Engaging introduction by leading scholars to the many aspects of Plutarch's numerous and varied works and their subsequent reception.

Plutarch is one of the most prolific and important writers from antiquity. His Parallel Lives continue to be an invaluable historical source, and the numerous essays in his Moralia, covering everything from marriage to the Delphic Oracle, are crucial evidence for ancient philosophy and cultural history. This volume provides an engaging introduction to all aspects of his work, including his method and purpose in writing the Lives, his attitudes toward daily life and intimate relations, his thoughts on citizenship and government, his relationship to Plato and the second Sophistic, and his conception of foreign or 'other'. Attention is also paid to his style and rhetoric. Plutarch's works have also been important in subsequent periods, and an introduction to their reception history in Byzantium, Italy, England, Spain, and France is provided. A distinguished team of contributors together helps the reader begin to navigate this most varied and fascinating of writers.

A Companion to Plutarch offers a broad survey of the famous historian and biographer; a coherent, comprehensive, and elegant presentation of Plutarch’s thought and influence Constitutes the first survey of its kind, a unified and accessible guide that offers a comprehensive discussion of all major aspects of Plutarch’s oeuvre Provides essential background information on Plutarch’s world, including his own circle of influential friends (Greek and Roman), his travels, his political activity, and his relations with Trajan and other emperors Offers contextualizing background, the literary and cultural details that shed light on some of the fundamental aspects of Plutarch’s thought Surveys the ideologically crucial reception of the Greek Classical Period in Plutarch’s writings Follows the currents of recent serious scholarship, discussing perennial interests, and delving into topics and works not formerly given serious attention

An introduction to how the history of Rome was written in the ancient world, and its impact on later periods. It presents essays by an international team of scholars that aim both to orient non-specialist readers to the important concerns of the Roman historians and also to stimulate new research.

A comprehensive and authoritative account of one of the greatest and most prolific writers of classical antiquity.

Plutarch's Lives were once treasured. Today they are studied by classicists, known vaguely, if at all, by the educated public, and are virtually unknown to students of ancient political thought. The central claim of this book is that Plutarch shows how the political form of the city can satisfy an individual's desire for honor, even under the horizon of empire. Plutarch's argument turns on the difference between Sparta and Rome. Both cities stimulated their citizens' desire for honor, but Sparta remained a city by linking honor to what could be seen first-hand, whereas Rome became an empire by liberating honor from the shackles of the visible. Even under the rule of a distant power, however, allegiances and political actions tied to the visible world of the city remained. By resurrecting statesmen who thrived in autonomous cities, Plutarch hoped to rekindle some sense of the city's enduring appeal.

This series of essays by prominent academics and practitioners investigates in detail the history of performance in the classical Greek and Roman world. Beginning with the earliest examples of 'dramatic' presentation in the epic cycles and reaching through to the latter days of the Roman Empire and beyond, this 2007 Companion covers many aspects of these broad presentational societies. Dramatic performances that are text-based form only one part of cultures where presentation is a major element of all social and political life. Individual chapters range across a two thousand year timescale, and include specific chapters on acting traditions, masks, properties, playing places, festivals, religion and drama, comedy and society, and commodity, concluding with the dramatic legacy of myth and the modern media. The book addresses the needs of students of drama and classics, as well as anyone with an interest in the theatre's history and practice.