walks of life — politics, the civil service, academia, literature, journalism, business, the arts — from both official language groups, and from all regions of the country, as well as from the Canadian diaspora.” The strength of this book lies in the contributors, listed in the sidebar. The variety ranges from the funny — “A Canadian is . . . someone who crosses the road to get to the middle” (Allan Fotheringham) through the hostile — “. . . the citizen of a country badly in need of growing up” (William Watson) through the surprising — “. . . adaptable. To illustrate, consider the depth and breadth of the Canadian woman’s wardrobe” (Jennifer Welsh) or celebratory — “. . . a wonderful thing to be” (Bob Rae). A Canadian is . . . certain to find this book fascinating. Contributors: Allan Fotheringham, Thomas Homer-Dixon, Roch Carrier, Jake MacDonald, George Elliott Clarke, Margaret MacMillan, Thomas Franck, Rosemarie Kuptana, Gérald A. Beaudoin, Peter W. Hogg, George Bowering, Christian Dufour, Paul Heinbecker, Mary Ellen Turpel-Lafond, John C. Crosbie, Audrey McLaughlin, Roy MacGregor, Charlotte Gray, Hugh Segal, Janet McNaughton, Sujit Choudhry, Aritha van Herk, L. Yves Fortier, Catherine Ford, Mark Kingwell, Silver Donald Cameron, Guy Laforest, Maria Tippett, E. Kent Stetson, Louis Balthazar, Joy Kogawa, Wade MacLaughlan, Douglas Glover, Lorna Marsden, Saeed Rahnema, Denis Stairs, Valerie Haig-Brown, Guy Saint-Pierre, William Watson, Doreen Barrie, Jennifer Welsh, Bob Rae

This important new book offers an intellectual history of the ‘arts council’ policy model, identifying and exploring the ideas embedded in the model and actions of intellectuals, philanthropists and wealthy aesthetes in its establishment in the mid-twentieth century. The book examines the history of arts advocacy for national arts policies in the UK, Canada and the USA, offering an interdisciplinary approach that combines social and intellectual history, political philosophy and literary analysis. The book has much to offer academics, cultural policy and management students, artists, arts managers, arts advocates, cultural policymakers and anyone interested in the history and current moment of public arts funding in the West.

This first volume has as its main focus the philosophical foundations of Michalos’ work and describes it in the broad context of the study of logic, the philosophy of social sciences, and a general theory of value. After distinguishing things that have value from the value that things might have, it describes the foundations of a pragmatic theory of value. This theory plays a key role in the author’s research on the quality of life and connects his empirical research to the philosophical tradition of the American pragmatists William James, Ralph Barton Perry, John Dewey and Clarence Irving Lewis. The volume addresses various aspects and issues concerning decision making, including decision procedures used in committees, used for assessing the acceptability of scientific theories and new technologies, procedures for a science court, ethical issues involved in the formation of beliefs, some limitations of classical economists’ alleged postulates of rational preference, and the importance of analytic guides to decision making. Finally, it describes the organization of the Social Sciences Federation of Canada and a formal accounting system for scientific research.