By 1949, the idea of duplicating human thought processes in a computer was starting to surface, as the outgrowth of code-breaking work done by Alan Turing and others in Britain during the Second World War. This ingenious work of speculative scientific fiction reconstructs what might have been said during the animated conversation flowing around Snow's rooms that fateful in Cambridge. The quintet's debate anticipates all of the basic questions which have surrounded artificial intelligence in the fifty years since. Can a machine think or merely process information? Is the brain simply a symbol-processing machine, as Turing suggests, and if so, what is the nature of meaning? Can there be, as Wittgenstein proposes, no thought without language, and no language without the social interaction of human beings?

This Companion offers a concise and authoritative survey of the string quartet by eleven chamber music specialists. Its fifteen carefully structured chapters provide coverage of a stimulating range of perspectives previously unavailable in one volume. It focuses on four main areas: the social and musical background to the quartet's development; the most celebrated ensembles; string quartet playing, including aspects of contemporary and historical performing practice; and the mainstream repertory, including significant 'mixed ensemble' compositions involving string quartet. Various musical and pictorial illustrations and informative appendixes, including a chronology of the most significant works, complete this indispensable guide. Written for all string quartet enthusiasts, this Companion will enrich readers' understanding of the history of the genre, the context and significance of quartets as cultural phenomena, and the musical, technical and interpretative problems of chamber music performance. It will also enhance their experience of listening to quartets in performance and on recordings.

The Five Quintets is a mammoth poetic adventure undertaken by the celebrated poet Micheal O’Siadhail, attempting nothing less than an exploration of the predicaments of Western modernity. Drawing on inspiration from T S Eliot’s Four Quartets, The Five Quintets brings the premise of Dante’s Divine Comedy into the current day.

A necessary and thought-provoking read for the age of coronavirus, exploring eleven scenarios that may trigger the collapse of the modern world — from pandemics to nuclear apocalypse to robot uprisings — and what we can do to prevent and survive them. In the twenty first century, our world has become impossibly complicated, relying on ever more advanced technology that is developing at an exponential rate. Yet it is a fact of mathematical life that higher and higher levels of complexity lead to systems that are increasingly fragile and susceptible to sudden, spectacular collapse. In this highly provocative and grippingly readable book, John Casti brilliantly argues that today’s advanced, overly complex societies have grown highly vulnerable to extreme events that will ultimately topple civilization like a house of cards. Like Nassim Taleb’s The Black Swan meets Jared Diamond’s Collapse, Casti’s book provides a much-needed wake-up call, sounding a fascinating and frightening warning about civilized society’s inability to recover from a global catastrophe. An eye-opening and necessary read, X-Events is a shocking look at a world teetering on the brink of collapse, and a population under constant threat from pandemic viruses, worldwide communication breakdowns, nuclear winter, or any number of unforeseeable “X-Events.” Fascinating and chilling, X-Events provides a provocative tour of the catastrophic outlier scenarios that could quickly send us crashing back to the preindustrial age – and shows that they may not be as far-fetched as they seem.

On its first appearance in 1891, Brahms' Clarinet Quintet was immediately recognised as a remarkable achievement, and a century later it still has the power to claim the hearts and minds of players and audiences alike. Widely regarded as Brahms' supreme achievement in the field of chamber music, the Clarinet Quintet is here placed in the context of the history of the clarinet and its repertory, and of Brahms' own compositions before 1891. The influence of the Meiningen clarinet virtuoso Richard Mühlfeld unleashed a new vein of creativity in Brahms, and this forms a basis for discussion, together with questions of performance practice (in relation to both clarinet and string quartet) and the legacy of Brahms' clarinet music. These chapters are complemented by a comprehensive analysis of the music.

This guide to the orchestra and orchestral life is unique in its breadth of coverage. It combinesorchestral history and repertory with a practical bias offering critical thought about the past, present and future of the orchestra. Including topics such as the art of orchestration, scorereading, conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener, it will be of interest to a wideranging readership of music historians and professional or amateur performers.

Rosy Gilchrist and her hesitant sidekicks, Felix Smythe and Professor Cedric Dillworthy, are visiting Cambridge: Rosy to attend a Newnham reunion, and Felix and Cedric to attend preparations for the unveiling of a statue of the latter's old tutor. But plans for the statue are far from set in stone, and the meddling Gloria Biggs-Boothby is determined to see it created by another artist. It's inconvenient, then, when he turns up dead.As Rosy and her associates become increasingly embroiled in events, they face a number of teasing questions: is the deaf and frail Emeritus Prof. Aldous Phipps quite as benign as he seems? Is the Bursar a secret misogynist with a rooted aversion to large women (e.g. to Gloria)? And who is the unwitting husband that Dr John Smithers is so busy cuckolding?