In the late fourteenth and the fifteenth centuries, the Dukes of Valois-Burgundy created a composite monarchy in the Netherlands, an area that had been dominated for centuries by several regional dynasties. In this way they laid the foundation for the modern states of the Netherlands, Belgium, and Luxemburg. The rise of the House of Burgundy can be read as the success story of a dynasty that in little over a century managed to assemble a great number of principalities, thus creating a new state. The Burgundian takeover, however, resulted in a modernization of administration, jurisdiction, and finances. The process of unification and the character of the union are the central topics of Magnanimous Dukes and Rising States. Robert Stein mirrors continuity and modernisation in Burgundian times with the bankruptcy of the former dynasties and the decline of feudal government. The powerful towns played an important background role; it was only with their support that a unification of the Netherlands was possible, but this support was not unselfish. This study is about the development of power relations and institutions in the field of tension between ruler and subject, between centralisation and particularism.

A masterful history of the great dynasty of the Netherlands' Middle Ages. 'A sumptuous feast of a book' The Times, Books of the Year 'Thrillingly colourful and entertaining' Sunday Times 'A thrilling narrative of the brutal dazzlingly rich wildly ambitious duchy' Simon Sebag Montefiore 5 stars! Daily Telegraph 'A masterpiece' De Morgen 'A history book that reads like a thriller' Le Soir At the end of the fifteenth century, Burgundy was extinguished as an independent state. It had been a fabulously wealthy, turbulent region situated between France and Germany, with close links to the English kingdom. Torn apart by the dynastic struggles of early modern Europe, this extraordinary realm vanished from the map. But it became the cradle of what we now know as the Low Countries, modern Belgium and the Netherlands. This is the story of a thousand years, a compulsively readable narrative history of ambitious aristocrats, family dysfunction, treachery, savage battles, luxury and madness. It is about the decline of knightly ideals and the awakening of individualism and of cities, the struggle for dominance in the heart of northern Europe, bloody military campaigns and fatally bad marriages. It is also a remarkable cultural history, of great art and architecture and music emerging despite the violence and the chaos of the tension between rival dynasties.

Around 1400 a new official position was created for artists in several major centers in the southern Netherlands, i.e. Antwerp, Louvain, Malines. Appointed by the municipal government, these city painters (called stadsmeester schilders) were paid an annual salary and provided with the benefits and title of civic office. Their primary responsibility was to organize and decorate an annual procession known as the ommegang. While this role continued uninterruptedly for the next one hundred years, for at least two painters -- Rogier van der Weyden in Brussels and Dieric Bouts in Louvain - the position was altered to encompass different and apparently more ambitious artistic goals. Drawing on extensive firsthand documentation from municipal accounts and records, this book reconstructs the origins and development of the official city painter over the course of the fifteenth century. At the same time, it addresses the changing status of artists during this period and examines civic patronage as an impetus for generating new artistic goals in the Burgundian Netherlands.

They were, in the words of one contemporary observer, "the Promised Lands." In all of Europe, only Northern Italy could rival the economic power and cultural wealth of the Low Countries in the later Middle Ages. In The Promised Lands, Wim Blockmans and Walter Prevenier trace the relations between the cultural and economic developments of the Low Countries and the political evolution of the region under the rule of the dukes of Burgundy. Combining political, diplomatic, administrative, economic, social, artistic, and cultural history, Blockmans and Prevenier have synthesized the most recent research on the subject—much of it their own—to produce the most accessible and authoritative book in English on the subject. This is an updated and revised translation of a classic work first published in 1988, now expanded and reoriented toward a broader international readership.