Sumptuously illustrated in color and packed with information, The Cambridge Illustrated History of Ancient Greece is now available for the first time in paperback. Offering fresh interpretations of classical Greek culture, the book devotes as much attention to social, economic and intellectual aspects as to politics and war. Paul Cartledge and his team of contributors ask what it was like for an ordinary person to partake in "the glory that was Greece." They examine the influences of the environment and economy; the experience of workers, soldiers, slaves, peasants and women; and the roles of myth and religion, art and culture, and science and education. This is a cultural history from the bottom up, which lays bare the far-reaching linguistic, literary, artistic and political legacy of ancient Greece, and seeks justification for Shelley's claim that "we are all Greeks." Paul Cartledge is Professor in Greek History in the Faculty of Classics at the University of Cambridge and is Fellow and Director of Studies in Classics at Clare College, Cambridge. He is the author of several books about ancient Greece, including Spartan Reflections (California, 2001), Hellenistic and Roman Sparta (Routledge, 2001) and Sparta and Lakonia (Routledge, 2002).

New history richly illustrated in colour and aimed at the general reader.

Beautifully illustrated in color with many rare and unique photographs, prints, and drawings, "The Cambridge Illustrated History of Prehistoric Art" presents the first balanced and truly worldwide survey of prehistoric art. A fascinating study of an often neglected area, the book is a powerful combination of illustration and analysis. 164 color plates. Copyright © Libri GmbH. All rights reserved.

This is the first general monograph on ancient Greek dress in English to be published in more than a century. By applying modern dress theory to the ancient evidence, this book reconstructs the social meanings attached to the dressed body in ancient Greece. Whereas many scholars have focused on individual aspects of ancient Greek dress, from the perspectives of literary, visual, and archaeological sources, this volume synthesizes the diverse evidence and offers fresh insights into this essential aspect of ancient society. Intended to be accessible to nonspecialists as well as classicists, and students as well as academic professionals, this book will find a wide audience.

A look at the over eight thousand year history and civilization of China.

The Cambridge Illustrated History of Religions is a comprehensive survey of world religions from pre-history to the present day. Each religion is treated in depth, with text written by a recognized academic expert, and supported by extensive illustrations. The religions covered include Jainism, Chinese and Japanese religions, Hindu religions, Sikhism, Judaism, Christianity, Islam, and Buddhism, along with smaller sections on Zoroaster and Parsis, Greek and Rome, Egypt and Mesopotamia, aboriginal religions, Shamanism, and modern religions such as Bahai. The book includes a substantial bibliography, a full chronology for each section, a general chronology giving the most significant dates from all religions, and information on religious phenomena such as festivals and calendars. This is an authoritative reference book which will appeal equally to students of religion, teachers, and general interested readers. John Bowker is the author of The Concise Oxford Dictionary of World Religions (Oxford, 2000), The Complete Bible Handbook: An Illustrated Companion (DK Publishing, 1998) and and The Oxford Dictionary of World Religions (Oxford, 1997). He is Greshan Professor, Greshan College, London and Adjunct Professor at the University of Pennsylvania and North Carolina State University.

"The ancient Greeks developed their own very specific ethos of art appreciation, advocating a rational involvement with art. This book explores why the ancient Greeks started to write art history and how the writing of art history transformed the social functions of art in the Greek world. It looks at the invention of the genre of portraiture, and the social uses to which portraits were put in the city state. Later chapters explore how artists sought to enhance their status by writing theoretical treatises and producing works of art intended for purely aesthetic contemplation which ultimately gave rise to the writing of art history and to the development of art collecting. The study, which is illustrated throughout and which draws on contemporary perspectives in the sociology of art, will prompt the student of classical art to rethink fundamental assumptions on Greek art and its cultural and social implications."--BOOK JACKET.