A succinct introduction to the life and works of Thomas Mann, addressing both his literary texts and his personal life.

Specially-commissioned essays explore key dimensions of Thomas Mann's writing and life.

In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany.

This textbook series is ambitious in scope. It provides concise and lucid introductions to major works of world literature from classical antiquity to the twentieth century. It is not confined to any single literary tradition or genre, and will cumulatively form a substantial library of textbooks on some of the most important and widely read literary masterpieces. Each book is devoted to a single work and provides a close reading of that text, as well as a full account of its historical, cultural, and intellectual background, a discussion of its influence, and a guide to further reading. The contributors to the series give full consideration to the linguistic issues raised by each text, and, within the overall framework of the series, are given complete freedom in the choice of their critical method. Where the text is written in a language other than English, full account is taken of readers studying the text in English translation. While critical jargon is avoided, important technical terminology is fully explained and thus this series will be genuinely accessible to students at all levels and to general readers.

Professor Heller sees Mann as an ironic writer and the late heir of the central tradition of modern German literature.

A comprehensive reevaluation of Thomas Mann

In Doctor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. Through the figures of the solitary avant-garde composer, Adrian Leverkühn, and his often bemused biographer Serenus Zeitblom, Mann explores Germany's self-understanding and self-assertion. The novel intermingles fiction and history in a narrative that combines complex psychological analysis, virtuoso stylistic parody and vivid evocation of atmosphere and milieu. Michael Beddow analyses the structure of the plot and explores the significance of its chief historical, theological, psychological and musical themes. He considers Mann's understanding and modification of the Faust tradition, his thematic and formal indebtedness to Nietzsche and his interest in Adorno's neo-Marxism. The study concludes with an account of the work's generally hostile reception in defeated Germany.