The Poet's Novel provides a unique entrance to the prose and poetry of many remarkable modern and contemporary poets including: Etel Adnan, Renee Gladman, Langston Hughes, Kevin Killian, Alice Notley, Leslie Scalapino, Jack Spicer, and Jean Toomer, whose approaches to the novel defy conventions of plot, character, setting and action. The contributors, all poets in their own right like, Brian Blanchfield, Brandon Brown, Mónica de la Torre, Cedar Sigo, and C.D. Wright bring a variety of insights, approaches, and writing styles to the subject with creative and often surprising results.

One of Japan’s most important modern poets, Tada Chimako (1930–2003) gained prominence in her native country for her sensual, frequently surreal poetry and fantastic imagery. Although Tada’s writing is an essential part of postwar Japanese poetry, her use of themes and motifs from European, Near Eastern, and Mediterranean history, mythology, and literature, as well as her sensitive explorations of women’s inner lives make her very much a poet of the world. Forest of Eyes offers English-language readers their first opportunity to read a wide selection from Tada’s extraordinary oeuvre, including nontraditional free verse, poems in the traditional forms of tanka and haiku, and prose poems. Translator Jeffrey Angles introduces this collection with an incisive essay that situates Tada as a poet, explores her unique style, and analyzes her contribution to the representation of women in postwar Japanese literature.

The Forest of Sure Things is a layered sequence of poems set in a remote, historical village at the tip of a peninsula on the Northwest coast, near where Lewis and Clark encountered the Pacific. A pair of newlyweds has settled precariously there, starting the town's first new family in a hundred years. When their second child is stillborn, the bereft family unravels and un-roots themselves. Megan Snyder-Camp's poems reveal -- like the shoreline exposed by a neap tide -- an emotional landscape pressed upon and buckling under the complications of grief and the difficulties of language.

In this volume Sangharakshita approaches communicating Buddhism in the West from two very different, but equally illuminating, angles. In the first part, in talks given in the early years of his teaching in England, he introduces the apparently exotic worlds of Tibetan Buddhism (1965) and its creative symbols (1972) and Zen Buddhism (1965), clarifying their mysteries while also somehow allowing them to work their magic.

'Don't you dare teach my daughter to fear the forest' is a call to all women everywhere to reconnect with their divine feminine power. This collection of poems focuses on:- The archetypal energies of Maiden, Mother, Enchantress, Crone- Healing ancestral wounds- The woman and nature relationship- Recovering the right to express honest emotions- Accepting the light as well as the dark within us all.Each poem stirs ancient memory, the truth of what it means to be a woman, and each is offered with an affirmation to pray or meditate upon. It is our heritage, our birthright, our responsibility as women, to stand in our own power. 'Don't you dare teach my daughter to fear the forest' takes readers on a healing journey to reclaim their power from a society that works so hard to make us all fear and forget it.