Avian allegory with an introduction that praises the house of Douglas; composed ca. 1450.

More than fifty specialists have contributed to this new edition of volume 1 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.

During the century and a half of their power the Black Douglases earned fame as Scotland's champions in the front line of war against England. On their shields they bore the bloody heart of Robert Bruce, the symbol of their claim to be the physical protectors of the hero-king's legacy. But others saw the power of these lords and earls of Douglas in a different light. To their critics the Douglases were a force for disorder in the kingdom, lawless, arrogant and violent, whose power rested on coercion and whose defiance of kings and guardians ultimately provoked James II into slaying the Douglas earl with his own hand. Michael Brown analyses the rise and fall of this family as the dominant magnates of the south, from the deeds of the Good Sir James Douglas in the service of Bruce to the violent destruction of the Douglas earls in the 1450s. Alongside this study of the accumulation and loss of power by one of the great noble houses, The Black Douglases includes a series of thematic examinations of the nature of aristocratic power. In particular these emphasise the link between warfare and political power in southern Scotland during the fourteenth century. For the Black Douglases, war was not just a patriotic duty but the means to power and fame in Scotland and across Europe.

From Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country's history. Stretching from the medieval masterpieces of St. Columba's Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.