An unparalleled portrait, Donald K. Swearer's Buddhist World of Southeast Asia has been a key source for all those interested in the Theravada homelands since the work's publication in 1995. Expanded and updated, the second edition offers this wide ranging account for readers at the beginning of the twenty-first century. Swearer shows Theravada Buddhism in Southeast Asia to be a dynamic, complex system of thought and practice embedded in the cultures, societies, and histories of Thailand, Myanmar (Burma), Laos, Cambodia, and Sri Lanka. The work focuses on three distinct yet interrelated aspects of this milieu. The first is the popular tradition of life models personified in myths and legends, rites of passage, festival celebrations, and ritual occasions. The second deals with Buddhism and the state, illustrating how King Asoka serves as the paradigmatic Buddhist monarch, discussing the relationship of cosmology and kingship, and detailing the rise of charismatic Buddhist political leaders in the postcolonial period. The third is the modern transformation of Buddhism: the changing roles of monks and laity, modern reform movements, the role of women, and Buddhism in the West.

Buddhist temples in Southeast Asia are centers for the preservation of local artistic traditions. Chief among these are manuscripts, a vital source for our understanding of Buddhist ideas and practices in the region. They are also a beautiful art form, too little understood in the West. The British Library has one of the richest collections of Southeast Asian manuscripts, principally from Thailand and Burma, anywhere in the world. It includes finely painted copies of Buddhist scriptures, literary works, historical narratives, and works on traditional medicine, law, cosmology, and fortune-telling. Buddhism Illuminated includes over one hundred examples of Buddhist art from the Library’s collection, relating each manuscript to Theravada tradition and beliefs, and introducing the historical, artistic, and religious contexts of their production. It is the first book in English to showcase the beauty and variety of Buddhist manuscript art and reproduces many works that have never before been photographed.

Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- One: The Buddhist World and the United States at the Onset of the Cold War, 1941-1954 -- Two: Washington Formulates a Buddhist Policy, 1954-1957 -- Three: Thailand and the International Buddhist Arena, 1956-1962 -- Four: Reforming the Monks: The Cold War and Clerical Education in Thailand and Laos, 1954-1961 -- Five: Thailand and the International Response to the 1963 Buddhist Crisis in South Vietnam -- Six: Enforcing the Code: South Vietnam's "Struggle Movement" and the Limits of Thai Buddhist Conservatism -- Seven: Thailand's Buddhist Hierarchy Confronts Its Challengers, 1967-1975 -- Eight: The Rage of Thai Buddhism, 1975-1980 -- Conclusion: From Byoto to Kittivudho -- Notes -- Selected Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

A fresh and exciting exploration of Southeast Asian history from the 5th to 9th century, seen through the lens of the region's sculpture

The twelve essays in this volume survey aspects of Buddhism and Buddhist literature in pre-modern South-East Asia and Thailand, drawing on Pali and vernacular texts, liturgy, and inscriptions. They discuss Theravadin conceptions of the Bodhisatta, relations between Sanskrit and vernacular literature in Thailand, and questions of the transmission and dissemination of Buddhist ideas and narratives through sermon and ceremony. The texts studied are both products and agents in the intellectual and social world of South-East Asian Buddhism. Broader questions include the advent of Theravada Buddhism to South-East Asia anf the role of South-East Asia in Buddhist studies.