The Built Environment through the Prism of the Colonial Periodical Press is a venture of the International Group for Studies of Colonial Periodical Press of the Portuguese Empire (IGSCP-PE), who are also interested in comparative studies and conceptual discussions. Through a focus on the understudied role of colonial periodicals in the creation and public discussion of colonial built environments, the present book contributes to a cultural history of the idea of built environment. The studies underscore the role of press in articulating environment imaging and transformations with colonial ideologies, projects and policies, and the fixing, othering and disputing of identities, while still retaining the epochal circulation of ideas. This role is evidenced through discussions of forests, clubs, hotels, barracks, hospitals, houses, verandas and gardens, railways, Catholic churches and Hindu "templescapes", restorations and exhibitions. The book also examines a non-canonical variety of periodicals, such as newspapers, bulletins, women’s magazines, and professional journals. Published within the sphere of Portuguese, Belgium, Italian, British formal and informal Empire, the analysis of these periodicals provides a multilingual, plural and complex comprehension of the discursive creation of modern built environments in colonial ambiances. This volume is indispensable for scholars and students interested in Media Studies, Architectural and Engineering studies, Built Environment studies as well as Colonial and Imperial history.

This book clarifies the crucial role of periodical press in the advance of colonial print cultures and public debates in the Indian and Pacific Oceans. The Colonial Periodical Press in the Indian and Pacific Ocean Regions is a venture of the International Group for Studies of Colonial Periodical Press of the Portuguese Empire (IGSCP-PE), which also invests in comparative studies and conceptual discussions. Moving around urban shores of the Indian and Pacific Oceans, it approaches the crucial role of periodical press in the development of colonial print cultures and public debates in these regions. By being mostly focused on press from spaces and peoples under the domain of the Portuguese Empire, it addresses a bibliographical gap in international discussions moved by the field. The outcome reflects an investment in offering decentred and de-nationalized approaches to the colonial print cultures and press histories under study, working as a platform for regional dialogues and comparative perspectives. The studies presented allow a better understanding of transits and connections of both an imperial and a trans-imperial nature, contributing to the consolidation of comparative approaches in the studies of European empires and colonialisms. This volume is indispensable for scholars and students in media studies, modern history, cultural studies, literary studies and political science.

Focusing on the Portuguese Empire, this book examines colonial press issued in "metropolitan" spaces and in colonies, disclosing dissonant narratives and problematizations of colonial empires. Creating and Opposing Empire is a venture of the International Group for Studies of Colonial Periodical Press of the Portuguese Empire (IGSCP-PE), which also invests on comparative studies and conceptual discussions. This book analyses representations of Empire at colonial press published in "metropolitan" spaces and in colonies. By joining these spaces in the same analytic look, it explores different problematizations of colonial empires. The diversity of angles discloses why a decolonized, democratic, understanding of the world modulated by modern colonial empires needs to navigate the seas of dissonant narratives of community, nation, and empire. The book deals with the ideas that in their complexity and dynamism, until late in the twentieth century, were moulded in the game between the cultural context of representations and the universality of concepts. The studies range from approaches to International Exhibitions, Metropolitan Press, Colonial Models, Missionary Press, Literary Discourses, Colonial and Postcolonial Press, Constructing the "Others", Anticolonial Press, Democracy, Dictatorship, Censorship, Colonial Prison’s Press, among other themes. Its primordial focus on the Portuguese Empire, introduces perspectives rarely included in international discussions on colonial and imperial press histories. This book is essential for scholars and students in Media Studies, Modern History, Cultural, Literary Studies and Political Science.

In this insightful volume, a range of scholars from different backgrounds and disciplines delves into the intricate world of Levantine Studies, unraveling the multifaceted history, identities, and communities that have shaped the region. Spanning the long nineteenth century until the present day, this collection offers a fresh and nuanced perspective on the Levant, challenging traditional paradigms and shedding light on previously unexplored aspects of Levantine life. Through their meticulous research and compelling narratives, the authors explore the hidden histories of marginalized populations, examine the formation of communal ties beyond conventional affiliations, and shed light on the daily complexities of Levantine life through the lens of individual experiences and microhistories. As the field has undergone shifts in focus and methodology, this volume reflects – and pushes the boundaries of – the diversity and complexity of contemporary Levantine Studies. It opens up new avenues for research and grapples with the pressing questions of our era, including the environmental and material foundations of cosmopolitan lifestyles, the sociocultural reverberations of imperialism, and the impact of global crisis on our understanding of the Levant. With its rich insights and thought-provoking analysis, Levantines of the Ottoman World: Communities, Identities, and Cultures offers a compelling and comprehensive exploration of Levantine Studies that will captivate readers, offer an indispensable resource for scholars, and spark further inquiry into this fascinating field.

This book is part of an ongoing transnational turn in cultural history. Studies on the history of urban popular culture and the entertainment industries increasingly engage with the European or global circulation of genres, actors, and shows, especially during the period of massive growth and expansion of the sector from the 1870s to the 1930s. Nevertheless, a large part of this research remains focused on exchanges between Western and Central European, and North American metropolises. To provide a fuller picture of the emergence and cross-border transfer of different genres of popular culture, this volume investigates Northern, East Central, and Southern European cities and their relations with each other and the West. The authors analyze the mediating agents, transnational networks, and local responses to new forms of entertainment from Madrid to Vyborg, and from Istanbul to Reykjavík. These examples re-focus the history of urban popular culture in Europe in view of multidirectional transfers and a wider range of regional experiences. Urban Popular Culture and Entertainment will appeal to researchers and students alike interested in the history of popular culture in modern societies, particularly those studying urban centers in Europe, and their transnational and transregional connections.

In a wide arc from the Paleolithic to the present day, this book explores the changing structure of human experience and its impact on the dynamics of cultures, civilizations, and political ideas. The main thesis is a paradigm shift: the structure of human experience is not a universal constant but changes over time. Looking at the entire range of human history, there are a total of nine transformations, beginning with conscious perception and imagination in the Paleolithic and ending, for the time being, in modern times with the discovery of the unconscious. In between, this book explores six more transformations that took place in different regions and at different times, which include a sense of order, self-reflection, the eye of reason, spiritual experience, as well as the experience of creativity and of consciousness. As such, The History of Experience presents both a cross-cultural and comparative theory of experience and cultural dynamics, and an exploration of rich materials from East and West. This book is of great use to upper-level undergraduates, postgraduates, and scholars interested in the relationship between history, human experience, culture, and political order.

With a focus on the object and where it is situated, in time (memory) and space (mobility), Memory, Mobility, and Material Culture embodies a multidisciplinary and cross-disciplinary approach. The chapters track the movement of the objects and their owner(s), within and between continents, countries, cities, and families. Objects have always been considered with an eye to their worth – economic, aesthetic, and/or functional. If that worth is diminished, their meaning and value disappear, they are just things. Yet things can still fulfil functions in our daily lives; they hold symbolic potential, from personal memory triggers, to focal points of public ritual and religion; from collectors’ obsession, to symbols of loss, displacement, and violence. By bringing into dialogue the work of specialists in ethnology, art history, architecture, and design; literature, languages, cultures, and heritage studies, this volume considers how displaced memory – the memory of refugees, migrants, and their descendants; of those who have moved from the countryside to the city; of those who have faced personal upheaval and profound social change; those who have been forced into exile or experienced major personal or collective loss – can become embodied in material culture. This book is important reading to those interested in cultural and social history and cultural studies.