HAIL ERIS! ALL HAIL DISCORDIA! Did you know that God is crazy? And a girl? If not, you should probably go read the Principia Discordia, or, How I Found The Goddess and What I Did to Her When I Found Her. Otherwise, this book won't make much sense to you. The Callipygian Grimoire contains ancient Discordian spells like "The War Song of Thule" and "The Assmonkey Curse," along with parables, mystical wisdom, and answers to questions such as "are middle managers real?" and "where do all these 23s come from, man?" Plus fun activities like mazes, word searches, and coloring pages to pass the time if you get bored on your journey to enlightenment!

An extensive study of ancient books of magic and the magical practices preserved in the few surviving grimoires • Includes spells, talisman formulations, and secret magical alphabets reproduced from the author’s private collection of grimoires, with instructions for their use • Explains the basic principles of medieval magic, including the doctrine of names and the laws of sympathy and contagion • Offers an overview of magic in the Western Mystery tradition Grimoires began simply as quick-reference “grammar books” for sorcerers, magicians, and priests before evolving into comprehensive guides to magic, complete with spell-casting rituals, magical alphabets, and instructions to create amulets and talismans. With the advent of the printing press, some grimoires were mass produced, but many of the abbreviations were misinterpreted and magical words misspelled, rendering them ineffective. The most powerful grimoires remained not only secret but also heavily encoded, making them accessible only to the highest initiates of the magical traditions. Drawing on his own private collection of grimoires and magical manuscripts as well as his privileged access to the rare book archives of major European universities, Claude Lecouteux offers an extensive study of ancient books of magic and the ways the knowledge within them was kept secret for centuries through symbols, codes, secret alphabets, and Kabbalistic words. Touching on both white and black magical practices, he explains the basic principles of medieval magic, including the doctrine of names and signatures, mastery of the power of images, and the laws of sympathy and contagion. He gives an overview of magic in the Western Mystery tradition, emphasizing both lesser-known magicians such as Trithemus and Peter of Apono and famous ones like Albertus Magnus and Hermes Trismegistus. Creating a universal grimoire, Lecouteux provides exact reproductions of secret magical alphabets, symbols, and glyphs with instructions for their use as well as an illustrated collection of annotated spells, rituals, and talismans for numerous applications including amorous magic, healing magic, and protection rites. The author also examines the folk magic that resulted when the high magic of the medieval grimoires melded with the preexisting pagan magic of ancient Europe.

The Grimoire of Grimalkin was conceived during passionate affairs with French fin-de-siècle literature and Russian poets from the 1920s of the obscure kind. At the same time, the poet was conducting amorous relations with Old English fairy tales, and the English language itself, its past, present and future. Roots were plundered, whilst flirting with Plato’s notions of the thing itself versus the image conjured up by the word. There is a strong strain of the Eastern courtly love tradition, too – the wretched, tortured lover, but it is never quite clear who the object of love is. Wrapped in necromancy, invocations and references to the Devil, The Grimoire of Grimalkin is a baroque excursion into language taking Bakhtin’s ideas of polyglossia, Deleuze and Guattari’s rhizome model and other postmodern philosophies and running amok with them. The work is rife with literary, film, and television references, and a particular debt is owed to The Hitchiker’s Guide to the Galaxy. There is a feeling of an articulate medieval sensibility at work here. Fraught with nightmares, superstitions and mythology. In the 16th century “grimoires” were spell books written by occultists. In Akhtar’s Grimoire there is a channelling of sorts, of talking in tongues, of black magic, through the use of language of all guises. Obsolete or “dead” words mingle with contemporary British slang, “Indo-European roots” appear harmonizing with malapropisms and puns. The Devil makes several appearances in reponse to wild invocation, perhaps to enamour lovers. Any notions of “meaning” are consistently challenged in Akhtar’s primordial forge, where language melts into a bubbling cauldron of delicious trickery, sex and death, magick and mayhem and, above all, love. This is a work of contemporary Gothic, with a punk core and an anarchic sense of humour.

The Grimoire of Pope Honorius first appeared in 1670. It is an instruction manual for invoking the demons of the four directions and the seven days of the week. These demons are known as Oriens, Amaymon, Paimon, Egyn, Lucifer, Frimost, Astaroth, Sirchade, Bechard, Guland, and Surgat. This edition of the grimoire contains images, sigils, and in depth information on each of the spirits, as well as instructions on how the book might be used in the modern age.

Paperback edition of this esoteric classic. There have been many grimoires attributed to St. Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript. This unique grimoire addresses the summoning and use of the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The latter are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is a mixture of magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) made plain by the editors.

The Grand Grimoire is a foundational book of magic from the 19th century. The first portion of the book describes the process of evocation, and the making of a pact with Lucifuge Rofocale the Infernal "Prime Minister" who controls all the wealth and treasures of the world. The second part of the book, the Sanctum Regnum, or "holy kingdom" details a hierarchy of an additional 26 spirits, and their powers. Also included is a comprehensive essay that covers the development of magic, the history of the book itself, the witch trials, the Inquisition, the spread of the grimoires through Europe, and much more. Also included are sigils, and images of the spirits, many never seen before. This will aid the magician in concentration and visualization on the spirits, so that they may be evoked for practical purposes.