The Cambridge Introduction to Contemporary American Fiction explores fiction written over the last thirty years in the context of the profound political, historical, and cultural changes that have distinguished the contemporary period. Focusing on both established and emerging writers - and with chapters devoted to the American historical novel, regional realism, the American political novel, the end of the Cold War and globalization, 9/11, borderlands and border identities, race, and the legacy of postmodern aesthetics - this Introduction locates contemporary American fiction at the intersection of a specific time and long-standing traditions. In the process, it investigates the entire concept of what constitutes an “American” author while exploring the vexed, yet resilient, nature of what the concept of home has come to signify in so much writing today. This wide-ranging study will be invaluable to students, instructors, and general readers alike.

A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.

This volume explores the most exciting trends in 21st century US fiction's genres, themes, and concepts.

Bryan M. Santin examines over a half-century of intersection between American fiction and postwar conservatism. He traces the shifting racial politics of movement conservatism to argue that contemporary perceptions of literary form and aesthetic value are intrinsically connected to the rise of the American Right. Instead of casting postwar conservatives as cynical hustlers or ideological fanatics, Santin shows how the long-term rhetorical shift in conservative notions of literary value and prestige reveal an aesthetic antinomy between high culture and low culture. This shift, he argues, registered and mediated the deeper foundational antinomy structuring postwar conservatism itself: the stable social order of traditionalism and the creative destruction of free-market capitalism. Postwar conservatives produced, in effect, an ambivalent double register in the discourse of conservative literary taste that sought to celebrate neo-aristocratic manifestations of cultural capital while condemning newer, more progressive manifestations revolving around racial and ethnic diversity.

The human body has been depicted in a variety of ways across a range of cultural and historical locations. It has been described, variously, as a biological entity, clothing for the soul, a site of cultural production, a psychosexual construct, and a material encumbrance. Each of these different approaches brings with it a range of anthropological, political, theological, and psychological discourses that explore and construct identities and subject positions. This Companion examines connections between American literature and bodies from the eighteenth century through the present. It reveals the singular way that literature can help us understand the body's entanglement within social and biological influences, and it traces the body's existence within histories of race, gender, and ability. This volume details the genres, critical fields, and interpretive practices that best facilitate the analysis of bodies in the full span of American literary imaginings.

Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland, and Thomas Pynchon: An Introduction to Contemporary American Fiction introduces the work of a range of key American authors, all of whom can be said to engage with postmodernism. Exploring the vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, Bilton highlights the tension between "realistic" description and linguistic self-consciousness in contemporary fiction. In addition, by addressing a central problem in literary theory—its neglect of literary discussion and the practice of reading—An Introduction to Contemporary American Fiction is able to present a working model for reading a text theoretically. As an introductory text, it assumes no prior knowledge of the authors of the novels discussed. To encourage understanding and aid further study, the following features are included: * GLOSSARY OF CRITICAL AND LITERARY TERMS * BIBLIOGRAPHY OF EACH AUTHOR'S WORKS * BIOGRAPHY OF EACH AUTHOR * GUIDE TO FURTHER READING * THEMATIC AND AUTHOR INDICES

Contemporary American Fiction provides an introduction to American fiction since 1970. Offering substantial and detailed interpretations of more than thirty texts by thirty different writers, Millard combines them in an innovative critical structure designed to promote debates on cultural politics and aesthetic value. The book is the first of its kind to offer a wide-ranging survey of recent developments in the fiction of the United States. Recent novels by established writers such as John Updike and Philip Roth are analysed alongside the fiction of younger writers such as Gish Jen and Sherman Alexie. The books innovative structure encourages new ways of thinking about how American writers might be configured in relation to each other, while providing an analysis of how contemporary fiction has responded to changes in central areas of American life such as the family, the media, technology, and consumerism. Contemporary American Fiction is a substantial critical introduction to some of the most exciting fiction of the last thirty years, an eclectic and thorough advertisement for the extraordinary vitality of American fiction at the end of the twentieth century. This is an excellent introduction to the subject for undergraduate students of modern American literature.