On the night of 11 December 1920 Cork City was to experience an unprecedented night of terror and destruction at the hands of the British forces of law and order. The Irish War of Independence was raging out of control and Cork was in the eye of the storm. It was a guerrilla war fuelled by reprisal and counter reprisal - the city streets became the battleground of a bloody and personalised war of attrition. With over five acres of the city destroyed and an estimated 20 million pounds worth of damage, the burning of Cork is recognised as the most extensive single act of vandalism in the entire period of the nationalist struggle. The burning of Cork cannot be regarded as an isolated incident. In the nine months leading up to the night, Cork city witnessed an ever escalating cycle of violence as attacks by the Volunteers were answered by the predictable reprisal by the crown forces.

'A tale of arson, loot and murder' was how one source described the events that would befall Cork city on the night of 11-12 December 1920. In a scene of almost unprecedented destruction, members of the British forces bent on revenge for the ambushes at Kilmichael and Dillon's Cross set fire to both the commercial and the civic heart of the city. One side of Patrick Street and the area surrounding it were razed to the ground, while City Hall and the neighbouring Carnegie Library were gutted as Auxiliaries and Black and Tans shot at Cork's firemen and cut their hoses in an effort to ensure maximum damage. Then, to add insult to injury, as the smoke cleared the British government tried to blame Cork's own citizens for the devastation. Using eyewitness accounts and contemporary sources, and illustrated with exceptional images from the period, Cork Burningtells the story of the events before, during and after that infamous night. It covers such topics as Cork City before December 1920, the Black and Tans, Auxiliaries and K Company, Republican Cork, a timeline of events before the burning of Cork City, early fires and arson by crown forces in Cork, the Kilmichael Ambush, the Dillon's Cross Ambush, premises destroyed, official investigations into the causes, compensation and rebuilding.

In 1895 twenty-six-year-old Bridget Cleary disappeared from her house in rural Tipperary. At first, some said that the fairies had taken her into their stronghold in a nearby hill, from where she would emerge, riding a white horse. But then her badly burned body was found in a shallow grave. Her husband, father, aunt and four cousins were arrested and charged, while newspapers in nearby Clonmel, and then in Dublin, Cork, London and further afield attempted to make sense of what had happened. In this lurid and fascinating episode, set in the last decade of the nineteenth century, we witness the collision of town and country, of storytelling and science, of old and new. The torture and burning of Bridget Cleary caused a sensation in 1895 which continues to reverberate more than a hundred years later. Winner of the Irish Times Prize for Non-Fiction

Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.

The Atlas of the Irish Revolution is a definitive resource that brings to life this pivotal moment in Irish history and nation-building. Published to coincide with the centenary of the Easter Rising, this comprehensive and visually compelling volume brings together all of the current research on the revolutionary period, with contributions from leading scholars from around the world and from many disciplines. A chronological and thematically organized treatment of the period serves as the core of the Atlas, enhanced by over 400 color illustrations, maps and photographs. This academic tour de force illuminates the effects of the Revolution on Irish culture and politics, both past and present, and animates the period for anyone with a connection to or interest in Irish history.

The director of the famed Bodleian Libraries at Oxford narrates the global history of the willful destruction—and surprising survival—of recorded knowledge over the past three millennia. Libraries and archives have been attacked since ancient times but have been especially threatened in the modern era. Today the knowledge they safeguard faces purposeful destruction and willful neglect; deprived of funding, libraries are fighting for their very existence. Burning the Books recounts the history that brought us to this point. Richard Ovenden describes the deliberate destruction of knowledge held in libraries and archives from ancient Alexandria to contemporary Sarajevo, from smashed Assyrian tablets in Iraq to the destroyed immigration documents of the UK Windrush generation. He examines both the motivations for these acts—political, religious, and cultural—and the broader themes that shape this history. He also looks at attempts to prevent and mitigate attacks on knowledge, exploring the efforts of librarians and archivists to preserve information, often risking their own lives in the process. More than simply repositories for knowledge, libraries and archives inspire and inform citizens. In preserving notions of statehood recorded in such historical documents as the Declaration of Independence, libraries support the state itself. By preserving records of citizenship and records of the rights of citizens as enshrined in legal documents such as the Magna Carta and the decisions of the US Supreme Court, they support the rule of law. In Burning the Books, Ovenden takes a polemical stance on the social and political importance of the conservation and protection of knowledge, challenging governments in particular, but also society as a whole, to improve public policy and funding for these essential institutions.