Perhaps the most important architect ever to have worked in America, Peter Harrison's renown suffers from the destruction of most of his papers when he died in 1775. He was born in Yorkshire, England in 1716 and trained to be an architect as a teenager. He also became a ship captain, and soon sailed to ports in America, where he began designing some of the most iconic buildings of the continent. In a clandestine operation, he procured the plans for the French Canadian fortress of Louisbourg, enabling Massachusetts Governor William Shirley to capture it in 1745. This setback forced the French to halt their operation to capture all of British America and to give up British territory they had captured in India. As a result, he was rewarded with commissions to design important buildings in Britain and in nearly all British colonies around the world, and he became the first person ever to have designed buildings on six continents. He designed mostly in a neo-Palladian style, and invented a way of building wooden structures so as to look like carved stone--"wooden rustication." He also designed some of America's most valuable furniture, including inventing the coveted "block-front," and introducing the bombe motif. In America, he lived in Newport, Rhode Island, and in New Haven, Connecticut, where he died at the beginning of the War of Independence.

This illustrated story of America's first architect is based on material from a number of contemporary sources in the colonial period. Harrison's buildings reflect the classical mode, and they fortunately survived the Revolution. His designs include the King's Chapel, Boston; the Synagogue, Newport; and Christ Church, Cambridge. Originally published in 1949. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Peter Harrison takes what we think we know about science and religion, dismantles it, and puts it back together again in a provocative new way. It is a mistake to assume, as most do, that the activities and achievements that are usually labeled religious and scientific have been more or less enduring features of the cultural landscape of the West. Harrison, by setting out the history of science and religion to see when and where they come into being and to trace their mutations over timereveals how distinctively Western and modern they are. Only in the past few hundred years have religious beliefs and practices been bounded by a common notion and set apart from the secular. And the idea of the natural sciences as discrete activities conducted in isolation from religious and moral concerns is even more recent, dating from the nineteenth century. Putting the so-called opposition between religion and science into historical perspective, as Harrison does here for the first time, has profound implications for our understanding of the present and future relations between them. "

Part I: Fences most elegant and useful designs of fences in the most fashionable taste. The whole comprehended in ninety-two plates, neatly drawn. Calculated to improve and refine the present taste, of all persons in all degrees of life. Part II: Fences of Cape Cod, a collection most complete of fences from Cape Cod and the environs. For country mansions, suburban villas, and cottages. Including in great detail balls, caps, finials, and urns.

The spread of Buddism and Tibetan secular power throughout the Himalayas led to a distinctive style of fortifications not found anywhere else. This book looks at Himalayan fortifications, from their creation in the Middle Ages to their destruction and capture by the Chinese in the 20th century.