On 13 April 1919, General Reginald Dyer marched a squad of Indian soldiers into the Jallianwala Bagh in Amritsar, and opened fire without warning on a crowd gathered to hear political speeches. This is an account of the massacre set in the context of a biography of a man whose attitudes reflected many of the views common in the Raj.

On April 13 1919, General Reginald Dyer marched a squad of Indian soldiers into the Jallianwala Bagh, a large enclosed public space in the holy city of Amritsar, and opened fire without warning on a crowd gathered to hear political speeches, leaving over 200 dead. To some Dyer was the saviour of India, responding decisively to threatened insurrection, but to many in India, including Ganhdi and Nehru, his action proved the moral bankruptcy of the British Empire. The bitter debate that followed the shootings, the worst atrocity perpetrated by the British in the twentieth century, almost brought down the Liberal Government and was a decisive turning point in India's march to independence. The Butcher of Amritsar is a definitive account of the massacre set in the context of a biography of Reginald Dyer, a man whose attitudes reflected many of the views common in the Raj.

On 13 April 1919, General Reginald Dyer marched a squad of Indian soldiers into the Jallianwala Bagh in Amritsar, and opened fire without warning on a crowd gathered to hear political speeches. This is an account of the massacre set in the context of a biography of a man whose attitudes reflected many of the views common in the Raj.

“Chronicles the run up to Jallianwala Bagh with spellbinding . . . focus. . . . Mr. Wagner’s achievement is one of balance . . . and, above, all, of perspective.” (The Wall Street Journal) The Amritsar Massacre of 1919 was a seminal moment in the history of the British Empire, yet it remains poorly understood. In this dramatic account, Kim A. Wagner details the perspectives of ordinary people and argues that General Dyer’s order to open fire at Jallianwalla Bagh was an act of fear. Situating the massacre within the “deep” context of British colonial mentality and the local dynamics of Indian nationalism, Wagner provides a genuinely nuanced approach to the bloody history of the British Empire. “Mr Wagner argues his case fluently and rigorously in this excellent book.” —The Economist “Written with a humane commitment to the truth that will impress.” —The Times “Skillfully maps a tale of growing tensions, precipitate action, and troubled aftermath.” —The Telegraph “A compelling account” —Financial Times “Wagner's postmortem of an imperial disaster should be widely read.” —R.A. Callahan, emeritus, Choice “The fullest, and by far the most authoritative, account of the causes and course of the Jallianwala massacre in any language.” —Nigel Collett, author of The Butcher of Amritsar “Mining a variety of sources – diaries, memoirs and court testimonies—[Wagner] uncovers fresh perspectives and examines the relation between colonial panic and state brutality with sophistication, sincerity and style.” —Santanu Das, author of India, Empire, and First World War Culture “Analytically sharp but gripping to read, the book is a page-turner”—Barbara D. Metcalf, co-author of A Concise History of India “An important book.” –Yasmin Khan, author of The Partition

The “compelling [and] vivid” (The New York Times Book Review) true story of a man who claimed to be a survivor of a 1919 British massacre in India, his elaborate twenty-year plan for revenge, and the mix of truth and legend that made him a hero to hundreds of millions. When Sir Michael O’Dwyer, the Lieutenant Governor of Punjab, ordered Brigadier General Reginald Dyer to Amritsar, he wanted Dyer to bring the troublesome city to heel. Sir Michael had become increasingly alarmed at the effect Gandhi was having on his province, as well as recent demonstrations, strikes, and shows of Hindu-Muslim unity. All these things, to Sir Michael, were a precursor to a second Indian revolt. What happened next shocked the world. An unauthorized gathering in the Jallianwallah Bagh in Amritsar in April 1919 became the focal point for Sir Michael’s law enforcers. Dyer marched his soldiers into the walled public park, blocking the only exit. Then, without issuing any order to disperse, he instructed his men to open fire, turning their guns on the crowd, which numbered in the thousands and included women and children. The soldiers continued firing for ten minutes, stopping only when they ran out of ammunition. According to legend, nineteen-year-old Sikh orphan Udham Singh was injured in the attack, and remained surrounded by the dead and dying until he was able to move the next morning. Then, he supposedly picked up a handful of blood-soaked earth, smeared it across his forehead, and vowed to kill the men responsible. The truth, as the author has discovered, is more complex—but no less dramatic. Award-winning journalist Anita Anand traced Singh’s journey through Africa, the United States, and across Europe until, in March 1940, the young man finally arrived in front of O’Dwyer himself in a London hall ready to shoot him down. The Patient Assassin “mixes Tom Ripley’s con-man-for-all-seasons versatility with Edmond Dantès’s persistence” (The Wall Street Journal) and reveals the incredible but true story behind a legend that still endures today.

In January 1980, a young police officer named John MacLennan committed suicide in his Ho Man Tin flat. His death came mere hours before he was to be arrested for committing homosexual acts still, at that point, illegal in Hong Kong. But this was more than the desperate act of a young man, ashamed and afraid; both his death and the subsequent investigation were a smokescreen for a scandal that went to the heart of the establishment. MacLennan came to Hong Kong from Scotland during a tumultuous time in Hong Kong’s history. The governorship of Sir Murray MacLehose was to be a time of reform and progress, but with that remit came the determination of many to suppress scandals and silence those who stirred up trouble. Both the life and death of John MacLennan seemed to many of those in power to threaten the stability of one of Britain’s last colonies. The second edition includes a foreword by Christine Loh (former undersecretary for the environment, former legislator, and founder of Civic Exchange) as well as updated information from new interviews with key people involved in the case. With endorsements from human rights researchers and the local community, this book provides insight into Hong Kong during a time of social unrest and corruption scandals, a time when homosexuality and paedophilia were often considered interchangeable and both offered easy targets for blackmail. “Collett’s vivid account of the MacLennan case and its aftermath allows us to rediscover an episode that is important not only to Hong Kong gay history but to the history of law and criminal justice in a colonial context more broadly. A fascinating read.” – Dr Marco Wan, Associate Professor of Law and Director of the Programme in Law and Literary Studies, University of Hong Kong “Nigel Collett has written a period masterpiece.” – Christine Loh, Former undersecretary for the environment, former legislator, and founder of Civic Exchange

Jallianwala Bagh massacre, the butchering of unarmed innocents, is a historic event that haunts the human mind even after the lapse of a century. 1650 rounds fired in a matter of ten minutes, the blocking of exits, preventing help reaching the injured are all acts of unmitigated bestiality. Through a selection of prose and poetry – The direct outcome of this horrific event and an introduction that traces the history of events leading to the massacre – Rakhshanda Jalil, a literary historian and translator from Urdu and Hindi, attempts to open a window into the world of possibilities that literature offers to reflect, interpret and analyse events of momentous historical import. The selection offers ways of ‘seeing’ history, of exploring how an incident that stirred the conscience of millions, one that had far-reaching implications for the National freedom struggle and British rule, found its way through pen and Paper to reach the nooks and crannies of popular imagination filtered through the mind of the creative writer. The stalwarts and acknowledged doyens of Indian literature featured in this volume include Saadat Hasan Manto, Mulk Raj Anand, Krishna Chander, Abdullah Hussein, Bhisham Sahni, Ghulam Abbas, subadhra Kumari Chauhan, Sarojini Naidu, sohan Singh Misha, Muhammad Iqbal, Josh malihabadi, Nanak Singh, to name a few. A collection that can pave the way for further research.