"Fay Webern's masterful chronicle of a youth spent in one of New York City's most vibrant immigrant communities during the harsh years of the Great Depression and The Second World War. Its forty-two beautifully sculpted episodes not only conjure into vivid existence a complete world, but reveal something of the bedrock of the author's inner being, in which the irreducible hardness, the 'is'-ness, of reality may be felt: the burden of survival; the 'stone in the heart'; the daily concerns, serious or frivolous, erected on it; and at the same time, always, flying above, indomitable, the muse of poetic imagination and the 'spirit of defiance.' "--Back cover.

“Here is a life story so unbelievable, it could only be true.” —Sandra Cisneros, bestselling author of The House on Mango Street From bestselling author of the remarkable memoir The Distance Between Us comes an inspiring account of one woman’s quest to find her place in America as a first-generation Latina university student and aspiring writer determined to build a new life for her family one fearless word at a time. As an immigrant in an unfamiliar country, with an indifferent mother and abusive father, Reyna had few resources at her disposal. Taking refuge in words, Reyna’s love of reading and writing propels her to rise above until she achieves the impossible and is accepted to the University of California, Santa Cruz. Although her acceptance is a triumph, the actual experience of American college life is intimidating and unfamiliar for someone like Reyna, who is now estranged from her family and support system. Again, she finds solace in words, holding fast to her vision of becoming a writer, only to discover she knows nothing about what it takes to make a career out of a dream. Through it all, Reyna is determined to make the impossible possible, going from undocumented immigrant of little means to “a fierce, smart, shimmering light of a writer” (Cheryl Strayed, author of Wild); a National Book Critics Circle Award Finalist whose “power is growing with every book” (Luis Alberto Urrea, Pultizer Prize finalist); and a proud mother of two beautiful children who will never have to know the pain of poverty and neglect. Told in Reyna’s exquisite, heartfelt prose, A Dream Called Home demonstrates how, by daring to pursue her dreams, Reyna was able to build the one thing she had always longed for: a home that would endure.

Fiction. Sy Kirschbaum has spent almost twenty years in Prague translating legendary Czech dissident Jan Horak's samizdat masterpiece, Blue, Red, Gray. On the cusp of finishing, he is called back to his Maine hometown to see his troubled former lover, Ida Fields, now the wife of their childhood friend Gabe Slatky. But before he can see her, Sy must meet with Gabe for an evening at a local bar, an encounter that becomes a test of their old friendship and their dueling accounts of reality. In the conversation that follows, narratives of past and present--of art and life--interweave with perfect inevitability, yet with unpredictable, even shocking consequences, spiraling Sy and Gabe into confusion, doubt, and despair, without quite eroding, perhaps, the possibility of hope. FIRST, THE RAVEN: A PREFACE is a quietly yet profoundly radical work, as ingenious as a print by Escher or a Möbius strip: the Reader must glide along its whole immaculately ramified length before realizing how deeply life, despite its unceasing, nearly flawless appearance of normalcy, is upside down.

Named a Best Book of Fall 2022 by Parade • BuzzFeed • New York Post • GMA.com • People "Loigman's latest is a gem. A scrappy Jewish teenager newly arrived in 1920s New York struggles to follow her calling as a matchmaker––seventy years later, her cynical divorce-attorney granddaughter realizes she has very inconveniently inherited the family gift for matching soulmates. Both funny and moving, The Matchmaker's Gift made me smile from start to finish." ––Kate Quinn, New York Times bestselling author of The Rose Code Is finding true love a calling or a curse? Even as a child in 1910, Sara Glikman knows her gift: she is a maker of matches and a seeker of soulmates. But among the pushcart-crowded streets of New York’s Lower East Side, Sara’s vocation is dominated by devout older men—men who see a talented female matchmaker as a dangerous threat to their traditions and livelihood. After making matches in secret for more than a decade, Sara must fight to take her rightful place among her peers, and to demand the recognition she deserves. Two generations later, Sara’s granddaughter, Abby, is a successful Manhattan divorce attorney, representing the city’s wealthiest clients. When her beloved Grandma Sara dies, Abby inherits her collection of handwritten journals recording the details of Sara’s matches. But among the faded volumes, Abby finds more questions than answers. Why did Abby’s grandmother leave this library to her and what did she hope Abby would discover within its pages? Why does the work Abby once found so compelling suddenly feel inconsequential and flawed? Is Abby willing to sacrifice the career she’s worked so hard for in order to keep her grandmother’s mysterious promise to a stranger? And is there really such a thing as love at first sight?

Two award-winning modern classics from #1 New York Times bestselling author Markus Zusak! The Book Thief affirms the ability of books to feed the soul even in the bleakest of times in a story the New York Times described as “brilliant. . . . the kind of book that can be life-changing.” It is 1939. Nazi Germany. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can’t resist–books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement. I Am the Messenger is a Printz Honor-winning novel and recipient of five starred reviews that tells the story of Ed Kennedy, an underage cabdriver without much of a future. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission? Discover the enormous talent that is Marcus Zusak in this extraordinary collection that showcases the intensity and heart inherent in his storytelling. DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF.

Nothing is overdone and not a word is out of place in this auspicious debut," wrote Kirkus in a starred review of Instead of Three Wishes, the first book by Megan Whalen Turner. Her second book more than fulfills that promise. The king's scholar, the magus, believes he knows the site of an ancient treasure. To attain it for his king, he needs a skillful thief, and he selects Gen from the king's prison. The magus is interested only in the theif's abilities. What Gen is interested in is anyone's guess. Their journey toward the treasure is both dangerous and difficult, lightened only imperceptibly by the tales they tell of the old gods and goddesses. Megan Whalen Turner weaves Gen's stories and Gen's story together with style and verve in a novel that is filled with intrigue, adventure, and surprise.

INSTANT NEW YORK TIMES BESTSELLER An Edgar Award Nominee for Best First Novel Longlisted for the Center for Fiction's First Novel Prize Named a New York Times Best Crime Novel of 2022 Named A Most Anticipated Book of 2022 by *Marie Claire* *Washington Post* *Vulture* *NBC News* *Buzzfeed* *Veranda* *PopSugar* *Paste* *The Millions* *Bustle* *Crimereads* Goodreads* *Bookbub* *Boston.com* and more! "The thefts are engaging and surprising, and the narrative brims with international intrigue. Li, however, has delivered more than a straight thriller here, especially in the parts that depict the despair Will and his pals feel at being displaced, overlooked, underestimated, and discriminated against. This is as much a novel as a reckoning." —New York Times Book Review Ocean's Eleven meets The Farewell in Portrait of a Thief, a lush, lyrical heist novel inspired by the true story of Chinese art vanishing from Western museums; about diaspora, the colonization of art, and the complexity of the Chinese American identity History is told by the conquerors. Across the Western world, museums display the spoils of war, of conquest, of colonialism: priceless pieces of art looted from other countries, kept even now. Will Chen plans to steal them back. A senior at Harvard, Will fits comfortably in his carefully curated roles: a perfect student, an art history major and sometimes artist, the eldest son who has always been his parents' American Dream. But when a mysterious Chinese benefactor reaches out with an impossible—and illegal—job offer, Will finds himself something else as well: the leader of a heist to steal back five priceless Chinese sculptures, looted from Beijing centuries ago. His crew is every heist archetype one can imag­ine—or at least, the closest he can get. A con artist: Irene Chen, a public policy major at Duke who can talk her way out of anything. A thief: Daniel Liang, a premed student with steady hands just as capable of lockpicking as suturing. A getaway driver: Lily Wu, an engineering major who races cars in her free time. A hacker: Alex Huang, an MIT dropout turned Silicon Valley software engineer. Each member of his crew has their own complicated relationship with China and the identity they've cultivated as Chinese Americans, but when Will asks, none of them can turn him down. Because if they succeed? They earn fifty million dollars—and a chance to make history. But if they fail, it will mean not just the loss of everything they've dreamed for themselves but yet another thwarted at­tempt to take back what colonialism has stolen. Equal parts beautiful, thoughtful, and thrilling, Portrait of a Thief is a cultural heist and an examination of Chinese American identity, as well as a necessary cri­tique of the lingering effects of colonialism.